Apply to this DIT (Digital Imaging Technician) Job

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

A crucial behind-the-scenes role responsible for managing and safeguarding the digital image data captured during filming. They ensure the integrity and quality of the footage by overseeing the digital workflow, including camera settings, data transfer, and color management. The DIT collaborates closely with the DP to maintain consistency in visual aesthetics and technical standards throughout the production process.

Looking for a solid DIT for a 5+ camera shoot for a sports docu-series

DIT must have their own kit and software and be extremely organized and follow the file folder structure instructions
per Post Production Management.

Shooting on the FX6 and FX9 + specialty cams and slow motion

Please include resume for consideration.

Looking for a qualified DIT for a Corporate training video series for a major tech company in Mountain View, CA. Please be willing to provide examples of your work upon discussing the project further. Prefer someone that can also AE as well in conjunction.

$300 daily rate for 12 shoot days at 12 hour days, $400 if you can also AE for the project

We are looking for an experienced DIT who is local, or willing to work locally, to the Houston, TX area. (Travel will not be accommodated) This job is non-union, capturing short-form digital content. No lutz. We will only need media management and footage transferring via Shot Put Pro and will be providing a DIT kit.

Shoot Day: Mon 6/10
Rate: $500/12
Job Type: Non-Union

In need of a DIT for a 2 day shoot in Dallas, on 5/14 & 5/15.

Filming one (1) single person interview plus b-roll on the 14th and two (2) single person interviews plus b-roll on the 15th. This will be video only, and we will need transcodes. We will provide the hard drives for you.

We have a budget of $1,000/12hr day inclusive of gear.

We are looking for an experienced DIT who is local, or willing to work locally, to the Hazleton, PA area. This job is non-union, capturing short-form digital content. No lutz. We will only need media management and footage transferring via Shot Put Pro and will be providing a DIT kit.

Shoot Days: Wed 6/5 and Thursday 6/6
Rate: $500/12 (hourly rate based on 14 hours to account for OT)
Project: Amazon low budget social video
Crew: Ability to work as Non Union
Local to Hazleton, PA or willing to work as a local (has local accommodations)
Project location: Hazleton, PA

Fs7 / AS7 / GOPROS

We are looking for an experienced local reality/docu-series DIT for our Docu-Series show for A&E. We will be filming May 8th - May 12th. You would come in at wrap and dump footage overnight while updating the media log as well.

Lunch is reimbursed via Timecard.

We will be filming on 2x FS7s, AS7, Drones & GoPros.

Our Company is an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

We are looking for organised individuals required with strong technical knowledge and works well independently in small teams. Self shoot skills is advantageous. You will be working on an observational doc series with self shooting PD teams. There may be shift work involving nights.

You will need to be highly organised to log clearly and highlight missing footage and assist with collating footage related to different stories shot. Knowledge of labelling archive footage useful. Experience working on blue light programmes would be preferred, but not essential, as would previous experience working on observational documentaries or follow docs. You must have a full drivers license.

Must have experience of sound and handheld/rigged cameras. Be able to rig and stand in as sound recordist if we have sit down interviews etc. Oversee care of cameras, (across kit inventory making sure nothing is lost and contacting camera house if there are issues or if something is broken). You need to prepare all the workflows with the posthouse and ensure they are adhered to.

Looking for a drone operator to shoot footage for a financial company's office.

Date: May 15th, 2024
City: Coral Springs, FL
Position: Drone Op
Call Time: TBD, 5-hour shoot
Gear Required: Must own or have access to a drone similar or comparable to Phantom Pro 4 that shoots in 4K at 60fps
Rate: $300/5h
We pay $300/5h and $25/h after that. We do not expect the shoot to go into overtime.
 
We reimburse every mile after traveling 50 miles in each direction (not round trip) at $0.67 per mile.

Hello!

We are looking for a one man team who is based in Ft Lauderdale, FL. We are looking for a DP with their own gear, who is able to run sound.

This is a small, single camera interview for one day with one interviewee. Many more details available, please reach out if interested!

