Robb Payne

Head of the G+E department, offloading and loading the truck, hauling and setting up lighting and grip equipment for each shoot. Worked closely with the Creative Director/Cinematographer to ensure the lighting and set ran smoothly and in line with their vision.

Created and edited episode 4 with character intros, transitions, sound, layered effects and captions from over 60 hours of footage. I devised the template that the show will have as a cohesive package for overarching look and feel. I maintained the flow and momentum of the story, along with creating a story out of the found footage gathered. Extreme organization with all the media and made sure it was all broadcast safe and ready to air.

Cut the 2nd of 8 videos for Rheumatoid Arthritis treatment and ailments for WedMD. Passed the cut over to GFX and color and finalized the look and feel of the tone and pacing for prompt delivery.

Performing crucial tasks on the day of filming to ensure smooth operation of production. Driving the equipment truck, and other cube trucks, to and from locations. Carrying, setting up, breaking down, and transporting heavy lighting and grip equipment. Staged craft services, and camera equipment to easy access locations for crew members. Assisted in the set up and breakdown of every lighting set up for efficiency on set. Going on runs for set pieces, production props, and art department (lunch, gear, art, returns, etc.) Picking up the gear and rental equipment and safely delivering it to the production office.

Cut the 8th of 8 videos for WebMD's Rheumatoid Arthritis treatment and ailments digital campaign. Integrated motion graphics, camera movement, color, b-roll, and cut it to timing for a nice pace to deliver the information gracefully.

Cut the 6th of 8 videos for WebMD's Rheumatoid Arthritis treatment and ailment campaign. Stacked the best takes for the professional and the presenter while integrating GFX and securing proper b-roll.

Cut the 4th of 8 videos for the Rheumatoid Arthritis treatment and ailment presentation. Stacked out the best takes for the presenter and professional, found b-roll and created the template to send over to GFX and color before final delivery.

Cut together the intro "welcome aboard" 2022 video for Delta Airlines (the video that plays before the Safety Video) Stacked out takes, assembled each cut, sorted through archival footage to find the best moments that showcase the brand and reinforces that "Customer Satisfaction Remains Their Number One Honor."

Cut an internal video for Delta airlines employees that premiered at a conference to promote how Delta is leading the way for "Environmental, Social, and Governance responsibilities." Secured b-roll, dug through archival footage, and cut multiple interviews together in one cohesive branded video.

Performing crucial tasks on the day of filming to ensure smooth operation of production. Driving the equipment truck, and other cube trucks, to and from locations. Carrying, setting up, breaking down, and transporting heavy lighting and grip equipment. Staged craft services, and camera equipment to easy access locations. Assisted in the set up and breakdown of every lighting set up for efficiency on set. Going on runs for set pieces, production props, and art department (lunch, gear, art, returns, etc.)

Director, Cinematographer, and Editor for a 40 Minute short film documentary about a group of men who undergo the 12 steps of AA in 2 days. Captured raw moments of people with addiction battle their inner demons and come out to the other side. Gathered music, sound effects, color grading, and created transitions to keep the pacing up. Crafted a story out of what was gathered over the course of the two days and over 30 hours of footage.

Co-Anchor and editor for season 2 of an evergreen news show that covers addiction and recovery. Blended relevant topics with off the cuff comedy in the edit to keep audience engagement and have it be more marketable. Applied green screen, titles, and backdrops to give it a professional newsroom look.

Wrote a 96 page hyper-meta story about a screenwriter who's surviving the story he's writing as it's being written. A Kauffman-esque satire of what goes on in most every creative's mind. Ask me for more details.

Performing crucial tasks on the day of filming to ensure smooth operation of production. Driving the equipment truck, and other cube trucks, to and from locations. Carrying, setting up, breaking down, and transporting heavy lighting and grip equipment. Staged craft services, and camera equipment to easy access locations for crew members. Assisted in the set up and breakdown of every lighting set up for efficiency on set. Going on runs for set pieces, production props, and art department (lunch, gear, art, returns, etc.) Picking up the gear and rental equipment and safely delivering it to the production office.

