Apply to this Sound Engineer Job

SHOW DESCRIPTION - 

In Depth with Graham Bensinger averages 3 million television viewers/episode and 2.5 million digital views/episode airing weekly across the U.S. on the local NBC, CBS, ABC and FOX stations. It re-airs on NBC Regional Sports Networks and FOX Sports Nets, YouTube, ESPN in Australia/Latin America/Caribbean, BT Sport in Ireland/UK and TSN in Canada. Recent episodes range from a few days in Serbia with tennis star Novak Djokovic, to a trip to Texas for Cowboys quarterback Dak Prescott, to visiting Hong Kong with Arnold Schwarzenegger, to traveling to Monaco with Prince Albert, to the week in the Bahamas with Sir Richard Branson.



We film on Canon C70s
- We record at 48000 khz, 24 bit, shoot at 29.97 drop-fps
- Time code jamming required
- Audio must be recorded to separate tracks - we have to be able to split audio. Mixdowns and backup tracks are welcome but no mixdown as primary track.
- Minimum of (1) IFB required for the producer to monitor audio.
- At least two subjects, no more than four, requiring wireless lavalier microphones throughout the interview and following activities.
- Booming additional subjects and activities will be required.
-Mic redundancies required for sit-down interviews when there are 2 subjects (aka 2 lavs and 2 booms).
- We will provide an SD, CF card or both for each day we film and then collect upon wrapping.

REQUIREMENTS / QUALIFICATIONS 

- Ability to troubleshoot technical difficulties
- Ability to work under stressful and extreme conditions, as well as quickly adapt to last-minute schedule changes
- Be teachable and willing to learn new workflows
- Ability to work under strict deadlines.

Client adding Sound Engineer to production to capture walk and talk on a sailing ship. The engineer should have all necessary gear to capture clean sound under windy conditions. The filming date will be One half-day in the range of June 15-17.

Jupiter Entertainment seeks an experienced Sound Mixer as local as possible to Rock Hill, SC to join us on 6/22. Gear will be provided (a full list of what we will send will be provided upon hire/request).

This shoot will consist of single on-camera talent with one camera for sit-down interviews (taking place indoors). True crime experience is strongly preferred.

You will be joined by a small team consisting of a DP and Field Producer so a team-oriented attitude is a must!

If you are interested and available, please include your rate for a 10-hour day excluding any rentals, as well as your reel/credit list along with your application.

$600/10

Thank you!

Crew Position: Audio
Date: 6/21-24
Rate is negotiable

Below you can find list of responsibilities for this role on the shoot.

Audio

Collaborate with the production team to understand the show's audio requirements.
Set up and configure audio recording equipment, including microphones, mixers, and recorders.
Perform equipment checks to ensure proper functioning and troubleshoot any issues.
Determine the most effective placement of microphones on cast members, ensuring clear and high-quality audio capture.
Adjust microphone levels to account for variations in voice volume.
Monitor live audio feeds during filming to detect and address any technical issues promptly.
Use headphones to assess the quality of the recorded audio in real-time.
Mix and balance audio levels between different microphones to create a cohesive and natural sound.
Maintain clear communication with the FP and production team regarding audio requirements and potential challenges.
Coordinate with other crew members to ensure a seamless integration of audio with video production.
Record high-quality audio tracks during filming, ensuring that all relevant audio is captured.
Ensure that audio recording practices comply with industry standards and regulations.
Hand off audio files to PM and/or Media Manager to ensure files are dropped on to hard drives safely.

JOB POSTING: We are a Equal Opportunity Employer that does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Reality follow-doc filming in West Palm Beach looking for experienced Sound Recordist.

-$35.71 - $39.28/ hourly

$400/day for kit

Standard audio kit to include:
1x mixer/recorder
1x boom
4x wireless mics
2x cam hops
1x Timecode jam for both cams
1x Smart slate
2x ifb

***Must be capable to record individual iso tracks and mix

We are an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Looking for a local Sound Mixer able to work in Whitefish, MT. We're planning to film with the musicians, likely at their house, and we'll want to have someone there to make sure we get really good audio.

Rate $650/12 + $400/kit

Planning on shooting on 6/28 but plan is subject to change and could be pushed to 6/30 or 7/1.

We are looking for a skilled film sound engineer to join our team for an upcoming documentary project. We will be outdoor and indoor. Your main task will be capturing high quality audio to ensure clear dialogue and minimal background noise. You must have your own equipment and be familiar with using a boom and lavalier microphones, where and how to place them. Attention to detail and the ability to work in a fast-paced environment are essential.

Equipment Required
- sound mixer
- Boom
- Deadcat, Wombat, Blimp
- High Quality Shotgun Microphone,
- Lavalier Mics
- etc.

Skills required:
- Film sound engineering
- Boom operation
- Audio recording and mixing
- Attention to detail
- Ability to work in a fast-paced environment

Need A2 to come be a part of our merry band of travelers bringing a new show for Discovery to town. Think American Pickers or Antique Roadshow in terms of the style and logistics we will be dealing with. We'll be tied to the filming locations (the homes) without any real company moves once we get rolling. Celebrity talent, show for Discovery/Max that will get exposure.

ISO people experienced with on-set protocol and communication, can-do attitude and comfortability in fast-paced shooting environments. Your job should be solely supporting Audio Sup with the basics - boom and batteries. Tons of sitting around time - it's just a hurry up and wait game - you know the drill. Please include a little about the energy you bring to a job like this and an example or two of some busier shoots you've been on!

