Apply to this Camera Production Assistant Job

We're looking for and fun and upbeat, get-the-job-done production assistant to assist our DP on a three-day documentary shoot. Would be really helpful if the production assistant has experience with lighting or with being the 1st AC on previous projects.

Must have a car and be willing to run errands as needed. Also, you must be able to lift 50lbs as you will be helping us with moving camera equipment and lights. The days of our shoot are June 18th - 20th in Washington DC. Will receive IMDB Credit.

PA will be paid an hourly rate for work performed.

We are seeking a skilled and local Camera Production Assistant with camera experience for a corporate shoot in Norway, ME on June 17th. Responsibilities will include:

Assisting with camera setup and maintenance
Charging and changing batteries
Media swapping
Handling bounce and diffusion equipment

The rate for this position is $275 for a 10-hour day. Immediate payment will be provided upon completion of the job.

If you're available and interested, please apply to join our team for this exciting project!

We are seeking a skilled and local Camera Production Assistant with camera experience for a corporate shoot in Myrtle Beach, SC, on June 20th. Responsibilities will include:

Assisting with camera setup and maintenance
Charging and changing batteries
Media swapping
Handling bounce and diffusion equipment

The rate for this position is $275 for a 10-hour day. Immediate payment will be provided upon completion of the job.

If you're available and interested, please apply to join our team for this exciting project!

New series is looking for a local Camera PA in the Seattle-Tacoma region for a 4-5 month run, which is currently slated for a late-June start. Will likely shoot 4-5 days/week, and when submitting, please note any unscripted TV experience and/or experience working with camera departments. $300/12 Thanks in advance for your submission!

Hello!

We are an American production looking for someone to shoot on a Sony FX6 at a race at CANADIAN TIRE MOTORSPORT PARK sometime between 7/12 and 7/14, but most likely just one day.

A lot of B-Roll type footage at a racetrack. It's a very run and gun style. We are a documentary series shooting the Mazda Cup Race.

It will be an early call time, and I know you may not live close by so we can provide a hotel room for you the night before and after if necessary.

750/12

Looking for a DP with experience and gear to shoot GREEN SCREEN interviews (and maybe non-green screen as well) and b-roll for a three-day corporate shoot in late July or August in Boston, MA. Dates not set yet.
Must bring all gear, including two (2) matching 4K professional cinema cameras, 8'x8' green screen, lighting, grip, cart...

Must have experience shooting green screen interviews. Please send samples that include lots of interviews (including green screen) and what camera/gear you have access to.

$1200 - $1700 / 10 hr. (all in for labor + gear).

Crew will be producer, director, DP, gaffer, and sound mixer.

We're looking for a DP experienced in nature shoots to work with us on an upcoming campaign.

You will work hand-in-hand with our small crew to capture a series of interviews and dynamic B-roll. We're ideally looking for a shooter can work in versatile settings - from a multi-camera interview setup on sticks to capturing rich footage on a gimbal. Our ideal candidate can demonstrate their own creative eye, but is equally comfortable working in a collaborative manner with our Producer/Director.

To be considered please include the following:

- Link(s) to example(s) of your work
- What gear you shoot with
- Your day rate

If you're interested we want to hear from you and we want to see your work! Please share examples of your work for our review; as well as the information outlined above. Select candidates will move to a Zoom interview before a final decision is made.

THANK YOU!

Final rate will be determined based on qualifications, if this turns into a half or full-day job, gear, and final project scope.

Looking for a Camera Operator to cover a interview + b-roll shoot on June 19th + June 20th.

Gear Required: Gear Required: Must own or have access to an HD camera (similar or comparable to DSLR, Sony A7Sii, or Canon C100 mii), Tripod, Stabilizer

The shoot will be two 10-hour days; the rate is $375/10h and $38/h after that. We do not expect the shoot to go into overtime. Total for both days: $750

Please include reel/samples of work with application.

