Apply to this Assistant Editor Job

DLP is seeking an Assistant Editor to support our diverse range of projects, including sports television, longform documentaries, and commercials.
Ideal candidates will have a solid understanding of Adobe editing software and workflows, along with a keen eye for detail and a passion for storytelling.
RESPONSIBILITIES:
Editing Support:
Assist editors with assembling footage, organizing project files, and preparing rough cuts.
Import, log, and organize media assets, ensuring all files are correctly labeled and stored.
Create and maintain project timelines, ensuring that all tasks are completed on schedule.
Synchronize and prepare multi-camera footage for editors.
Media Management:
Manage and maintain media storage, including backups and archiving of completed projects.
Troubleshoot and resolve any technical issues related to media files or editing software.
Coordinate with the post-production team to ensure all media is properly managed and accessible.
Creative Collaboration:
Collaborate with editors and other team members to achieve the desired creative vision.
Review and provide feedback on rough cuts and edits, ensuring alignment with project goals.
Assist in the creation of graphics, visual effects, and other elements as needed.
Quality Control:
Conduct preliminary reviews of edits to ensure technical quality and consistency.
Implement quality control processes, including testing and reviewing final deliverables.
Ensure all edits meet technical specifications and standards before final approval.
Industry Knowledge and Continuous Improvement:
Stay updated on industry trends, editing software updates, and best practices.
Recommend new tools, software, or techniques to improve the editing workflow.
Participate in team meetings and training sessions to enhance skills and knowledge.
Qualifications:
Proficiency in editing software such as Adobe Premiere Pro
Strong organizational skills and attention to detail.
Ability to work collaboratively in a fast-paced environment.
Excellent communication skills, both written and verbal.
A passion for storytelling and a creative mindset.

DLP seeks a Post Production Supervisor to oversee a diverse array of post production projects, including sports television, longform documentaries, and commercials.

Ideal candidates will possess strong technical expertise and managerial experience in media management, to off-line editing and finishing.

RESPONSIBILITIES:
Project Management:
Partner with the production team to develop post-production schedules, budgets, and deliverables.
Design and maintain a detailed post-production plan, covering timelines, milestones, and resource allocation.
Track project progress, pinpoint potential issues or delays, and devise solutions to maintain project timelines.
Liaise with external vendors or freelancers as necessary to complete project components.
Team Management:
Lead and mentor the post-production team, including editors, assistant editors, and media managers.
Delegate tasks, set priorities, and offer guidance to ensure efficient and high-quality output.
Cultivate a positive and collaborative work environment, encouraging effective communication and teamwork within the post-production team.
Report project status, progress, and potential issues to stakeholders clearly and promptly.
Quality Control:
Ensure all post-production deliverables meet technical and creative standards, including video/audio quality, color grading, visual effects, and overall aesthetic consistency.
Review rough cuts, graphics, visual effects, and other elements, providing feedback to ensure alignment with project goals.
Implement quality control processes, including testing, reviewing, and approving final deliverables before distribution or broadcast.
Industry Knowledge and Continuous Improvement:
Stay current on industry trends, emerging technologies, and best practices in post-production workflows.
Recommend and implement new tools, software, or techniques to enhance the post-production process.

OBB Media is a dynamic and innovative media production company specializing in the creation of high-quality content across various platforms. With a strong focus on television and film, we strive to deliver engaging and entertaining experiences to our audiences. We are seeking a talented and motivated Post Production Coordinator/Assistant Editor to join our post production team and contribute to the success of our projects.

As a Full-Time Post Production Coordinator/Assistant Editor at OBB Media, you will play a vital role in supporting the post-production process by assisting editorial teams across multiple projects in various capacities. Your responsibilities will include coordinating, organizing and managing media assets, syncing and grouping dailies, outputting deliverables, and helping other editors troubleshoot technical issues with their NLEs as needed. You will also collaborate closely with our Post team and external partners to edit and create compelling content that meets the highest standards of quality and creativity.

Joining the OBB Media team as a full-time Post Production Coordinator/Editor offers a unique opportunity to contribute to exciting and diverse projects in a fast-paced and collaborative environment. If you have a passion for storytelling, a strong technical skill set, and a desire to be part of a creative team, we would love to hear from you.


RESPONSIBILITIES:
Editing Support:
- Assist the Editor in assembling and refining raw footage into cohesive and compelling sequences.
- Perform basic editing tasks, such as trimming, transcoding, audio synchronization, and applying basic effects.
- Help maintain a consistent visual and narrative style throughout the project.
- Collaborate with the editors to address feedback and implement changes as required.
- Perform basic online editing and conforming; prepping sequences for finishing and delivery.

Media Management:
- Organize, catalog, and manage digital media assets using industry-standard software and tools.
- Maintain a well-structured file organization system to ensure easy retrieval and accessibility of media files.
- Collaborate with the production team to ensure seamless transfer of media assets between different stages of the post-production process.

Workflow Coordination:
- Communicate effectively with the production and post production teams to ensure smooth and efficient workflows.
- Coordinate with post production supervisor to ensure timely and organized turnovers between departments and outside vendors.
- Evaluate technical deliverable requirements across projects.

Quality Control:
- Conduct thorough quality checks on edited sequences to ensure technical accuracy, visual consistency, and adherence to project specifications.
- Identify and address any issues or errors promptly to maintain the highest level of quality in the final product.
- Collaborate with the Editor to implement client or executive notes accurately and efficiently.

Production Support:
- Coordinating account and licensing credentials.
- Allocating and managing server usage and space.
- Swapping camera cards and field drives for reuse and supporting other physical resource management needs.
- Calendaring and assigning edit system and in-person edit bays to ensure smooth workflow in on-site studio spaces.

