Texas Production Jobs

Looking for a Director of Photography to shoot interviews with our client's c-suite.

This will be a very high profile interview shoot with their entire c-suite being on-camera. We need a top-tier director with superior interpersonal skills that can not only take charge and lead the crew but also develop great rapport with the client and his C-suite executives.

Gear required: Camera, Tripod, Gimbal/Ronin, Interview Lighting (3-point)

We pay $1150/11h and $150/h after that. We do not expect the shoot to go into overtime.

Please include samples of your past work in order to be considered for the role.

Looking for someone who can do a 1 day shoot in Austin, TX area.


Must have the ability to work as a skeleton crew and shoot and record audio directly to the camera.

Conducting relevant OTF (on the fly) interviews

Communicating with field, challenge, and executive producers throughout episodes.

Experience with camera is mandatory (clips or reels if possible)

Must Own Camera Equipment

We will be starting filming for our show Destination Houston Season 1! We are looking for an eager and motivated Lead Producer to join our crew on travel lifestyle content.
This person will be our main Producer who also helps us backup/consolidate/ship media and update gear as needed.

Lead (Media/Gear Manager)

Qualifications:
Ronin RS2 basic knowledge
Blackmagic 6K basic Pro camera knowledge
Producing experience is a plus
Strong communication skills
Basic media management experience
Room to store 8 pieces of gear (2 pelican cases, large duffle bag with gear, Aperture light, apple box)
Reliable transportation
A safe place for shipping gear/media to and from
Knowledgeable about gear handling and repairs
Willing to work closely with a coordinator

Scheduled 1 to 3 days a week
4 hours a shoot, 2 shoots a day
Pays $350.00 a day (6-8 hour days)

We will be starting filming of our show Destination Houston Season 1! We are looking for an eager and motivated Director of Photography to join our crew on travel lifestyle content.

Blackmagic 6K Pro

Qualifications:
Ronin RS2 advanced knowledge
Blackmagic 6K Pro advanced knowledge
Strong DP experience
Can provide a reel of their work
Strong communication skills
Basic media management experience
Reliable transportation

Scheduled 1 to 3 days a week
4 hours a shoot, 2 shoots a day (9-10hr days)
Pays $300.00 a day

In search of an Underwater Camera Operator with gear, who can provide underwater housing OR Housing + Camera as well as operate for a 1-day shoot in Plano, Texas. This shoot will take place in a pool. Please provide relevant examples in a reel or portfolio!


The documentary's subject matter is neurodiversity/neurosensitivity, and we will feature those from within the community. The individuals participating have kindly offered to share their stories, and we seek to celebrate them while telling honest and informative stories.


A little about our team: our team values individuals with diverse backgrounds and perspectives, and we foster a welcoming environment for all. Particularly for this documentary about neurodiversity/neurosensitivity, we encourage those from within the community to apply - we welcome those who can bring a more specific perspective to the team.

We will be conducting video-conference interviews to discuss the specific needs of this production in greater detail.

Rate is for 12 hours, plus a negotiable kit fee for gear

Looking for a Director to conduct interviews with our client's c-suite.

This will be a very high profile interview shoot with their entire c-suite being on-camera. We need a top-tier director with superior interpersonal skills that can not only take charge and lead the crew but also develop great rapport with the client and his C-suite executives.

We pay $675/11h and $75/h after that. We do not expect the shoot to go into overtime.

Please include samples of your past work in order to be considered for the role.

Looking for an experienced production manager / coordinator to oversee all aspects of production for a digital piece centered around two football athletes. The production manager will be responsible for coordinating crew members, managing logistics, acquiring necessary equipment, and ensuring a smooth execution of the project.


The script for the digital piece looks engaging and well-structured, offering an insightful glimpse into the preparation and training process of C.J. Stroud at the Topps Autograph Training Complex. It effectively blends mockumentary-style interviews, coaching sessions, and on-field drills to provide a compelling narrative.

Here's a job description for a production manager based on the requirements of the project:

Production Manager Job Description:

Overview:
We are seeking a highly organized and experienced Production Manager to oversee all aspects of production for our upcoming digital piece centered around C.J. Stroud's training at the Topps Autograph Training Complex. The Production Manager will be responsible for coordinating crew members, managing logistics, acquiring necessary equipment, and ensuring smooth execution of the project from pre-production to post-production phases.

Responsibilities:

* Collaborate with the director and creative team to understand the vision and requirements of the project.
*Develop and maintain production schedules, ensuring timely completion of all tasks and adherence to deadlines.
* Hire and manage crew members, including camera operators, sound technicians, and production assistants.
*Coordinate with location scouts to secure filming locations and obtain necessary permits.
*Oversee the acquisition and rental of equipment, ensuring all gear is in working condition and meets production needs.
*Manage budget allocations and expenses, tracking costs throughout the production process.
*Communicate effectively with all team members to convey project goals, expectations, and updates.
*Provide logistical support during filming, including coordinating transportation, meals, and accommodations for crew members.
*Ensure compliance with safety regulations and protocols on set.

Applicant should have proven experience as a Production Manager or similar role in film, television, or digital media production. Looking for someone local to Houston.

Looking for a Gaffer for a shoot in Houston. Experience with Aputure Infinibars is a plus.

Looking for an DP in Dallas, experience in live sports/games is a huge plus!

Looking for an AC in Dallas, experience in live sports/games is a huge plus!
+$50 kit fee

Looking for a sound mixer in Dallas, experience in live sports/games is a huge plus!
+kit fee

Looking for a special effects makeup artist who can assist and oversee a gore effect for an upcoming film shooting in Austin, TX on May 19th/20th. The current need is a single day of special effects makeup for a single character.

Rate is dependant on experience and kit.

Set PA

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required

Production assistant works closely with the lead producer of the event, bringing a professional attitude to a variety of production-related tasks including but not limited to assisting with set-up and wrap, running and taping cables, general computer work, and going on runs. Experience in live events/reality TV/documentary preferred. General knowledge of sports and production is also preferred. Must be able to help with lifting and carrying heavy gear. Reliable transportation, a valid driver’s license, and good driving record are required.

Production assistant works closely with the lead producer of the event, bringing a professional attitude to a variety of production-related tasks including but not limited to assisting with set-up and wrap, running and taping cables, general computer work, and going on runs. Experience in live events/reality TV/documentary preferred. General knowledge of sports and production is also preferred. Must be able to help with lifting and carrying heavy gear. Reliable transportation, a valid driver’s license, and good driving record are required.

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required

Production assistant works closely with the lead producer of the event, bringing a professional attitude to a variety of production-related tasks including but not limited to assisting with set-up and wrap, running and taping cables, general computer work, and going on runs. Experience in live events/reality TV/documentary preferred. General knowledge of sports and production is also preferred. Must be able to help with lifting and carrying heavy gear. Reliable transportation, a valid driver’s license, and good driving record are required.

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required