Apply to this Audience Coordinator Job

EMPLOYMENT TYPE: Temporary

EVENT DATE: Thursday June 6, 2024

DAY RATE: $150.00 (pay details disclosed during interview)


WHO WE ARE:
We specialize in connecting fans to nationwide live events in the entertainment world; including popular TV shows, exclusive red carpet events, award shows, sporting events, music festivals and more.

POSITION:
A Fan Coordinator role requires very strong collaboration and communication skills, including exemplary guest relation skills. Knowledge of popular entertainment culture and experience on event grounds is a plus.

We are actively seeking Fan Coordinators based in Detroit, MI to join our Events team for an upcoming event.

KEY QUALIFICATIONS:
- Passion and enthusiasm for live entertainment and creating memorable experiences for others
- Adaptability to changes in task/direction, while maintaining poise and professionalism
- Team player with strong problem solving skills, including use of good judgment to redirect matters to management as needed
- Experience working in live events or sporting events is preferred

RESPONSIBILITIES:
- Manage Fans and assist with on-the-ground operations; inclusive of check-in, event load in and out, seating, crowd control/line management, and guest relations
- Comply to safety protocols and company policies
- Deliver the ultimate guest experience and maximize audience engagement
- Have fun!

When you apply, let us know if you are familiar with 1iota Productions!

We are committed to providing equal employment opportunities to all employees and applicants without regard to race, ethnicity, religion, color, sex (including childbirth, breast feeding, and related medical conditions), gender, gender identity or expression, sexual orientation, national origin, ancestry, citizenship status, uniform service member and veteran status, marital status, pregnancy, age, protected medical condition, genetic information, disability, or any other protected status in accordance with all applicable federal, state, and local laws.

Looking for a last minute PA to help out on a docu-sports show following the NHL on Sunday at Game 7 for the Dallas Stars.

This is not a broadcast / live project, but is docu-style behind the scenes on game day.

Basic PA responsibilities: Helping with walkies, crew meals, going on last minute runs, firewatching gear, releases, pushing gear cart around arena, etc.

If the Stars win and move onto round 2, there are chances for future work on the series.

Look forward to hearing back from some applicants!

Need a pa for a job in Dallas

KO-MAR Productions is looking for a freelance Engineer to work on a number of upcoming projects as well as general maintenance for the control room/studio. Fiber based control room/studio. We are hoping to eventually turn this into a full time position

"The Stage Manager (SM) is the primary liasion between Commentary and the Producer.

Stage Manager (SM) responsibilities include:

-ensuring talent is properly prepped for on-camera
-mics set properly
-properly oriented on camera/spots marked on mat
-ensures talent in position at proper times
-manages/facilitates movement of cameras, talent monitor, cables, etc for pre/post show
"

**MUST BE LOCAL TO THE FORT WORTH, TX AREA**
Tentative Dates: 5/12 - 5/15


We are small crew looking for a Production Assistant local to the Clearwater area. Previous
set experience is preferred.

This position will require driving of company minivans and cargo
vans, along with crew and gear. Eligibility will be based on a driving/background check.

Should be knowledgeable about the area and freeways. Must be comfortable going on
runs and assisting with crew meal. As well as assisting with different departments on an as needed basis. Strong communication skills and a "can do" attitude" are a plus.

Must provide a valid drivers license & reliable transportation.

Assist floor director and steadicam op with live production.

Seeking experienced Production Assistant for reality show filming in various location. Ideal hire is someone who knows the city well and can be proactive on set.

• Travel / Self Report: You will need your own vehicle to travel / self report to the crew hotel on production days.
• Production minivan will be provided to commute from crew hotel to shoot locations and back.
• Production minivan will also be provided for runs.

Rate is $225/12hr day, paychecks come from our payroll company Cast & Crew. We cannot invoice for labor.

· Collaborate with producers, directors, and other team members to execute technical aspects of productions

· Assist in the planning and execution of video shoots, including camera setup, lighting, and audio recording

· Identifying problems

· Documenting engineering processes, parts, repairs, and causes of failure

· Maintain and troubleshoot broadcast equipment, including cameras, video switchers, audio mixers, and lighting systems

· Set up and operate equipment for live broadcasts and recordings

· Monitor broadcast signals to ensure quality and make adjustments as necessary

· Stay up-to-date with the latest trends and technologies in broadcast engineering

· Monitor broadcast signals to ensure quality and make adjustments as necessary

· Be familiar with SMPTE fiber work flows.

