Los Angeles, CA Production Jobs

Camera Operator needed for undefined dates in Los Angeles. $500 daily + $200 kit fee included. Looking to film B-Roll in the area.

DLP is seeking an Assistant Editor to support our diverse range of projects, including sports television, longform documentaries, and commercials.
Ideal candidates will have a solid understanding of Adobe editing software and workflows, along with a keen eye for detail and a passion for storytelling.
RESPONSIBILITIES:
Editing Support:
Assist editors with assembling footage, organizing project files, and preparing rough cuts.
Import, log, and organize media assets, ensuring all files are correctly labeled and stored.
Create and maintain project timelines, ensuring that all tasks are completed on schedule.
Synchronize and prepare multi-camera footage for editors.
Media Management:
Manage and maintain media storage, including backups and archiving of completed projects.
Troubleshoot and resolve any technical issues related to media files or editing software.
Coordinate with the post-production team to ensure all media is properly managed and accessible.
Creative Collaboration:
Collaborate with editors and other team members to achieve the desired creative vision.
Review and provide feedback on rough cuts and edits, ensuring alignment with project goals.
Assist in the creation of graphics, visual effects, and other elements as needed.
Quality Control:
Conduct preliminary reviews of edits to ensure technical quality and consistency.
Implement quality control processes, including testing and reviewing final deliverables.
Ensure all edits meet technical specifications and standards before final approval.
Industry Knowledge and Continuous Improvement:
Stay updated on industry trends, editing software updates, and best practices.
Recommend new tools, software, or techniques to improve the editing workflow.
Participate in team meetings and training sessions to enhance skills and knowledge.
Qualifications:
Proficiency in editing software such as Adobe Premiere Pro
Strong organizational skills and attention to detail.
Ability to work collaboratively in a fast-paced environment.
Excellent communication skills, both written and verbal.
A passion for storytelling and a creative mindset.

DLP seeks a Post Production Supervisor to oversee a diverse array of post production projects, including sports television, longform documentaries, and commercials.

Ideal candidates will possess strong technical expertise and managerial experience in media management, to off-line editing and finishing.

RESPONSIBILITIES:
Project Management:
Partner with the production team to develop post-production schedules, budgets, and deliverables.
Design and maintain a detailed post-production plan, covering timelines, milestones, and resource allocation.
Track project progress, pinpoint potential issues or delays, and devise solutions to maintain project timelines.
Liaise with external vendors or freelancers as necessary to complete project components.
Team Management:
Lead and mentor the post-production team, including editors, assistant editors, and media managers.
Delegate tasks, set priorities, and offer guidance to ensure efficient and high-quality output.
Cultivate a positive and collaborative work environment, encouraging effective communication and teamwork within the post-production team.
Report project status, progress, and potential issues to stakeholders clearly and promptly.
Quality Control:
Ensure all post-production deliverables meet technical and creative standards, including video/audio quality, color grading, visual effects, and overall aesthetic consistency.
Review rough cuts, graphics, visual effects, and other elements, providing feedback to ensure alignment with project goals.
Implement quality control processes, including testing, reviewing, and approving final deliverables before distribution or broadcast.
Industry Knowledge and Continuous Improvement:
Stay current on industry trends, emerging technologies, and best practices in post-production workflows.
Recommend and implement new tools, software, or techniques to enhance the post-production process.

Looking for an experienced sound op for high profile talent.
Please include in reply message:
• Day rate
• Current resume
• Detailed list of current gear with basic kit cost and add on prices

Day rate for Sound Op with full kit- (lavs, boom, mixer, lockit boxes, smart slate, etc)

TCL Virtual Studio
Sound Designer/Editor/Mixer
Remote. Freelance.

We are looking for a great sound designer to work with our studio team, working on a variety of upcoming films shorts and other video projects.

The pay rate is $30/hour.

Qualifications:
• Demonstrated relevant creative and/or software skills
• Self-directed, self-motivated, get-the-work-done approach
• Strong communication/presentation skills

Responsibilities:
• Sound designing, editing, mixing.

About TCL.
TCL is the #2 global TV manufacturer with a strong presence in mobile phones and a wide array of consumer electronics. This position will support the TCL America streaming networks/studio team.

Thanks!

Looking for experienced reality television production manager to work across a series of small development/pilot shoots. Must be organized, nimble, and have the ability to juggle multiple small projects 1-3 day shoots simultaneously. Travel booking. Release organization. Booking and relationships with day player crew camera/audio/PA's a must.

Looking for steadicam operator for 5 day shoot (June 8 - June 12).

We are looking for an experienced editor to cut together a horror/comedy short film that is shooting late July/early August. We are looking for someone local to Los Angeles as we would like to be able to meet and discuss in person.

The rate is for the following services: assembly, director's cut, & final cut over the course of one month. Additional compensation will be discussed in the event of any further work.

flat fee which includes an initial assembly, directors cut, and final cut.

Please provide samples of your work and let us know which editing software you tend to edit with - thank you!