Sorted through over 200 variations of the TitleMax commercials- 15 sec spots, 30 sec spots, English and Spanish, for each type of TitleMax loan available (1,500, 2,500, 5,000, 10,000) for each division of all 50 states in order to change the legal info bump at the end. Along with tightening pre-existing edits for client and tv approval. Exported with broadcast safe audio levels/LUFS, and sent to spotgenie for broadcast and airing.

Performing crucial tasks on the day of filming to ensure smooth operation of production. Driving the equipment truck, and other cube trucks, to and from locations. Carrying, setting up, breaking down, and transporting heavy lighting and grip equipment. Staged craft services, and camera equipment to easy access locations. Assisted in the set up and breakdown of every lighting set up for efficiency on set. Going on runs for set pieces, production props, and art department (lunch, gear, art, returns, etc.)

Camera operator for Zazzy Beats' "Writing Process" for the 2021 Adobe Max Conference. Set-up, breakdown, and maneuvering between takes and multiple set-ups. Collaborated with the grip and lighting team to ensure the best possible look and feel for the interviews. Would operate hand-held or on sticks depending on what the director wanted. Ensured proper technical calibration for camera settings so it would be visually optimal.

Performing crucial tasks on the day of filming to ensure smooth operation of production. Driving the equipment truck, and other cube trucks, to and from locations. Carrying, setting up, breaking down, and transporting heavy lighting and grip equipment. Staged craft services, and camera equipment to easy access locations for crew members. Assisted in the set up and breakdown of every lighting set up for efficiency on set. Going on runs for set pieces, production props, and art department (lunch, gear, art, returns, etc.) Picking up the gear and rental equipment and safely delivering it to the production office.

Performing crucial tasks on the day of filming to ensure smooth operation of production. Driving the equipment truck, and other cube trucks, to and from locations. Carrying, setting up, breaking down, and transporting heavy lighting and grip equipment. Staged craft services, and camera equipment to easy access locations. Assisted in the set up and breakdown of every lighting set up for efficiency on set. Going on runs for set pieces, production props, and art department (lunch, gear, art, returns, etc.)

Performing crucial tasks on the day of filming to ensure smooth operation of production. Driving the equipment truck, and other cube trucks, to and from locations. Carrying, setting up, breaking down, and transporting heavy lighting and grip equipment. Staged craft services, and camera equipment to easy access locations for crew members. Assisted in the set up and breakdown of every lighting set up for efficiency on set. Going on runs for set pieces, production props, and art department (lunch, gear, art, returns, etc.) Picking up the gear and rental equipment and safely delivering it to the production office.

Performing crucial tasks on the day of filming to ensure smooth operation of production. Driving the equipment truck, and other cube trucks, to and from locations. Carrying, setting up, breaking down, and transporting heavy lighting and grip equipment. Staged craft services, and camera equipment to easy access locations. Assisted in the set up and breakdown of every lighting set up for efficiency on set. Going on runs for set pieces, production props, and art department (lunch, gear, art, returns, etc.) Picking up the gear and rental equipment and safely delivering it to the production office.

Organized, synced, and stacked a 9 camera set up with several takes to edit it into a stage performance for the song "Eye of the Tiger" by School of Rock. Spliced the best pieces of each take together seamlessly to create a dynamic stage show of the performers.

Synced and organized a 9-camera Multicam operation, with several takes, selecting the best moments to cut the performance of the song together- emulating a "live performance" feel.

Syncing multiple cameras (up to eleven at a time) to various takes for the performance. Using the best pieces of each take, and camera angle, to re-create the feeling of a live performance. Managed assets, organized footage and sound, rendered high quality exports for multiple deliveries.

Syncing multiple cameras (up to eleven at a time) to various takes for the performance. Using the best pieces of each take, and camera angle, to re-create the feeling of a live performance. Managed assets, organized footage and sound, rendered high quality exports for multiple deliveries. Collaborated with the director to ensure his vision of the video exceeded his caliber.

Syncing multiple cameras (up to eleven at a time) to various takes for the performance. Using the best pieces of each take, and camera angle, to re-create the feeling of a live performance. Managed assets, organized footage and sound, rendered high quality exports for multiple deliveries.

Syncing multiple cameras (up to eleven at a time) to various takes for the performance. Using the best pieces of each take, and camera angle, to re-create the feeling of a live performance. Managed assets, organized footage and sound, rendered high quality exports for multiple deliveries. Ensured the director's vision was exceeded through revisions and clear communication.

