Apply to this Sound Mixer Job

We're seeking a production sound mixer for our independent music film. Currently scheduled for 19 days of filming.

Narrative overview: A struggling LA music producer navigates a career-defining showcase and sudden guardianship of his newly discovered half-sister. Music plays an integral role in their journey of healing and connection.

Sound Needs:
-Heavy emphasis on live music recording (vocals and various instruments).
-Skill in capturing the energy and nuance of both intimate and showcase performances.
-Experience and comfort with on-location sound mixing.
-Budget available for a sound partner/boom operator of your choice at the same rate.

THE POSITION
Our roster has an opening with your name on it

Audio Technician performs a variety of tasks related to live, pre-recorded, studio and field production, all in support of multiple 24x7 TV broadcast channels and OTT platforms.  Primary duties include, but are not limited to, responsibility for all facets of audio production projects and daily operation of audio mixing, switching and special effects equipment.

THE GAME PLAN
Everyone on our team has a part to play

- Operate all audio mixing, switching, equalizing and special effects equipment for TV production primarily in a live studio environment
- Address daily show requirements from an audio and technical standpoint as communicated by the Director, Producer and production staff
- Coordinate daily feeds, including IFB and PL coordination lines, with the remote tech manager (as required) or - Transmission Operation Center staff
- Test mics, IFB's and PL system with remote A2
- Confirm all audio sources are good and fax inbound remote feeds and mix-minus' prior to show.
- Program production intercom for use in remote locations
- Monitor audio feeds, make appropriate adjustments and mix talent microphones, various audio sources, music playback and sound effects to create a program mix for air
- Create additional mixes for clean feed, iso records and monitoring stations, as required
- Proficient problem solving and troubleshooting techniques and effective communication to best convey the issues necessary for resolution
- Operate routing equipment which may require patching of video, audio and ancillary signals
- Setup and operate different types of adjunct audio and telephone equipment, including analog/digital cartridge machines, audio servers, speech enhancers and intercoms
- Provide proper technical interface between in-plant devices and outside audio and communication sources
- Performs ingest procedure for transfer of media material into the audio air server.
- Quality checks and adjusts video/audio signal levels for optimum quality
- Able to complete tasks and projects with strict deadlines.
- Develop, write and implement Standard Operating Procedures (SOP) for the department.
- Complete formal paperwork for Audio department and other departments including, but not limited to creating, maintaining, and disseminating daily audio schedules, emails, and charts of all audio feeds and remote based information
- Takes direction from control room team for content assignment
- Performs duties on remote broadcasts, as assigned

THE STATS
What we're looking for in our next teammate

- Working knowledge of systems/equipment used in functions identified above, including analog/digital/high definition video/audio signals and monitoring equipment
- Minimum of 1 year of experience in broadcast operations at a local TV station, cable/satellite channel or other industry-related environment
- Working level of operational skills and abilities when using all broadcast equipment and technology within assigned operating areas, including but not limited to microphone and IFB signal flows, wireless PL systems, mix minus and Intercom devices
- Ability to travel to remote broadcast sites, as assigned
- Ability to lift up to 50 lbs. un-assisted of technical and or set gear
- Ability to work well in a broadcast team environment, including talent, producers and directors, under strict time deadlines
- Ability to work a flexible schedule consisting of weekends and holidays
- At least 1 year of Audio Technician experience working in a live television studio or remote environment preferred

PLAYER BENEFITS
We treat our team right

From our many opportunities for professional development to our generous insurance and paid leave policies, we’re committed to making sure our employees get as much out of FanDuel as we ask them to give. Competitive compensation is just the beginning. As part of our team, you can expect:

An exciting and fun environment committed to driving real growth
Opportunities to build really cool products that fans love
Mentorship and professional development resources to help you refine your game
Be well, save well and live well - with FanDuel Total Rewards your benefits are one highlight reel after another 

FanDuel is an equal opportunities employer and we believe, as one of our principal states, “We Are One Team!”  We are committed to equal employment opportunity regardless of race, color, ethnicity, ancestry, religion, creed, sex, national origin, sexual orientation, age, citizenship status, marital status, disability, gender identity, gender expression, Veteran status, or another other characteristic protected by state, local or federal law. We believe FanDuel is strongest and best able to compete if all employees feel valued, respected, and included.  We want our team to include diverse individuals because diversity of thought, diversity of perspectives, and diversity of experiences leads to better performance.  Having a diverse and inclusive workforce is a core value that we believe makes FanDuel stronger and more competitive as One Team!

The applicable hourly range for this position is dependent on a variety of factors including relevant experience, location, business needs and market demand. This role may offer the following benefits: medical, vision, and dental insurance; life insurance; disability insurance; a 401(k) matching program; among other employee benefits. This role may also be eligible for short-term or long-term incentive compensation, including, but not limited to, cash bonuses and stock program participation. This role includes paid personal time off and 14 paid company holidays. FanDuel offers paid sick time in accordance with all applicable state and federal laws.

