Apply to this DIT (Digital Imaging Technician) Job

Looking for a solid DIT for a 5+ camera shoot for a sports docu-series

DIT must have their own kit and software and be extremely organized and follow the file folder structure instructions
per Post Production Management.

Shooting on the FX6 and FX9 + specialty cams and slow motion

Please include resume for consideration.

I need a client-friendly experienced DIT who has a great attitude and works well with others. This is part of an activation where you will need to interface with clients and participants as well as the production crew, so I need someone with great people skills as well as technical skills. Thank you!

Need someone who has experience in being an on set stills digitech that can organize files and edit on site with minimal retouching. We will be shooting very fast paced on site and will need someone that is organized and can work quick on their feet.

Looking for a qualified DIT for a Corporate training video series for a major tech company in Mountain View, CA. Please be willing to provide examples of your work upon discussing the project further. Prefer someone that can also AE as well in conjunction.

$300 daily rate for 12 shoot days at 12 hour days, $400 if you can also AE for the project

We are looking for an experienced DIT who is local, or willing to work locally, to the Houston, TX area. (Travel will not be accommodated) This job is non-union, capturing short-form digital content. No lutz. We will only need media management and footage transferring via Shot Put Pro and will be providing a DIT kit.

Shoot Day: Mon 6/10
Rate: $500/12
Job Type: Non-Union

In need of a DIT for a 2 day shoot in Dallas, on 5/14 & 5/15.

Filming one (1) single person interview plus b-roll on the 14th and two (2) single person interviews plus b-roll on the 15th. This will be video only, and we will need transcodes. We will provide the hard drives for you.

We have a budget of $1,000/12hr day inclusive of gear.

We are looking for an experienced DIT who is local, or willing to work locally, to the Hazleton, PA area. This job is non-union, capturing short-form digital content. No lutz. We will only need media management and footage transferring via Shot Put Pro and will be providing a DIT kit.

Shoot Days: Wed 6/5 and Thursday 6/6
Rate: $500/12 (hourly rate based on 14 hours to account for OT)
Project: Amazon low budget social video
Crew: Ability to work as Non Union
Local to Hazleton, PA or willing to work as a local (has local accommodations)
Project location: Hazleton, PA

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

A crucial behind-the-scenes role responsible for managing and safeguarding the digital image data captured during filming. They ensure the integrity and quality of the footage by overseeing the digital workflow, including camera settings, data transfer, and color management. The DIT collaborates closely with the DP to maintain consistency in visual aesthetics and technical standards throughout the production process.

We are looking for organised individuals required with strong technical knowledge and works well independently in small teams. Self shoot skills is advantageous. You will be working on an observational doc series with self shooting PD teams. There may be shift work involving nights.

You will need to be highly organised to log clearly and highlight missing footage and assist with collating footage related to different stories shot. Knowledge of labelling archive footage useful. Experience working on blue light programmes would be preferred, but not essential, as would previous experience working on observational documentaries or follow docs. You must have a full drivers license.

Must have experience of sound and handheld/rigged cameras. Be able to rig and stand in as sound recordist if we have sit down interviews etc. Oversee care of cameras, (across kit inventory making sure nothing is lost and contacting camera house if there are issues or if something is broken). You need to prepare all the workflows with the posthouse and ensure they are adhered to.

Looking for 2 solid cam ops with live event/multi-cam experience. Must have experience working stationary camera positions for galas, conferences, award shows, etc.

Setup will be complete upon your arrival however you will be needed to help strike cameras and camera cable only.

LOCAL ONLY - no travel, per diem, airfare or lodging provided.

Looking for a solid videographer to capture BTS of the production and event. Event will take place at a museum (black-tie affair). Should be able to work solo and capture OTF interviews with guest and museum staff.

Bonus points if you can edit a recap video as well (additional pay).

Gear will be provided (BM Pocket Cinema 6K)

Looking for a solid event photographer for an event at a museum. Must have prior event photography experience and portfolio available for review.

Looking for a multiple hat wearer in our budget that has experience pulling focus yet may have experience as a second camera. Additional opportunities are available but this project is microbudget. thanks!

Would be great if you can pull focus as primary role and second camera on just a few days.
Rehearsal and principal production start June 20th through July 3, 2024. We are looking for experienced AC only.
30min bilingual short film we are making will model for teens how to navigate biases in their own community and the importance of acceptance

Rehearsal and principal production start June 20th through July 3, 2024. We are looking for experienced DP only with own gear/lenses etc.

30min bilingual short film we are making will model for teens how to navigate biases in their own community and the importance of acceptance.

Looking for a camera assistant local to Baltimore, MD for a new reality paranormal/road trip show. Shooting at a few locations in and around Baltimore.

Duties include assisting DP/B-Cam with g/e, batteries, lenses and media management end of day.

Please only apply if you can work as a local in Baltimore. We cannot provide accommodations or mileage for travel.

Looking for a B-Cam operator local to Baltimore, MD for a new reality paranormal/road trip show. Shooting at a few locations in and around Baltimore.

Please only apply if you can work as a local in Baltimore. We cannot provide accommodations or mileage for travel.

Looking for a union 1st assistant camera in Baltimore for a production filming in the 5/27 - 5/29 period. Must have experience with long lens focus pulling during live event coverage.

675/10

Looking for a union camera operator locally in Baltimore for a production filming in the 5/27 - 5/29 period. Experience with covering live events with a long lens camera a must.

750/10

I am in need of a DP for a corporate talking head shoot for a half day on May 13 and May 15. This shoot will only be filming 1 subject with 2 cameras for a talking head interview plus B-Roll. There will be a sound guy on set for audio. Sony shooters preferred. The DP will need to have his/her own lighting for a basic 3 point lighting setup with a key, hairlight, and bounce. Please include examples or your reel with relevant corporate talking head work.

I am looking for someone only local to the DC area. We have many shoots within the beltway and would like to add more DP's to our roster that can shoot locally and can hire within a short notice if needed.

2 Half days for DP with lights