Apply to this Drone Operator Job

Seeking drone pilot, bonus if you also fly FPV - send us a reel!

What: Need a cinematic drone operator to shoot B-roll for one day for a documentary film using a DJI Inspire 2 or similar drone
Where: Lake of the Ozarks, MO
When: One day of work sometime between June 24-30, 2024

Looking for a drone operator for a 1/2 day filming fo ra corporate video on 6/26 in Houston, Texas.

Drone: Mavic or Phantom (1 person drone)

Must have insurance.

Looking for a Drone Op on June 18th to shoot aerial videos of 3 different locations (corporate buildings).

$425/10h guaranteed. $38/h after that, although we don't expect the shoot to go into overtime.

National Association of Black Accountants (NABA) is hosting an annual conference in Las Vegas 6/18 - 6/21. Our team will be filming the event to produce stock footage style archival content and post-produce a Highlight Sizzle along with additional marketing content.

We need a drone pilot to capture a few dynamic shots of downtown Vegas, the conference hotel and 2 offsite locations near the strip. Please provide reel that showcases cinematic aerial shots.

Looking for a camera op. FS7 for a 2 day shoot.

We will be filming mainly in West Palm Beach areas as well. Scene work, verite, broll, droning. Gear will be provided. $35.71 - $39.28 Hourly

Please do not apply if you are not a local or willing to work as a local.
We are an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Seeking hybrid AC/ DIT for shoot. This would be 2 day, run and go shoot; filming verite, hero shots and green screen interviews.

Required experience and extensive knowledge of building...
FS7, A7s Cameras, Ronan, ShotPut Pro, green screen remote comping ++, Premier ++

-$21.4285 - $25.00/ Hourly

Please include references in cover letter.

We are an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

Documenting behind the scenes captures essence of the production process. They will primarily follow interns who will be on the production set. They will skillfully navigate the chaos of the set to immortalize candid moments, revealing the dedication and collaboration of the intern team.

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

A crucial behind-the-scenes role responsible for managing and safeguarding the digital image data captured during filming. They ensure the integrity and quality of the footage by overseeing the digital workflow, including camera settings, data transfer, and color management. The DIT collaborates closely with the DP to maintain consistency in visual aesthetics and technical standards throughout the production process.

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

Supports the camera team in various technical and logistical aspects of production. Their responsibilities include assisting with equipment setup, maintaining camera gear, managing batteries and memory cards, and ensuring smooth operation during filming. The AC works closely with the Director of Photography to achieve desired shots and camera movements.

Need camera operators to help cover a corporate event over 4 days in the Bay area/Napa Valley. Some travel is required, and gas and travel can be accounted for, but no housing is covered. The first and last days are more likely half days, but there are multiple workshops happening at the same time throughout the day, so getting adequate coverage is paramount. Feel free to ask questions as well. Please send your portfolio and rate.

The event itself will consist of 3 full days and 1 half day. Travel cost covered $0.67/mile

Looking for a camera assistant local to Cincinnati, OH for a new reality paranormal/road trip show. Shooting at a few locations in and around Cincinnati.

Duties include assisting DP/B-Cam with g/e, batteries, lenses and media management end of day.

Please only apply if you can work as a local in Cincinnati. We cannot provide accommodations or mileage for travel.

450/12 with laptop for media management

My production company is looking for a single-position shooter with a full-frame camera (with SDI output for switcher), tripod, and long throw lens to work with our team and help cover an event at a high-end downtown conference center in Dallas TX for 3 days. Wed July 31 through Friday August 2nd.

It would be all day, likely 9-5:30 for the three days. Camera op would be in a single position following the main speaker - typically one person at a time.

Your camera will need to have HDMI or SDI out (for our live feed), as well as in-camera recording.

Per day bay rate, camera kit fee is included in this price.

Thank you for your interest.

***PLEASE READ THE DESCRIPTION***

This is a two day shoot paying a flat rate of of $500 plus mileage and a food allowance.

We are currently seeking a skilled assistant camera with knowledge in DSLR cameras for a project in Spokane Valley, WA.