In search of a sound mixer/boom op for a short film with very little dialogue.

Logline: Amidst the timeless Sahara desert, two 7-year-old identical twins navigate a perilous journey in search of a new home. Bound by strict rules that demand immense emotional restraint, their survival is jeopardized when one twin shatters the emotional restraint guidelines, unraveling the very fabric of their quest and unleashing a lethal threat from within.

Additional details: The production is a small budget one, but we will cover gas to and from the location, full meals, and local accommodations for the entirety of the shoot.

Looking for an experienced sound op for high profile talent.
Please include in reply message:
• Day rate
• Current resume
• Detailed list of current gear with basic kit cost and add on prices

Day rate for Sound Op with full kit- (lavs, boom, mixer, lockit boxes, smart slate, etc)

We are shooting a short film, "I HAVE SOME THOUGHTS," written and directed by Taylor Engel.

Taylor’s visually stunning short, "THE PAVEMENT," was featured on HBO's Project Greenlight. He has worked with filmmakers such as Rian Johnson, Barry Jenkins, and Paul Thomas Anderson, creatively directing and editing their film marketing campaigns.

"I HAVE SOME THOUGHTS" is a character study that explores its protagonist's often humorous obsessive-compulsive thoughts with the gripping tension of a 70s paranoid thriller. The film promises to be both artful and darkly funny, akin to "Limitless" meets "Curb Your Enthusiasm."
It’s a super low-budget, independent film to be submitted to major film festivals.

Please apply if you have experience working as a ProductionSound Mixers. One person to record all the sounds.

We are filming a sports documentary series for a major sports association that will air on ESPN.

We are looking for a Sound Mixer for a shoot happening in the Indy area on Friday 05/17.

The series is a typical documentary series, featuring: run and gun components, sit-down interviews, on-the-fly interviews, scenics, and "hero/portrait" shots.

Gear needed: mixer/recorder, boom, 2 lavs, and timecode/audio to 2 cameras

800/12 + 300 kit fee = $1100/per day

Crew Position: Audio
Date: 6/21-24
Rate is negotiable

Below you can find list of responsibilities for this role on the shoot.

Audio

Collaborate with the production team to understand the show's audio requirements.
Set up and configure audio recording equipment, including microphones, mixers, and recorders.
Perform equipment checks to ensure proper functioning and troubleshoot any issues.
Determine the most effective placement of microphones on cast members, ensuring clear and high-quality audio capture.
Adjust microphone levels to account for variations in voice volume.
Monitor live audio feeds during filming to detect and address any technical issues promptly.
Use headphones to assess the quality of the recorded audio in real-time.
Mix and balance audio levels between different microphones to create a cohesive and natural sound.
Maintain clear communication with the FP and production team regarding audio requirements and potential challenges.
Coordinate with other crew members to ensure a seamless integration of audio with video production.
Record high-quality audio tracks during filming, ensuring that all relevant audio is captured.
Ensure that audio recording practices comply with industry standards and regulations.
Hand off audio files to PM and/or Media Manager to ensure files are dropped on to hard drives safely.

JOB POSTING: We are a Equal Opportunity Employer that does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Jupiter Entertainment seeks an experienced Sound Mixer as local as possible to Rock Hill, SC to join us on 6/22. Gear will be provided (a full list of what we will send will be provided upon hire/request).

This shoot will consist of single on-camera talent with one camera for sit-down interviews (taking place indoors). True crime experience is strongly preferred.

You will be joined by a small team consisting of a DP and Field Producer so a team-oriented attitude is a must!

If you are interested and available, please include your rate for a 10-hour day excluding any rentals, as well as your reel/credit list along with your application.

$600/10

Thank you!

Looking for a local Sound Mixer able to work in Whitefish, MT. We're planning to film with the musicians, likely at their house, and we'll want to have someone there to make sure we get really good audio.

Rate $650/12 + $400/kit

Planning on shooting on 6/28 but plan is subject to change and could be pushed to 6/30 or 7/1.

We are looking for a skilled film sound engineer to join our team for an upcoming documentary project. We will be outdoor and indoor. Your main task will be capturing high quality audio to ensure clear dialogue and minimal background noise. You must have your own equipment and be familiar with using a boom and lavalier microphones, where and how to place them. Attention to detail and the ability to work in a fast-paced environment are essential.

Equipment Required
- sound mixer
- Boom
- Deadcat, Wombat, Blimp
- High Quality Shotgun Microphone,
- Lavalier Mics
- etc.

Skills required:
- Film sound engineering
- Boom operation
- Audio recording and mixing
- Attention to detail
- Ability to work in a fast-paced environment

HI All, I will be shooting an LGTBQ+ doc Avon. I am looking for a local Audio Mixer with gear for two days. Best,
Gear package is $500 a day. We need 2 IFB's, 3 lav's, boom, and mixer.