Looking for PAs for an special event in Los Angeles. No experience is needed. PAs will help with tasks such as registration, wayfinding, and running audience mics for panel sesssions. Qualities required are friendliness, a positive attitude, and, ideally, an interest in film production.

All PAs must be available Friday, June 7th and Saturday, June 8th. We will also need some PAs throughout the week, starting as early as Monday, June 3rd, and ending as late as Sunday, June 9th. Please include your availability for this date range in your submission.

Day rate for up to 10 hours (provided lunch off the clock).

About the Company

Alan Chikin Chow is a breakthrough digital creator and actor, topping the charts with the #1 Most Viewed YouTube Channel in the US. Alan has amassed over 50 million followers and 40 billion views across platforms. Boasting an average of 1-2 billion views per month, Alan holds the spot as the #1 YouTube Shorts Creator in the US.

Role: PRODUCTION ASSISTANT

We are seeking a dedicated and enthusiastic Production Assistant preferably experienced in YouTube Video Production for Gen-Z's. The ideal candidate we are looking for must be bilingual in Russian and English, has a positive attitude, and is eager to work on set. This role involves various tasks that require physical activity, including lifting, moving, and preparing equipment and set pieces.

Responsibilities:
-Assist with set preparation and breakdown
-Move and handle equipment and materials
-Support the production team with various tasks
-Ensure the set is organized and efficient
-Perform other duties as assigned

Requirements:
-Bilingual in Russian and English
-Positive and enthusiastic attitude
-Comfortable with manual labor, including lifting and moving items
-Strong work ethic and reliability
-Ability to work well in a team environment

Compensation:
-$18.75 per hour
-Health Insurance after 90 days

If you are passionate about production, enjoy hands-on work, and are excited to contribute to a dynamic team, we encourage you to apply.

How to Apply:
Please attach your resume and a brief cover letter outlining your relevant experience.

ISO: Design Producer/Coordinator for HGTV House flipping show. One house, but all rooms. Must have design and HGTV experience.

Looking for an editor with Premium Game Show experience credits.

TMZ is looking for an experienced Transmission Coordinator in our Technical Operations Center. The Transmission Coordinator is responsible for playout and monitoring of outgoing shows to multiple distribution partners. Daily duties focus primarily on master control transmission and incoming feeds, media migration, and playlist automation. Our workflow also requires large amounts of regularly-scheduled video routing. This position is located in Playa Vista, CA.

Responsibilities:
• Run primary player and MCR switcher during broadcast playout
• Set up, monitor, and provide technical direction for daily and weekly podcasts
• Rehearse and execute contingency workflows for playout, including playback from edit bays and feeding live from the studio to air
• Interface with downstream fiber and satellite delivery partners
• Perform utility routing and monitoring of audio and video for entire TMZ facility
• Label, start and monitor recordings for incoming feeds and studio productions
• Operate flashcam for live shots to affiliate stations and national news programs
• Test, migrate, and purge items in Dalet asset management/playout system
• Other technical duties, as assigned

Requirements
• 3+ years of television or OTT operations experience
• 1+ year(s) experience working in broadcast control room
• Proficient knowledge of industry standard production and post-production workflows
• Strong organizational skills and attention to detail
• Bachelor’s degree in Communications/Radio/TV or equivalent experience
• Intermediate MS Office skills and ability to learn new software
• Ability to monitor multiple applications in real time

“Pursuant to state and local pay disclosure requirements, the pay range for this role, with final offer amount dependent on education, skills, experience, and location is: $22.00 - $23.75 per hour. This position is regularly scheduled for a 50-hour work week but scheduled overtime hours are not guaranteed”.

TMZ is a workplace that requires the COVID-19 vaccination as a condition of employment. Requested accommodations/exceptions will be evaluated on a case-by-case basis in accordance with law.

TMZ is an Equal Opportunity Employer.

ISO stills photographer with their own photo backdrop/space for a movie poster.

We are doing a quick photoshoot for the film poster with the two leads. A shot list will be provided, and the shoot will be capped at one hour.

Key art experience is a big plus.

Thank you!

Welcome to Room1041! We are a New Age Media Company that focuses primarily on Youtube, Instagram, and TikTok for our clients. We are looking for part-time editors that are comfortable editing on all three of these platforms.

Looking for a highly motivated and self sufficient Video Digital Editor. As a Video Digital Editor, you will play a pivotal role in crafting engaging and impactful video content for our digital platforms. You'll collaborate closely with our creative team to conceptualize, edit, and deliver high-quality videos that resonate and align with our clients.

We are needing an editor that is familiar with short form content, comedy, and YouTube style editing. We are looking for a consistent once a week editing process with our clients OR freelance short form editors sporadically.

Proven experience as a video editor, with a strong portfolio demonstrating your editing skills and creative vision.
Proficiency in video editing software such as Adobe Premiere Pro, Final Cut Pro, or DaVinci Resolve.
Solid understanding of video formats, codecs, and delivery platforms, with the ability to optimize videos for different channels and devices.

The rate will range based on the amount of work and if you are editing short form vs long form.

In search of a sound mixer/boom op for a short film with very little dialogue.

