Post Production Department Production Jobs

Seeking an editor who specializes in social media edits, and who is familiar with Pokémon. We will be putting out edits throughout the event. Sample links below, please include a link to a relevant reel when applying. Thanks!

$650/10
1.5x OT after 10
2x OT after 12

Paramount is seeking a post production coordinator to support a pre taped studio show for edit.

Responsibilities include:

-Coordinate operational needs that involve administrative tracking, (spreadsheets, track assets of edit)
-Execute post requirements for stages of edits
-Report to the post supervisor with updates on edit and managing goals set for the day

-Troubleshoot sessions for tech issues and collaborate with internal tech support on a resolution
-Maintain core post workflow from inception to delivery
-Coordinate editorial elements and deliverables for network delivery
-Execute off-site editorial support and workflows if need be
- Review tech specs for assets needed for edits

Desired Skills:

-Strong organizational and problem-solving skills to address post workflow issues that arise with a customer service approach.

- Understand all aspects of AVID MC, including clear communication between production and other internal groups.

-Familiar with various types of storage (Cloud, local, Nexus, SAN)

-Current with post-production workflow remote trends. (Frame.io, Camera to Cloud, Remote Finishing)

Desired Qualifications/Requirements

• 1-3 years of experience in post-production at a network
• Detailed oriented and organized with ability to multi-task in a fast-paced environment
• Working knowledge of post and production ecosystems
• Excellent verbal and written communication skills
• Strong business and professional ethics
• Ability to work late hours and weekend

The LA Phil is seeking a freelance Video Editor (social) whose abilities as a multi-faceted creative and hands-on team member will shape the visual language of video content across the LA Phil’s various brands, including the Los Angeles Philharmonic, Hollywood Bowl, Walt Disney Concert Hall, The Ford, and YOLA. The ideal candidate will contribute their depth of experience with visual storytelling from behind the camera to the editing bay using their proven editing acumen and fluency with motion graphics. This role will require a highly collaborative team player with exemplary visual and auditory judgment as well as the willingness to develop new skills in a growth-oriented, fast-paced creative environment.

Primary Responsibilities:
• Understand LA Phil’s strategic brand messaging and tone in order to conceptualize and execute video content that advances those narratives.
• Ensure projects are held to a high creative standard and delivered on time.
• Manage all elements of original video content with a focus on both production and post-production, including narrative storytelling, promotional and institutional videos, motion graphics, audio post-production, distribution, and video and audio capture.
• Source, edit, and clear rights for internal video assets that need to be shared with outside stakeholders such as news media or artists.
• Ensure music copyright and licensing requirements are met for each project.
• Collaborate with Marketing, Digital, Social Media and PR teams to execute video content strategy for the LA Phil, Hollywood Bowl, and The Ford across owned channels, including websites, social and digital platforms, and video series.
• Communicate clearly and professionally across departments and with stakeholders to solicit input, respond to requests, and integrate feedback.
• Additional duties, as assigned.

Requirements:
• A minimum of 2 years of experience in video production.
• Strong storytelling abilities, keen editorial judgment, and proven motion graphics skills.
• Skilled in Premiere, After Effects, Media Encoder, Photoshop, and Audition or Logic Pro X.

• Excellent interpersonal and communication skills.
• Considerable tact required in most duties or tasks performed to achieve results.
• Must be highly organized, efficient, and proactive.
• A proven ability to work under tight deadlines and facilitate quick turnarounds.
• Able to leverage internal resources to secure relevant information to complete projects.
• Ability to master new concepts quickly and adapt to emerging practices.
• Awareness and dedication to creating connections across diverse audiences.

• Live performance experience and a passion for music and concerts.
• High awareness of industry standards, digital trends, and technological innovations.
• Copy editing, proofreading, fact checking, research and/or writing as required.
• Flexibility to work onsite on nights and weekends.

Preferred, but not required:
• Fluency in or conversational knowledge of Spanish a plus.
• Fluency in or conversational knowledge of another language a plus.
• Notable experience with location mixing, post audio, and music supervision a plus.
• Experience with live video and/or broadcast for concerts or theatre a plus.

Contract Post Production Assistant - standard deliverables duties - music cue sheets, clearance logs, scripts/transcripts. May expand to support archival research, talent research, promo selects, stringouts. AVID experience helpful. 9 hour day w/ 1 hour break

We are looking for a local Non-Union Assistant Editor in the Seattle area that has extensive experience with ingesting media into Avid, grouping/synching, etc. If you are a local to Seattle, and have your own computer to log into our RGS, and are available from June 17th-June 22nd, please send me your resume.