HI All, I will be shooting an LGTBQ+ doc in town. I am looking for a local Audio Mixer with gear for two days. Gear rental is $500 a day. We need 2 IFB's, 3 lav's, boom, and mixer.

Looking for an experienced Sound Mixer for a public television food series we are filming in Michigan on June 30, July 1st & July 2nd. We'll be filming with various food cultivators and chefs around the state (with driving between segments), so must have reliable vehicle.

On June 30th, we'll be filming in the Detroit Area, and on July 1st and 2nd, we'll be filming in the Traverse City Area.

Assuming applicant is based in Detroit, mileage to and from Traverse City will be provided, along with lodging and per diem for July 1st and 2nd. A $400 travel stipend will also be offered for the return drive on July 3rd.

We'll be capturing interviews, b-roll and walk and talks using 3x C70s. Kit must included tentacles to sync up the time code (3 total, 1 per camera), personal mixing/recording gear, a boom mic/pole, 1 IFB and 3 lavs. The rest of the crew will be traveling in, so you may also be asked to help us secure a couple of c-stands and sand bags for the camera team.

Rate is $800/12 Hours, with OT after 12 @ 2x. $400 kit rental/day. Please apply if interested, and I will follow up with additional details. Thank you!

Looking for a sound mixer with basic equipment. Boom, wireless mics for a corporate video (broll and interviews)

Including basic equipment.
Boom, 1-2 lav mics
10 hour day

Location: Houston, Texas
Date: June 26, 2024

Jupiter Entertainment seeks an experienced Sound Mixer as local as possible to San Antonio, TX to join us for a true crime series on 6/18-6/21. Please note that these dates are subject to change!

Gear will be provided and a full list of equipment will be shared upon hire/request.

This shoot will consist of single on-camera talent with one camera for sit-down interviews (taking place indoors) and BRoll. True crime experience is strongly preferred.

You will be joined by a small crew consisting of a Field Producer and DP so a team-oriented attitude is a must!

If you are interested and available, please include your rate for a 10-hour day excluding any rentals, as well as your reel/credit list along with your application. $600/10 Thank you!

Crew Position: Audio
Date: 6/17
Rate is negotiable

Below you can find list of responsibilities for this role on the shoot.

Audio

Collaborate with the production team to understand the show's audio requirements.
Set up and configure audio recording equipment, including microphones, mixers, and recorders.
Perform equipment checks to ensure proper functioning and troubleshoot any issues.
Determine the most effective placement of microphones on cast members, ensuring clear and high-quality audio capture.
Adjust microphone levels to account for variations in voice volume.
Monitor live audio feeds during filming to detect and address any technical issues promptly.
Use headphones to assess the quality of the recorded audio in real-time.
Mix and balance audio levels between different microphones to create a cohesive and natural sound.
Maintain clear communication with the FP and production team regarding audio requirements and potential challenges.
Coordinate with other crew members to ensure a seamless integration of audio with video production.
Record high-quality audio tracks during filming, ensuring that all relevant audio is captured.
Ensure that audio recording practices comply with industry standards and regulations.
Hand off audio files to PM and/or Media Manager to ensure files are dropped on to hard drives safely.

JOB POSTING: We are a Equal Opportunity Employer that does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Seeking production crew for a professional interview video series at a studio in New York City. Shooting is expected to take place for 1-3 days from June 25th-June 27th (TBD). The shoots days are expected to go for 10 hours.

In search of a Sound Mixer with gear, local to or willing to work as a local to Baton Rouge, Louisiana. This shoot will be an interview and b-roll for a feature documentary.

Gear required: sound mixer, boom, slate, 2x wireless lavs, minimum 5x comteks, and be able to sync timecode to camera.

The documentary's subject matter is neurodiversity/neurosensitivity, and we will feature those from within the community. The individuals participating have kindly offered to share their stories, and we seek to celebrate them while telling honest and informative stories.A little about our team: our team values individuals with diverse backgrounds and perspectives, and we foster a welcoming environment for all. Particularly for this documentary about neurodiversity/neurosensitivity, we encourage those from within the community to apply - we welcome those who can bring a more specific perspective to the team.


Due to the sensitive subject matter of this documentary, we will be conducting video-conference interviews to discuss the specific needs of this production in greater detail.


Rate is reflective of a guaranteed 12 hours, plus $350 kit

We are a NY-based production company looking for a Sound Mixer who is comfortable with interviews, run-and-gun shooting, and working in fast-paced environments.

This particular shoot will be an interview, but we need someone with a full kit and can lav 2 people.

This rate is on a 10-hour day and does not include the kit fee. Please let us know what your kit fee will be.

If this is you, we would like to hear from you!