Logline: Amidst the timeless Sahara desert, two 7-year-old identical twins navigate a perilous journey in search of a new home. Bound by strict rules that demand immense emotional restraint, their survival is jeopardized when one twin shatters the emotional restraint guidelines, unraveling the very fabric of their quest and unleashing a lethal threat from within.

Additional details: The production is a small budget one, but we will cover gas to and from the location, full meals, and local accommodations for the entirety of the shoot.

Seeking a talented casting producer with a variety of strong skill sets: Seeking a talented research and outreach person, someone who can get into groups, forums, build relationships in communities, someone who doesn't wait to ask, "is it okay if I outreach this way?" Smart, motivated, hardworking, an excellent communicator. Someone who can work with talent over a sensitive subject and the ability to disarm people in an interview and develop a relationship. A casting producer with docu-series experience is important and having a database of people is a a big plus!

Looking for a VFX artist to tackle a few shots in a live action short film.
1. A head imploding
2. Man's eyes turning black (realism needed here)
3. Blood splatter
4. Additional removal of elements in frames

Trailer:
https://vimeo.com/891711371
PW: americansteel

Looking for someone to work as a personal assistant for a Korean musical artist while they are in Los Angeles in Mid July for 10 days. The person must speak Korean and English fluently and be able to handle the needs of an artist on a daily basis. This includes runs, food, errands and anything else required while they are staying here. Hours may be long but will be compensated.

Seeking experienced teleprompter operator with corporate experience for a 1-day executive leadership shoot in Burbank, CA on June 3rd.

-2x camera shoot
-Total of 3x talent throughout the day delivering reads from a teleprompter

-Based on 10/hr day with kit rental

Looking for an experienced Producer for reality documentary project. This is a creative position as well as a management position. Responsibilities will include overseeing finding and pitching content, followed by detailed research, securing guest and expert interviews, phone pre-interviews, obtaining all releases and always being ahead of the game. Position is required to go out with EP in the field.

Candidate must have experience in formatting an episode outline, writing and crafting recreation story beats and creative to execute each segment. Looking for a candidate with great communication skills who can work well in a team environment and is not afraid to roll up their sleeves to Produce great content. Background in true crime shows/projects required. Please send resume, cover letter and references.

Position is Paid Weekly

We will be filming a feature-length documentary about a group who reclaim and train wild ponies in Nevada, Utah and Southern California. The doc will end following a long ride of several hundred miles. Will involve travel, some rough living and a lot of shooting on the go.

The ideal DP should be comfortable working in a wide variety environments, situations and lighting conditions, all on the go, often with minimal power or grip. We'll also expect you to shoot beautifully-lit studio sit-down interviews, gorgeous panoramas and interesting verite. You will also be in charge of a B and C cam, so the ability to direct coverage of B-roll is a must. We're hoping for a final product that combines the look of Haskell Wexler with a touch of Errol Morris.

Project shoots for three weeks at the end of September, with a week of prep in late August. Based out of L.A. All travel and lodging is paid. Camera package is still TBD, but likely Alexa mini or C300 mkIII. Open to considering a package from you for an additional rental if you have one.

Ability to ride a horse is a strong plus.

Los Angeles Film studio is looking for a freelance tech who can run the virtual production side when clients come.

Using Vive Mars cam track system / Unreal engine. Must have extensive knowledge of it.

Also want to hire you for 3days to help install the system and computer and get things running.

We want someone we can call to hire for any virtual productions that get booked at the studio on an ongoing basis.

Also requires a good attitude and disposition

Preliminary schedule includes 3-5 prep days, and 2 shooting days.

This is a truly unique production design position, and a dream-gig for anyone who is a big fan of the anime/manga 'Naruto'.

We are brining the show to life with a real 'Chunin Exam', complete with contestants, rules, and jutsu. The exam will take place over a two day shoot, matching some elements shown in the anime, as well as a few innovations of our own.

Looking for a production designer who is also a huge fan of Naruto / Shippuden to help build this world, help design the tests in a fun, engaging and safe way, as well as helm the art department and oversee the design of props, ninja 'tools', etc.

This will be a very art-heavy shoot, and we're looking to create an engaging game that is genuinely difficult for the contestants to complete. As we are early on in designing the tests, your creative input would be highly influential on the direction this project takes.

The contestants will be well-known YouTubers / Content Creators in the anime/manga space. If this kind of project excites you, please let me know why you'd be the perfect fit for this job, your history with Naruto, and perhaps any initial ideas you would have to make the Chunin Exams exciting.

-Prep days and wrap days TBD

I am working on a historical documentary film about arctic exploration in the 1920s. The majority of the documentary will be original film and photos from the expedition accompanied by modern interviews from arctic experts and descendants of the explorers. Many of the most dangerous parts of the expedition were obviously not caught on camera, I would like to have animations made to play over the audio accounts of the events. Some of these events are listed below to give an example. The animations would be in an etching style.

Polar bear attacks
Falling into crevasses
Plane crashes

Depending on how many animations it is possible to make, the production may be willing to increase the budget.