Seeking an editor starting this Sept for about 8 months for a feature documentary about Southeast Asians in American politics. The film is verite driven, following various political candidates throughout the country leading up to the election. Must have prior experience on a feature doc, must have references. Experience w/ political and/or verite centric projects a plus.

Contract role: 6 months with potential to extend
On-site with opportunites to work remotely
$450/10

Position Summary
Finance news brand looking to onboard a Streaming Editor (Streaming/Amagi/Package). This role is a pivotal piece of the Post-production infrastructure and key assets that keep the brand running. This position is responsible for delivery to Amagi and other various OTT and social media platforms. They also assist editors and help with ingest and transmission operations. The person in this role provides daily dedicated edit support to the brand. The Streaming Editor must be well-versed in Premiere. A working knowledge of other aspects of the Adobe Creative Suite is also a significant plus.
Streaming Editors must be technically proficient, capable of working both in and out of the office, and able to assimilate changing workflows as the edit infrastructure evolves with changes in technology. This position will work directly with the Amagi programming scheduler/programmer, and their attention to detail is critical. The Amagi delivery process is nuanced and complicated, so your attention to detail and quality control skills must be paramount.

Responsibilities:
- Prep and deliver all Amagi video assets, especially daily highlights show (quick turnaround each day), weekly highlights and specials
- Pre-edit daily packages with fast turnaround times
- Trim, screen, time, encode, and deliver all brand video assets to the platform
- Work closely with producers to make content cuts and trims for pieces going on Amagi
- Ensure each video meets strict Amagi technical specifications
- Work closely with the OTT Linear Channel Manager to ensure all videos are prepped and delivered on time
- Troubleshoot issues/problems with Amagi delivery system and 3play captioning service
- Update scheduling sheets
- Work alone and in tandem with producers/clients, anticipating needs, meeting and exceeding corporate brand standards, and delivering content on time in an intense, deadline-driven environment.
- Communicate in an appropriate and timely manner with Post leadership and project leads to relay issues and concerns about individual edits, technical issues, and deadlines. Also regularly update media and project tracking documents as necessary.
- Troubleshoot day-to-day issues with the IT Team and Post Management.
- Find existing video assets for sizzles/reuse
- Assist with the archive process
- Provide general support for finance editors
- Work with producers to make fixes
- Work closely with the ingest/streaming team to ingest media
- Deliver video assets to the control room for live programming
- Locate/restore lost media
- Backup media

Qualifications
- Adobe Premiere Proficiency (Experience working with Graphic templates and MGRTS within Premiere required, AfterEffects experience preferred)
- Experience in live news environments, finance news, or short-form series/packages
- Assistant Editor must thrive under deadline pressure and be able to juggle multiple tasks and assignments.
- Be able to work within and conform to established organizational systems and work/troubleshoot in team environments.
- Responsible and reliable.

We are looking for a Graphics Op to work with us on a live stream for a Global Investor Conference from the Waldorf Astoria Hotel in Washington, DC. The dates would be from September 15-19, with the Conference happening on September 16-18.

Experience working with vMix or Mitti is preferred.

We will not reimburse or pay for transportation, parking, or accommodations.

Must be available for a 10-15 minute interview prior to hire.

About the role:

méShell is seeking a creative storyteller with a passion for crafting visually stunning videos. We are looking for a talented Post-Production Video Editor who has a passion for motion graphics and visual effects. The ideal candidate is a creative and driven editor/animator who is proficient in Adobe Premiere and after effects. This role is ideal for someone passionate about creating engaging, fun short-form videos and is fluent in social media.

Responsibilities:
Edit and assemble raw footage into polished, high-quality videos that align with project goals and vision.
Work closely with directors, producers, and other team members to understand project requirements and deliver compelling visual narratives.
Create and implement graphics, color grade, sound mix, finalize, export, and upload video content.
Enhance videos with transitions, and visual effects to elevate the final product.
Stay updated with industry trends and editing techniques to bring innovative ideas to projects.
Requirements:
Proven experience (3-5 years) as a video editor or similar role in post-production.
Proficiency in video editing software such as Adobe Premiere Pro, after effects, and/or DaVinci Resolve and a strong portfolio demonstrating expertise in video editing and storytelling.
Deep understanding of VFX, motion graphics, and 2D processes
A strong understanding of social media platforms and how to optimize video content across these platforms.
Attention to detail and ability to work efficiently to meet project deadlines.
Excellent communication skills and the ability to collaborate effectively in a team environment.
Preferred Qualifications:
Understanding of 3D processes, and experience integrating 3D elements.
Why Join Us:
Opportunity to work on diverse and exciting projects with some of the biggest brands and biggest talent.
A chance to contribute creatively and make an impact on storytelling through video.
Room for professional growth and skill development opportunities.