The shoot will take place on Wednesday, June 26th (Full Day) Thursday, June 27th (Full Day)

The purpose of the shoot is to capture marketing and testimonial videos for a dental practice, both within the office and some exterior shots.

Assistant Camera Responsibilities:

Responsible for operating the camera and should have a strong understanding of the Sony A7s III.
Video Production will be 8-10 hours long per film day
Contractors are responsible for the provided photography shot list
Will be provided camera settings for photos and do's and dont's for photos
Contractors are responsible for monitoring the camera during filming for audio and focus
Contractors are to assist with the production wrap

Watching and maintaining composition and monitoring audio as well along with color balance for interview cameras, and keeping everything in sharp focus throughout each interview.

Assist moving lights and cameras if based on set changes and lighting preferences.

Have good knowledge of the Sony full frame DSLRs,

Be efficient and organized during video shoots, and pay close attention to the needs of the director.

Have a strong understanding of the typical video production workflow.

You will be working alongside a Progressive Dental Videographer who will be flying in from Florida. Prior to the shoot, we will contact you with detailed information regarding shoot location, filming times and director contact information.

Progressive Dental will reimburse up to $20.00 each film day for lunch plus tip if not provided by the client.
Progressive Dental does not reimburse for alcohol or tips over 20%.
In order to be reimbursed for lunch, an itemized receipt along with tip receipt must be provided.
Progressive Dental reimburses for mileage.
*Mileage is reimbursable outside of 25 miles from the shoot production.
Based on the most up to date rate from the IRS. Please add mileage amount to your invoice and submit a screenshot of the distance via Google Maps or GPS application you use.

NO equipment required
MUST live within an hour of location (mileage will be reimbursed at GSA standard rate)
Medical or dental shooting experience is considered a plus

If you meet the criteria mentioned above and are available for the specified date(s), we would love to consider you for this project.

Please let us know your interest and availability at your earliest convenience.

$325 per day rate plus Mileage and a food allowance.

We have an opportunity for a production team of two, including a Lead Videographer and a Second Shooter, to join us in producing content for a medical aesthetic client. This project will take place at an Express Urgent Care, so be prepared to work within clinical walls. You'll need to be skilled at shooting in tighter, bland spaces, and know how to elevate the look with composition and the suggested gear listed below.

LOCALS ONLY. NO LODGING ACCOMMODATIONS

When Applying, please let us know if you are located within 2 hours of the filming location.

As part of our team, you'll play a crucial role in capturing video and photo content tailored for promotional ads on various digital platforms, including social media and company websites. Your responsibilities will include:

- Collaborating closely with our client to understand their vision and requirements.
- Conducting scripted interviews using two-camera setups.
- Capturing captivating still shots for marketing campaigns.
- Filming BROLL footage from multiple angles to showcase non-invasive medical treatments.

To excel in this role, you should possess:
- Experience in setting up two-camera operated interviews.
- Proficiency in capturing still shots that align with marketing goals.
- Skill in filming engaging BROLL footage.

Additional Information:
- Production days typically range from 5-8 hours, depending on the project scope and treatment focus.
- You will work closely with a remote Producer who will be streaming for the first half of the day
- Pre-production materials will be provided to ensure you are well-prepared for the shoot.

GEAR NEEDED:
Cam A: Preferably a Sony digital camera
Cam B: Another camera that can also produce high-quality photos
24-50mm f/1.4 lens: Preferably a prime lens for interviews
24-70mm lens: For capturing b-roll footage
16-35mm lens: For office coverage (preferred but not required)
2 Tripods
Teleprompter
Laptop: Preferably an Apple MacBook, but not required for broadcasting live footage
Computer/Laptop: For uploading content to a hard drive and shipping out to our office in Austin, Texas
Audio: Preferably a LAV (lavalier) system
Continuous lighting: For 1-subject interviews and treatments (if necessary)
Slate


If both creators are coming on individually:
- Lead Videographer Rate: $550/8 + $500/kit + up to $50 for food
- 2nd Shooter Rate: $450/8 + up to $50 for food
- Additional Compensation: $100 travel day fee + gas reimbursement for contractors driving over 2 hours (one way) from their home address to the shoot location

If you are coming on as a Company:
- Day Rate: $1000/8 (for both creators)
- Overtime: $187.50 per hour
- Meal Reimbursement: Up to $100 for food per day
- Equipment Rate: $500 per day

- Additional Compensation: Contractor will receive an additional $200 travel day rate and gas reimbursement if traveling over 2 hours (one way) from residence to filming location.