Performing crucial tasks on the day of filming to ensure smooth operation of production. Driving the equipment truck, and other cube trucks, to and from locations. Carrying, setting up, breaking down, and transporting heavy lighting and grip equipment. Staged craft services, and camera equipment to easy access locations for crew members. Assisted in the set up and breakdown of every lighting set up for efficiency on set. Going on runs for set pieces, production props, and art department (lunch, gear, art, returns, etc.) Picking up the gear and rental equipment and safely delivering it to the production office.

Co-wrote a 96 page gripping and intense survival-horror set in the Great Basin desert that involves a couple and a shapeshifter. "When the sun sets, it rises." Semi-finalist in Screencraft's Horror Screenplay Competition 2021. Ask me for more details.

Cut the film from first to final with revision notes from the producers and executives daily. Sat with the director and worked with her for the final cut to ensure her vision was met. Incorporated sound design, transitions, light VFX and ensured proper coverage and pacing was kept.

Shot a live performance set of George Clanton and cut it together to create a "live-feel music video." Integrated snappy cuts, jump cuts, reverse timing, slow-motion and other practical visual effects to simulate being in the crowd with the feel of being on stage.

Assembled the 2nd and final cut of the short, tightened the story gaps, and re-edited crucial and emotional scenes. Added in sound effects, score, titles, credits, VFX, motion tracking and kept the tension of the drama sustained throughout the short.

Cut the short film from first to final, edited for dramatic tension with sound design, motion stabilization, tracking, color grading, and reverse narrative techniques to tell a story in a non-linear fashion.

Cut the first to final edit of the short film. Edited for comedic timing, stacked out the best takes, incorporated sound effects, score, titles, and color grading. Kept the project organized through the variations of the edit.

Wrote a 110 page, epic sci-fi/thriller with a splash of dark comedy and horror that deals with depression and the need to escape reality. You can "live the dream, one nightmare at a time" just ask me for more details.

Cut the first to final edit of the short. Winner of Southern Selections BEST OF EDITING award. Stacked takes, seamlessly transitioned scenes, cut for drama and comedic timing.

Wrote a 95 page workplace romantic-comedy that's grounded in modern truths and brutally cringe moments of desperation. Ask me for more details.

Media managed and triple backed up all the footage and sound files. Organized and presented dailies every following day and synced all the audio to video. Labeled and named all the files in proper bins in Premiere for easy locating ad access for the editor. Worked with the editor and director in making cuts and assembling the film. Stabilized shots and removed unwanted objects in the frame in After Effects.

Transcoded all media files, sound and video, into proper formats for the editing team. Backed-up all media files and duplicated all media onto several safe storage drives. Labeled, dated, and organized all media for easy access and editing. Assisted the camera department with lens swapping, equipment, lighting, and card formatting.

Wrote a 115 page dark-comedy psychological thriller/slasher, titled- SANE. Ask me for more info.

Coordinated every shot to make sure we made they day, managed location changes while rearranging the schedule multiple times due to several conflicts of availability. Made sure every crew member stayed focused as we all worked together to finish the film through production.

Worked with the actors to rehearse, block and shoot the scenes with the right tone and authenticity. Worked closely with the cinematographer to design the shots and coverage. Created the world in which the story takes place.

Editor and animator for the short film. Synced the footage and re-arranged the shots to quicken the pace and accent the key moments in the story to bring it to life and captivate the audience while keeping it funny, heartfelt and entertaining.

Editor, sound designer and colorist for the short film. Synced all the footage and reworked and re-edited it until the producer (Sondra Lacey) and director (Andrew Murillo) were completely satisfied with the final version of the film.

Shot, edited and created the IMAGEn LIfe series (Zen Yoga, On the In with Megan Wallin, Juicing and IMAGEn Core) Worked with Piper Lions to create workout videos and healthy juicing videos for athletic performers and short documentaries for the athletes.

Directed, shot, and edited a live performance and a one-day, two-artist installation- merging the two with alpha key effects to integrate the art into the live performance. Edited to the music and built a story out of the lyrics to match the visuals while maintaining the vaporware aesthetic and glimmer-pop feel.