If you're passionate about creating compelling visual stories through video editing and want to be part of a team that values creativity and innovation, we'd love to hear from you! Please submit your resume, portfolio, and any relevant work samples for consideration.

DLP is seeking an Assistant Editor to support our diverse range of projects, including sports television, longform documentaries, and commercials.
Ideal candidates will have a solid understanding of Adobe editing software and workflows, along with a keen eye for detail and a passion for storytelling.
RESPONSIBILITIES:
Editing Support:
Assist editors with assembling footage, organizing project files, and preparing rough cuts.
Import, log, and organize media assets, ensuring all files are correctly labeled and stored.
Create and maintain project timelines, ensuring that all tasks are completed on schedule.
Synchronize and prepare multi-camera footage for editors.
Media Management:
Manage and maintain media storage, including backups and archiving of completed projects.
Troubleshoot and resolve any technical issues related to media files or editing software.
Coordinate with the post-production team to ensure all media is properly managed and accessible.
Creative Collaboration:
Collaborate with editors and other team members to achieve the desired creative vision.
Review and provide feedback on rough cuts and edits, ensuring alignment with project goals.
Assist in the creation of graphics, visual effects, and other elements as needed.
Quality Control:
Conduct preliminary reviews of edits to ensure technical quality and consistency.
Implement quality control processes, including testing and reviewing final deliverables.
Ensure all edits meet technical specifications and standards before final approval.
Industry Knowledge and Continuous Improvement:
Stay updated on industry trends, editing software updates, and best practices.
Recommend new tools, software, or techniques to improve the editing workflow.
Participate in team meetings and training sessions to enhance skills and knowledge.
Qualifications:
Proficiency in editing software such as Adobe Premiere Pro
Strong organizational skills and attention to detail.
Ability to work collaboratively in a fast-paced environment.
Excellent communication skills, both written and verbal.
A passion for storytelling and a creative mindset.

DLP seeks a Post Production Supervisor to oversee a diverse array of post production projects, including sports television, longform documentaries, and commercials.

Ideal candidates will possess strong technical expertise and managerial experience in media management, to off-line editing and finishing.

RESPONSIBILITIES:
Project Management:
Partner with the production team to develop post-production schedules, budgets, and deliverables.
Design and maintain a detailed post-production plan, covering timelines, milestones, and resource allocation.
Track project progress, pinpoint potential issues or delays, and devise solutions to maintain project timelines.
Liaise with external vendors or freelancers as necessary to complete project components.
Team Management:
Lead and mentor the post-production team, including editors, assistant editors, and media managers.
Delegate tasks, set priorities, and offer guidance to ensure efficient and high-quality output.
Cultivate a positive and collaborative work environment, encouraging effective communication and teamwork within the post-production team.
Report project status, progress, and potential issues to stakeholders clearly and promptly.
Quality Control:
Ensure all post-production deliverables meet technical and creative standards, including video/audio quality, color grading, visual effects, and overall aesthetic consistency.
Review rough cuts, graphics, visual effects, and other elements, providing feedback to ensure alignment with project goals.
Implement quality control processes, including testing, reviewing, and approving final deliverables before distribution or broadcast.
Industry Knowledge and Continuous Improvement:
Stay current on industry trends, emerging technologies, and best practices in post-production workflows.
Recommend and implement new tools, software, or techniques to enhance the post-production process.

We are looking for an experienced editor to cut together a horror/comedy short film that is shooting late July/early August. We are looking for someone local to Los Angeles as we would like to be able to meet and discuss in person.

The rate is for the following services: assembly, director's cut, & final cut over the course of one month. Additional compensation will be discussed in the event of any further work.

flat fee which includes an initial assembly, directors cut, and final cut.

Please provide samples of your work and let us know which editing software you tend to edit with - thank you!

Scripps Longform Unit is hiring multiple Junior Editors / AEs starting June and running into the fall.