We have an exciting opportunity for a production team of two including a Lead Videographer & Second Shooter to join our team and produce high-quality content for a medical aesthetic client.

LOCALS ONLY. NO LODGING ACCOMMODATIONS

When Applying, please let us know if you are located within 2 hours of the filming location.

As part of our team, you'll play a crucial role in capturing video and photo content tailored for promotional ads on various digital platforms, including social media and company websites. Your responsibilities will include:

- Collaborating closely with our client to understand their vision and requirements.
- Conducting scripted interviews using two-camera setups.
- Capturing captivating still shots for marketing campaigns.
- Filming BROLL footage from multiple angles to showcase non-invasive medical treatments.

To excel in this role, you should possess:
- Experience in setting up two-camera operated interviews.
- Proficiency in capturing still shots that align with marketing goals.
- Skill in filming engaging BROLL footage.

Additional Information:
- Production days typically range from 5-8 hours, depending on the project scope and treatment focus.
- You will work closely with a remote Producer who will be streaming for the first half of the day
- Pre-production materials will be provided to ensure you are well-prepared for the shoot.

GEAR NEEDED:
Cam A: Preferably a Sony digital camera
Cam B: Another camera that can also produce high-quality photos
24-50mm f/1.4 lens: Preferably a prime lens for interviews
24-70mm lens: For capturing b-roll footage
16-35mm lens: For office coverage (preferred but not required)
2 Tripods
Teleprompter
Laptop: Preferably an Apple MacBook, but not required for broadcasting live footage
Computer/Laptop: For uploading content to a hard drive and shipping out to our office in Austin, Texas
Audio: Preferably a LAV (lavalier) system
Continuous lighting: For 1-subject interviews and treatments (if necessary)
Slate


If both creators are coming on individually:
- Lead Videographer Rate: $550/8 + $500/kit + up to $50 for food
- 2nd Shooter Rate: $450/8 + up to $50 for food
- Additional Compensation: $100 travel day fee + gas reimbursement for contractors driving over 2 hours (one way) from their home address to the shoot location

If you are coming on as a Company:
- Day Rate: $1000/8 (for both creators)
- Overtime: $187.50 per hour
- Meal Reimbursement: Up to $100 for food per day
- Equipment Rate: $500 per day

- Additional Compensation: Contractor will receive an additional $200 travel day rate and gas reimbursement if traveling over 2 hours (one way) from residence to filming location.

We are looking for a local Director of Photography to help film a conference on June 24th.
The day will be about 4-5 hours of work.

Filming of the conference will be held on Monday June 24th from 10am - 12pm.
There will be some allotted set up time before the conference for crew and there will be a one hour portion dedicated to filming interviews after the conference.

We are looking for a DP candidate who can provide a 2 cameras and source a 2nd DP or Cam Op; The client would like a 2 camera set up for the conference filming.

$500 day rate [ 4-5 hours of work ]
- Additional DP Kit Rental

In need of an experienced A/C for a multicam corporate education shoot with a leading healthcare company.

Responsibilities include:

- Media management
- Camera Maintenance & Build Out (we're shooting on two Sony FX6 cameras and one Sony FX3)
- Assistance with lighting/grip setups.

Must be able to work as a local in the Austin area.

Thanks in advance.

Looking for a union 1st assistant camera in Denver for a production filming 7/22 - 7/24. Must have experience with long lens focus pulling during live event coverage.
700/10

Looking for a union camera operator locally in Denver for a production filming 7/22 - 7/24. Experience with covering live events with a long lens camera a must.

750/10