Apply to this Grip Job

We are looking for an experienced Key Grip who is local, or willing to work locally, to the Hazleton, PA area. This job is non-union, capturing short-form digital content.

Shoot Days: Wed 6/5 and Thursday 6/6
Rate: $650/12 (hourly rate based on 14 hours to account for OT)
Project: Amazon low budget social video
Crew: Ability to work as Non Union
Local to Hazleton, PA or willing to work as a local (has local accommodations)
Project location: Hazleton, PA

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

A key member of the camera department responsible for setting up and operating equipment to achieve desired shots. They assist in camera movement, rigging, and maintaining safety on set. Grips ensure that lighting and camera gear are properly positioned and secured, contributing to the overall visual quality of the film.

Dates: May 14-17

Role: As grip/PA, you'll be supporting our DP and Gaffer in executing the DP's vision for lighting each scene using our Aputure fixtures and modifiers. We will have our grip truck on-site with all necessary grip and other gear. Ability to lift 50lbs necessary due to weight of equipment.

National Association of Black Accountants (NABA) is hosting an annual conference in Las Vegas 6/18 - 6/21. Our team will be filming the event to produce stock footage style archival content and post-produce a highlight sizzle; along with additional marketing content.

Applicant should be capable of setting up and rigging lighting and grip equipment for interviews and broll scenes. Please advise if you own any gear and provide a list with rates. We could add the gear to your kit rental with a standard multi day discount; as we budgeted to rent the equipment from a rental house.

600d +dome/Fresnel w/battery (1)
Kino Flo Diva 21 (2)
1x1 LED w/Battery (2)
Additional grip (Rags, Curtains, Rolling stands, C-stand cart, Camera cart, Splitters etc)

Teams will be on a 12hr day but likely wrap in 8-10. There will be plenty of breaks and downtime.

Thanks!

Looking for a Gaffer local to the Norman, Oklahoma area. Ideally if you have a 1ton sprinter package or small kit with Aputure 1200D we have budget for truck and lighting packages.

We will be shooting for 4 hours with Oklahoma Softball Players.

We are looking for an experienced Key Grip who is local, or willing to work locally, to the Houston, TX area. (Travel will not be accommodated) This job is non-union, capturing short-form digital content.

Shoot Days: Mon 6/10
Rate: $650/12
Job Type: Non-Union

We are looking for an experienced Gaffer who is local, or willing to work locally, to the Houston, TX area. Travel will not be provided. This job is non-union, capturing short-form digital content.

Shoot Days: Mon 6/10
Rate: $650/12 (hourly rate based on 14 hours to account for OT)
Project: Amazon low budget social video
Crew: Ability to work as Non Union
Local to Hazleton, PA or willing to work as a local (has local accommodations)
Project location: Hazleton, PA

We are looking for an experienced Gaffer who is local, or willing to work locally, to the Hazleton, PA area. This job is non-union, capturing short-form digital content.

Shoot Days: Wed 6/5 and Thursday 6/6
Rate: $650/12 (hourly rate based on 14 hours to account for OT)
Project: Amazon low budget social video
Crew: Ability to work as Non Union
Local to Hazleton, PA or willing to work as a local (has local accommodations)
Project location: Hazleton, PA

Looking for a well-equipped gaffer who comes with a good 1-2 ton L&G package. You are very experienced with lighting corporate videos and have references who'll tell us that. You're fast and precise, and know how to light and shape light. This is a docustyle corporate film, so we're going for a nice "natural" look rather than a super-staged commercial look. Most of all, you're super fun and easy to work with.

This is a 10 hour day in San Ramon/Bay Area and the rate includes you and your kit for the day.

Seeking a gaffer for a short documentary shoot May 9th and 10th. It's a fun project, small scrappy crew, shooting at an elementary school. Theme of short is queerness and the power of showing up as your authentic self.

600/12, self report to set in Germantown

Let us know if you have your own equipment for rental.

We're seeking a Sacramento or Bay Area gaffer for a fairly run and gun doc-style shoot for a large non-profit organization. Some additional budget is available for a few G&E items.

The crew will be paid as employees via Media Services.

Rate per 12 hours with additional $100/day for kit rentals and expendables

o Will be assisting hand-held camera operators throughout the game

o Moderate to high cable coil management proficiency, MUST be able to Over/Under consistently in a high tempo environment behind a handheld camera throughout the show

o Assisting in tear down of compound post game

Guaranteed min 10 hrs pay, OT if over 10

I am looking for a gaffer for a small documentary shoot in Albany, NY shooting on May 9. We will be filming 3-4 interviews and likely one person will be on camera for each interview. This will take place in various spots within the same location. This is the very last day of filming for this documentary so we have a streamlined process. It should be a relatively easy going day.

Would prefer for the gaffer to come with their own gear and with a recommendation for a key grip/swing. Gear rate negotiable.

Must be local to Albany, NY or willing to work as a local. We cannot accommodate any travel, hotels, per diem, mileage, etc.

Rate is $600/10 + negotiable kit rental.

Thanks!

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

The head of the lighting department responsible for implementing the DP's vision. They work closely with the DP to set up and adjust lighting equipment to achieve the desired mood, tone, and atmosphere for each scene. The gaffer oversees the lighting crew, ensuring that all lights are properly positioned, powered, and controlled to enhance the visual storytelling and support the director's creative vision.Plays a pivotal role in overseeing and coordinating all aspects of the production process. Their responsibilities include managing budgets and schedules, arranging for locations and permits, and ensuring that the production runs smoothly from pre-production through post-production.