$300/12 - no OT for this position yet through 7 episodes. Light days with lots of sitting around

Thanks!

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

Tasked with capturing high-quality audio that complements and enhances the storytelling. They handle recording dialogue, ambient sounds, and any other audio elements required for the film. Working closely with the director and production team, the they will ensure clarity and consistency in audio quality throughout the production.

HI All, I will be shooting an LGTBQ+ doc Avon. I am looking for a local Audio Mixer with gear for two days. Best,
Gear package is $500 a day. We need 2 IFB's, 3 lav's, boom, and mixer.

HI All, I will be shooting an LGTBQ+ doc in town. I am looking for a local Audio Mixer with gear for two days. Gear rental is $500 a day. We need 2 IFB's, 3 lav's, boom, and mixer.

We are seeking a a sound recordist for one day 6/19 for a vertical mini series. Rate is $400 per day including kit.

Looking for an experienced Sound Mixer for a public television food series we are filming in Michigan on June 30, July 1st & July 2nd. We'll be filming with various food cultivators and chefs around the state (with driving between segments), so must have reliable vehicle.

On June 30th, we'll be filming in the Detroit Area, and on July 1st and 2nd, we'll be filming in the Traverse City Area.

Assuming applicant is based in Detroit, mileage to and from Traverse City will be provided, along with lodging and per diem for July 1st and 2nd. A $400 travel stipend will also be offered for the return drive on July 3rd.

We'll be capturing interviews, b-roll and walk and talks using 3x C70s. Kit must included tentacles to sync up the time code (3 total, 1 per camera), personal mixing/recording gear, a boom mic/pole, 1 IFB and 3 lavs. The rest of the crew will be traveling in, so you may also be asked to help us secure a couple of c-stands and sand bags for the camera team.

Rate is $800/12 Hours, with OT after 12 @ 2x. $400 kit rental/day. Please apply if interested, and I will follow up with additional details. Thank you!

Need A2 to come be a part of our merry band of travelers bringing a new show for Discovery to town. Think American Pickers or Antique Roadshow in terms of the style and logistics we will be dealing with. We'll be tied to the filming locations (the homes) without any real company moves once we get rolling.

ISO people experienced with on-set protocol and communication, can-do attitude and comfortability in fast-paced shooting environments. Your job should be solely supporting Audio Sup with the basics - boom and batteries. Occasionally you will babysit a bag and need to know the basics of a tweak here or there when our mixer is managing a scene in the house and we have an OTF in the backyard. Please include a little about the energy you bring to a job like this and an example or two of some busier shoots you've been on!

$300/12 - easy days, no OT, support role only

Thanks!

Two days of one person, sit down interviews. 1x Lav, 1x boom.

$350 for gear rental.

Looking for an audio mixer local to Louisville, KY for a new paranormal/road trip show. Shooting at a few locations in and around Louisville.

Please only apply if you can work as a local in Louisville. We cannot provide accommodations or mileage for travel.

Looking for a sound mixer with basic equipment. Boom, wireless mics for a corporate video (broll and interviews)

Including basic equipment.
Boom, 1-2 lav mics
10 hour day

Location: Houston, Texas
Date: June 26, 2024

Looking for a Sound Op/Sound Recordist to our DP with a interview + b-roll shoot in Seattle on Friday, 6/14. This will be a 5 hour shoot made up of interviews + b-roll for our client's non profit partner at a local school

Gear required: wireless LAV Mic, shotgun mic, boom pole, and external recorder.

$350/5h guaranteed, $35/h after that. We do not expect the shoot to go into overtime.

Jupiter Entertainment seeks an experienced Sound Mixer as local as possible to San Antonio, TX to join us for a true crime series on 6/18-6/21. Please note that these dates are subject to change!

Gear will be provided and a full list of equipment will be shared upon hire/request.

This shoot will consist of single on-camera talent with one camera for sit-down interviews (taking place indoors) and BRoll. True crime experience is strongly preferred.

You will be joined by a small crew consisting of a Field Producer and DP so a team-oriented attitude is a must!

If you are interested and available, please include your rate for a 10-hour day excluding any rentals, as well as your reel/credit list along with your application. $600/10 Thank you!

Crew Position: Audio
Date: 6/17
Rate is negotiable

Below you can find list of responsibilities for this role on the shoot.

Audio

Collaborate with the production team to understand the show's audio requirements.
Set up and configure audio recording equipment, including microphones, mixers, and recorders.
Perform equipment checks to ensure proper functioning and troubleshoot any issues.
Determine the most effective placement of microphones on cast members, ensuring clear and high-quality audio capture.
Adjust microphone levels to account for variations in voice volume.
Monitor live audio feeds during filming to detect and address any technical issues promptly.
Use headphones to assess the quality of the recorded audio in real-time.
Mix and balance audio levels between different microphones to create a cohesive and natural sound.
Maintain clear communication with the FP and production team regarding audio requirements and potential challenges.
Coordinate with other crew members to ensure a seamless integration of audio with video production.
Record high-quality audio tracks during filming, ensuring that all relevant audio is captured.
Ensure that audio recording practices comply with industry standards and regulations.
Hand off audio files to PM and/or Media Manager to ensure files are dropped on to hard drives safely.

JOB POSTING: We are a Equal Opportunity Employer that does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.