Applicant must be proficient in Premiere. Duties include:

— ingesting, syncing, grouping multi-cam footage
— creating stringouts and early assemblies — making preliminary coverage choices, archival and music selection
— importing archival
— laying in narration
— exporting cuts
— preparing footage for online

This person will be working across multiple episodes and should be super organized, detail-oriented, communicative, and a team player.

Rate will be based on experience.

BIPOC, LGBTQ+ individuals are encouraged to apply.

Looking for an editor with Premium Game Show experience credits.

Looking for an editor to edit a short, unscripted project. Good sense of story, comedy and timing.

We are looking to add an in house Colorist that will be available during online / color for various shows.

We are building out a Color bay and will need someone to fill it when we have shows in the pipeline. Currently the first show will be late July early August

Coloring shows for various Networks (Netflix, Discovery, Hallmark) that may require HDR / UHD workflows.

Looking for Production Assistants familiar with Avid to review, mark and organize footage for national cable outdoor program. Additional duties include tracking storylines and weekly meetings with story producers & editors. Must be highly organized, proficient at AVID, Google Docs, Microsoft Excel & Word

Interlochen Center for the Arts seeks a dynamic film editor for the Film and New Media division who is eager to contribute to a vibrant program dedicated to the overall development of young visual storytellers as editor and educator. The ideal candidate will have a comprehensive knowledge of visual storytelling and its diverse history, drawn from professional experience as an editor/filmmaker and the pursuit of higher education and professional experience. The Film and New Media Division at Interlochen Center for the Arts consists of two tracks - Live Action Film, and Animation. This position will work primarily with the Live Action Film track, with some courses for film majors, and available to animators and non-majors as electives.This is a one (calendar) year, full time appointment.

Essential Duties & Responsibilities:

Serve as an/instructor and editor of a feature documentary project (in coordination with Interlochen Center for the Arts and the Greenacres Foundation) to create a documentary that will show how the results of scientific research and close observations of nature make new efforts in sustainability, regenerative agriculture and preservation, a clear and emotionally accessible story.

Oversee the post-production details of the documentary, and coordinate necessary organizational aspects of planning the workflow of assets and the timely completion of cuts.

Review and organize raw footage, implementing creative and narrative-driven editing techniques and integrating audio elements to enhance the story telling.

Gather regular feedback to ensure all stages/deadlines of post-production are met.

Teach a Post-Production/Editing course developed in conjunction with the Director of Film and New Media.

Participate in 1:1 advisorship meetings with film students.

Teach additional courses related to film/visual storytelling, film editing, post-production workflow, directing actors, critical studies & script analysis

Participate as one of the faculty members of the Production Workshop, a class in which the entire community of film students enroll, in all stages of development of screenplays/productions/thesis/portfolio.

Teach key aspects of editing technology from asset import to exports of final projects

Provide group and individualized feedback for students

Attend departmental meetings

Attend weekly Community meetings as available

Create appropriate curriculum

Collaborate and innovate with other divisions at Academy

Participate in other faculty requirements (e.g. advisory, committee work as appropriate, recruitment, screenings/guest series, film festival, Cinema Collective etc)

Responsible for organizing day-to-day interactions with their respective students in the Film and New Media division, advising post-production.

Help students become independent and capable community minded problem solvers within complex circumstances of filmmaking from script to screen.

Requirements:

BA or BFA required, MA or MFA preferred

Expertise in film editing with professional experience in a comprehensive variety of the following aspects of filmmaking: all stages of post, editing feature film, and non-fiction storytelling; communicating and collaborating with directors and key members of production; choosing selects meeting deadlines

Experience and expertise with editing software, computer and storage technology, professional video formats (RED, Blackmagic, ARRI etc) and their interface with edit systems and their migration between field technology and edit suite

Experience with sound mixers and mixing software, experience in motion graphics and color grading a plus

Postproduction software certifications or professional experience equivalents; creative team scheduling and team management software

Application Materials Required:

Resume
Cover Letter
Portfolio or Reels

Job Benefits
Health, dental, and vision insurance
Vacation, Sick, Holiday and generous winter holiday time off
Life insurance
Voluntary life insurance
Short and long-term disability
Employee development & tuition reimbursement programs
Free or discounted employee tickets to Interlochen performances and events *some exceptions apply
Early event ticket purchase before general public sales begin
Free Stone Cafeteria meal on shift
Dennison Recreation Center accessibility (includes spouses)
Priority access to Interlochen employees at Pitter Patter Day Care Center (less than one mile from campus)
Employee Referral Program (cash payments)
Tuition discounts for employee’s children at Academy, Camp and Interlochen Online