We are in need of a camera operator with experience in long-form documentary-style shooting. It is important that you are familiar with the Sony camera workflow. Please include a link to samples of your work on projects involving interviews and B-roll, particularly in a cinema verite documentary style. While the dates are still to be determined, production is set to begin on July 1st. The ability to work locally in the Los Angeles area is a must. $300.00 - 1/2 day (6 hour day)
$600.00 - day rate (12 hour day)

We are looking for a videographer who can also shoot stills for one of our corporate clients. They will have a mobile billboard near the Travelers Championship at TPC River Highlands in Cromwell, CT. They will also have a plane flying above the tournament with a banner. We need someone who can shoot video of both and take stills of both. Shoot is for 1 day, but you can choose any date between 6/20 and 6/23. We should be able to get you the mobile billboard driver’s phone number to help with coordination of location. The airplane flight schedule will be known as well. Our client is trying to show the truck and plane over/near the golf tournament. All video and stills must delivered within 48 hours of completion. Total compensation is $1000 with full release of of all images. You must work as local.

Seeking a local AC for a 1 day true crime interview near Murfreesboro, TN. $400/12

Jupiter Entertainment seeks an experienced Director of Photography as local as possible to Dallas, TX to join us for a true crime series on MON 6/17.

Gear will be provided and a full list of equipment will be shared upon hire/request.

This shoot will consist of single on-camera talent with one camera for sit-down interviews (taking place indoors). True crime experience is strongly preferred.

You will be joined by a small crew consisting of a Field Producer and Sound Mixer so a team-oriented attitude is a must!

If you are interested and available, please include your rate for a 10-hour day excluding any rentals, as well as your reel/credit list along with your application. Thank you!

Seeking experienced live event videographer for 1-camera pull-aside interviews happening as part of a corporate live event in Washington DC on 6/27/2024 from 9AM-5PM.
-Ideal candidate has lots of corporate experience, live event experience and can run sound for single setup, informal pull-aside interviews
-Rate is $600-$700/10 hours for labor + gear rental fees

Cinematographer with gear (One-Person-Band)
ONE DAY BETWEEN JUNE 27th
max 8 hours
Flat Rate: $800

Looking for a One-Person-Band with gear for doc style interviews and b-roll shoot on the Cranbrook Campus.

About the project:
Elkhorn supports the Non-Profit Organization "Women Rock Science" in creating videos that feature women in STEM fields and education and or young women gaining educational opportunities in STEAM fields.

You will be supported by a Mixer / Recordist to capture audio.

Summary of Equipment required:
- (2) Cameras for interview / (1) Camera for B-Roll
- Interview lighting kit + misc grip you may need.

To be considered for the job:
- Provide link(s) to portfolio or relevant work.
- Provide gear list.
- Cell & Email address to be contacted about the project.

Thank you!
EME

Seeking hybrid AC/ DIT for shoot. This would be 2 day, run and go shoot; filming verite, hero shots and green screen interviews.

Required experience and extensive knowledge of building...
FS7, A7s Cameras, Ronan, ShotPut Pro, green screen remote comping ++, Premier ++

-$21.4285 - $25.00/ Hourly

Please include references in cover letter.

We are an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

FS7's, A7s and GoPros

Need 2nd AC to come be a part of our merry band of travelers bringing a new show for Discovery to town. Think American Pickers or Antique Roadshow in terms of the style and logistics we will be dealing with. Celebrity talent - show will likely get exposure. We'll be tied to the filming locations (the homes) without any real company moves once we get rolling.

ISO people experienced with on-set protocol and communication, can-do attitude and comfortability in fast-paced shooting environments. Your job will be solely supporting cameras (we will have a Lead AC and Media Manager in tow), but looking for someone ideally not afraid to help a PA with a case either. Please include a little about the energy you bring to a job like this and an example or two of some busier shoots you've been on!

$400/12 - have had virtually zero OT on this position through 7 episodes

Thanks!

***This shoot will be taking place on June 6.

Elemmir is a team of award-winning documentary filmmakers helping businesses tell stories across the globe. We are hiring a DP to set-up, film and capture an interview and broll for a client of ours in Menlo Park, CA. This will be a full day of work at the pay rate of $1,000/day.

The responsibilities include receiving/using/returning a remote interview set up from a gear rental site (paid by Elemmir), setting up your own gear (4K cam, lights, sound) for an hourlong interview, and filming some broll. The producer will remotely conduct the interviews and provide a shot list. Media should be loaded onto a drive that will be provided and shipped day-of the shoot.

We are looking forward to working with you!

This project tells the back story of our main protagonist for the feature film. This flashback scene we're filming will be the catalyst behind the actions seen in the feature. This piece is very important and crucial that a cinematographer can understand dramatic angles, camera lenses, movement, etc.

We would like to have this project shot over the course of a weekend (two days) with a cinematographer preferably with access to a film crew who use RED cameras or equivalent.