· Be familiar with the ROSS Carbonite switcher.

$500 for a half day, $700 for a full 12 hour day.

In need of a Production Assistant for a live TV broadcast shooting in Frisco, TX. Must have reliable transportation and a clean driving record. Load-in date: May 5th. The tentative dates are May 9th - May 21st. Please note: Dates are subject to change.

ISO of a Production Assistant local to Nashville, TN for a small docu follow shoot

This Position Requires:
- Experienced set PA (at least 1 year)
- Valid Drivers License
- Comfortable driving a minivan
- Picking up crew from airport
- Help with release forms
- Professional, reliable, and can do attitude!


Production Assistant: Date needed 1/24/24-1/25/24, rate $210/12

*Hotel, production vehicle and per diem provided*

On May 25 and 28, We will be photographing Japanese female singers in Santa Fe and the surrounding area.
Main job is a driver, and We would appreciate any advice on locations.

Up to 10 hours $250, over 10 hours $37.50/hr

Searching for production assistant to add to small crew shooting true crime documentary. Main responsibilities will include:

-Driving crew vehicle with one other crew member and gear.
-Picking up equipment and meals as necessary.
-Assisting field producer with obtaining releases, scanning archival material, etc.

This is a fast-paced job with some fairly long days. Looking for a candidate that is comfortable thinking on their feet and helping to problem-solve as things come up.

Most of the shoot will take place in Rockford, IL. Hotels from Chicago can be provided, priority would go to a local if there is one!

Shooting between 5/13-5/18. It will be a 5 consecutive day shoot, I will confirm final dates asap!

Day rate is $200/12 + OT

Looking for an experienced local production assistant for a 1-day 2 camera interview and b-roll shoot on 5/7. Responsibilities include helping crew load/unload gear and set up interview space; going for runs for props/ lunch etc.
Will be driving our interview contributors to/from hotel so good people skills are important. Will also include helping us scan archival materials. Rate is $225/12 and we will work on a 12 hour day. Must be local to the Maryland Area.

Crew Position: PA
Date: 5/6-6/10
Rate: $16.67/Hr
Rate is Negotiable

Looking for someone who is comfortable driving minivans, going on runs, ordering lunch, etc.

JOB POSTING: Sharp Entertainment is an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

STRONG field coordinator for a long running docuseries shooting in Atlanta

Shoot dates: Mid May through mid August

Ideal candidates have a professional attitude, excellent people skills, organized and takes ownership of their work. Clean driving record a must!

Some responsibilities include but not limited to:

-Experience running set and keeping crews on time and accountable
-Managing field logistics
-Coordinating locations, releases, gear, etc
-Managing PA's
-Responsible w/ petty cash
-Ensuring releases are obtained, organized and delivered properly

If you feel you're a good fit, please submit!

- Contract Period: 5/20/24 to Early September
- Employment Type: Contract
- Location: Hybrid, but production is based in NY, so close proximity to NY is preferred
- Non-union feature film

Company Overview:
We are a major NYC-based media group with production companies. Currently, we are seeking a Contracted Line Producer to join our team for an upcoming feature film project.

Position Overview:
The Contracted Line Producer will play a vital role in the production process, ensuring the efficient execution of the project from pre-production to completion. While most work will be remote during the pre-production phase, some travel may be involved, with travel expenses covered by the production.

Responsibilities:
- Manage the production budget, including allocating funds for various departments and expenses.
- Create and maintain the production schedule, coordinating with cast and crew availability, location requirements, and logistical considerations.
- Collaborate with the director and creative team to ensure the vision of the film is realized within budgetary constraints.
- Negotiate and secure contracts with vendors, crew members, and other service providers.
- Oversee the hiring and management of production staff and crew, including assistant directors.
- Monitor production progress and address any issues or challenges that may arise during filming.
- Ensure compliance with all relevant industry regulations, safety protocols, and legal requirements.

Qualifications:
- 5+ years of experience as a Line Producer on feature film productions.
- Strong budgeting and scheduling skills, with the ability to manage large-scale projects efficiently and effectively.
- Excellent communication and interpersonal skills, with the ability to collaborate effectively with a diverse team of professionals.
- Solid understanding of the filmmaking process, including production workflows, equipment requirements, and industry best practices.
- Familiarity with industry-standard software and tools, such as Showbiz Budgeting.
- Prior experience working on independent films or non-union productions is a plus.
- Experience with New York film tax credit requirements is a must.
- Flexibility and adaptability to work in a fast-paced and dynamic production environment.