Qualifications:
- 3+ years of previous experience in a similar role as an Assistant Editor.
- High technical proficiency in Adobe Premiere Pro and Avid Media Composer.
- Strong organizational skills with the ability to manage and prioritize multiple tasks effectively.
- Solid understanding of video production and post-production processes.
- Excellent attention to detail.
- Ability to edit content containing rapid flashes or alternating patters of different colors.
- Strong communication and collaboration skills to work effectively within a team environment.
- Ability to work under pressure and meet tight deadlines.


Work Requirements
- Must be able to work in a standing, seated and/or walking position for long periods of time.
- Must be able to use fingers, hands and arms at a computer keyboard for long periods of time.
- Must have the ability to speak clearly and distinctly, and hear and be heard and understood in person and by telephone.
- Must be able to reach, bend, stoop, walk up and down stairs and frequently lift up to 30 pounds (and occasionally up to 50 pounds).
- Must be able to visually and physically inspect areas of the work site.
- Some local travel may be required for this role (if driving a personal vehicle mileage is reimbursable).

This is a full-time on-site role and the hiring range for this position in Los Angeles, CA is $90,000 to $105,000 per year. The base pay actually offered will take into account internal equity and may vary depending on the final candidate’s geographic region, job-related knowledge, skills, and experience among other factors. A full range of medical, financial, and/or other benefits, dependent on the level and position offered may apply.

ABOUT OBB:
OBB Media is the award-winning multimedia production company and vertically integrated content studio, founded by entrepreneur and filmmaker Michael D. Ratner. OBB Media is the parent company to six distinct subsidiaries: OBB Pictures, the film, television, and digital arm; OBB Studios, the company’s facilities and physical production arm; OBB Sound, the podcast division; OBB Branded, the branded content and commercials vertical; OBB Live, the live entertainment and specials division; and OBB Cares, the social impact division. OBB Media, led by Ratner, co-founder Scott Ratner, and a talented team of storytellers, is best known for amassing a global audience of over 3 billion and leading how a new generation of viewers consumes programming, while forging unique partnerships with talent that transform the way they use content to create and grow their businesses. OBB Media HQ is located in West Hollywood, CA and OBB Studios, the 15,000+ square foot state of the art production and event facility is in the heart of Hollywood, CA. For more information, visit the company website at www.obbmedia.com.

PLEASE NO AGENCIES, NO RECRUITERS

We are looking for an experienced editor to cut together a horror/comedy short film that is shooting late July/early August. We are looking for someone local to Los Angeles as we would like to be able to meet and discuss in person.

The rate is for the following services: assembly, director's cut, & final cut over the course of one month. Additional compensation will be discussed in the event of any further work.

flat fee which includes an initial assembly, directors cut, and final cut.

Please provide samples of your work and let us know which editing software you tend to edit with - thank you!

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We are needing an editor that is familiar with short form content, comedy, and YouTube style editing. We are looking for a consistent once a week editing process with our clients OR freelance short form editors sporadically.

Proven experience as a video editor, with a strong portfolio demonstrating your editing skills and creative vision.
Proficiency in video editing software such as Adobe Premiere Pro, Final Cut Pro, or DaVinci Resolve.
Solid understanding of video formats, codecs, and delivery platforms, with the ability to optimize videos for different channels and devices.

The rate will range based on the amount of work and if you are editing short form vs long form.

Looking for experienced editors and assistant editors for upcoming competition series. Rate based on experience. AVID

Non-Scripted Production Company is looking for an experienced AVID (Post) Associate Producer with a great sense of story and experience working on True Crime Shows.

Candidate must have a strong understanding of character, stakes, action and tension, along with the ability to tell a compelling story.

Candidate should be proficient in Avid and great with story; extremely organized; have the ability to work independently on a tight schedule and also be a team player.

Job responsibilities will include: string outs, research and other duties as needed while working closely with the Producers and EP to create compelling television.

Please do not apply to this post unless you are excellent at putting together string-outs and have worked on at least three seasons of Reality Television.

This is currently a REMOTE position.

We are looking to add an in house Colorist that will be available during online / color for various shows.

We are building out a Color bay and will need someone to fill it when we have shows in the pipeline. Currently the first show will be late July early August

Coloring shows for various Networks (Netflix, Discovery, Hallmark) that may require HDR / UHD workflows.

ISO unscripted Editors for a new daily syndicated Crime Series. Please only apply if you have prior True Crime Credits

Please send resumes
Thank you!

Scripps Longform Unit is hiring multiple Junior Editors / AEs starting June and running into the fall.

Applicant must be proficient in Premiere. Duties include:

— ingesting, syncing, grouping multi-cam footage
— creating stringouts and early assemblies — making preliminary coverage choices, archival and music selection
— importing archival
— laying in narration
— exporting cuts
— preparing footage for online

This person will be working across multiple episodes and should be super organized, detail-oriented, communicative, and a team player.

Rate will be based on experience.

BIPOC, LGBTQ+ individuals are encouraged to apply.

Busy production company looking for a Post Production PA to start ASAP. Job is daily and as needed with the potential to become long term.

Daily tasks will include, but are not limited to:
- Transcribing footage
- Assisting with organizing releases
- Assisting with logging footage
- Post & Production runs as needed
- Helping with packing up gear for travel

$225/12h Day - Paid as hourly rate of $16.0714 for the first 8 hours and then $24.1071 for all hours after the first 8 hours.

Must have prior post production experience.