$850/12 for labor, gear will be paid for additionally based on inventory

Looking for a DP/Director to lead a few shoots in West Palm Beach to showcase the city.

This is a multi-day shoot, and we'd ideally like to have the same DP for all days, but it's not a deal breaker.

Other shoot dates: 5/21, 5/22, 5/23, 5/24. 5/29, 5/30 (all 10-hour days)

Position: DP/Director
Date: May 20th, 2024
Location: West Palm Beach
Gear Required: Camera, Tripod, Slider or Stabilizer, Three-Point Lighting, External Recorder (if you do not have two-audio channels on camera), LAV Mic, and Boom Mic with Mic Stand
Rate: $600/10h (USD)

We reimburse every mile after traveling 50 miles in each direction (not round trip) at $0.67 per mile.

Seeking a DP who can capture interviews and B-roll for our client in Coral Springs, FL This would be for a property management company.

Seeking candidates who can provide their own gear. Please share any reel/website/work samples you have.

Gear Required: Camera, Tripod, Gimbal (or comparable stabilizer), Lighting (interview).
Rate: $350/5hrs

We reimburse every mile traveled after traveling 100 miles round trip at $0.67 per mile.

Please DO NOT APPLY if you are not available May 17th, 2024.
Please DO NOT APPLY if you are not local to Ft. Lauderdale or immediate vicinity - there will be no travel budget available.

Looking for a reliable and reputable DP with extensive experience in shooting green screen. We will be setting up a green screen in a hotel meeting room and the key has to be immaculate.

You are someone who:
• Owns a cinema camera package & lenses (ARRI or RED only, please specify)
• Has a relationship with a G&E team with a robust lighting package, at least 1-Ton, portable fabric green screen (8x12 minimum)

Please respond listing your camera package, lenses, and a high-level overview of lighting equipment you own or have direct access to. Please also mention if you have a team to support you. Thank you.

Looking for a camera op. FS7 for a 3 day shoot.

We will be filming mainly in Hallendale Beach, possibly Fort Lauderdale areas as well. Scene work, verite, broll, droning. Gear will be provided.

Please do not apply if you are not a local or willing to work as a local.
We are an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Please DO NOT APPLY if you are not available May 17th, 2024.
Please DO NOT APPLY if you are not local to Ft. Lauderdale or immediate vicinity - there will be no travel budget available.

Looking for a reliable and reputable DP with extensive experience in shooting high-end interviews.

You are someone who:
• Owns a professional camera package & lenses (please specify)
• Owns or has direct access to professional lighting and grip equipment (please give high-level overview of lighting package)
• Has a relationship with a team of frequent collaborators whom you can bring onto the project (i.e. B-Cam Op with same camera as yours, gaffer, grip)

Please respond listing your camera package, lenses, and a high-level overview of lighting equipment you own or have direct access to. Please also mention if you have a team to support you. A reel of documentary work with interviews and b-roll is preferred.

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

Documenting behind the scenes captures essence of the production process. They will primarily follow interns who will be on the production set. They will skillfully navigate the chaos of the set to immortalize candid moments, revealing the dedication and collaboration of the intern team.

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

Supports the camera team in various technical and logistical aspects of production. Their responsibilities include assisting with equipment setup, maintaining camera gear, managing batteries and memory cards, and ensuring smooth operation during filming. The AC works closely with the Director of Photography to achieve desired shots and camera movements.

Must be local to location (or willing to work as a local).

Seeking a DP to to capture interviews and b-roll for our client in Boston, MA. This is for a local investment agency.

Seeking candidates with documentary and corporate experience, ideally in the commercial/event space.

Gear Required: Camera, Tripod, Stabilizer, Three-Point Lighting,

Call time is TBD

Rate is $350 for five hrs on set, $50/h after that. We do not expect the shoot to go into overtime.

Looking for local-to-Toronto DP for short, documentary project. Exact dates are TBD but likely to be three (non-consecutive) days starting May 17. Preferably a DP with documentary experience, their own gear and wide variety of lens selection.