Apply to this Set Production Assistant Job

- craft/coffee/lunches
- petty cash responsibilities and receipt management
- general crew assistance (load in and out of location)
- assisting Field Producer with releases, greeking, location photos, network photos, etc
- and more

$150 prep/wrap days (6 hrs max)
$250 shoot days (12 hrs max)
*plus mileage for personal car use

Hello! We are currently looking for a production assistant who can join our team for June 10th, 11th, 12th & 13th. We are looking for someone who ideally has a vehicle, as there will be a number of pickups and drop-offs on the 10th and 13th.

Our crew is relatively small, with a DP, producer, AC, and G/E making up the bulk of the team. Filming will take place on the 11th and 12th, both in new locations but just a single location/day.

Please reach out if interested!

Hello! We are looking for a production assistant to help out with our small documentary crew on May 29th, May 30th and possibly May 31st. The official shoot date is May 30th.

It is a small set and a small crew, filming a sit down interview at one location. We will need someone comfortable doing runs the day before the shoot; picking up crafty, possible art pickups, etc. We would also like someone who is comfortable driving a cargo van.

Please let me know if this is of interest to you and I will get you more details!

Brainstorm Creative Resources is recruiting for a full-time, salaried, Operations Coordinator position on behalf of a media production firm with offices near Georgetown in Northwest, Washington, DC.

The hiring firm made a name for itself producing ads and videos for Democrats and Progressives in local, state, and national races. They also create branded content for some of the most recognizable and influential non-profit organizations, associations, and corporations in the country. Brainstorm Creative Resources has supported and maintained a close relationship with this firm since 2010.

The Operations Coordinator will facilitate business management activities and studio operations, interacting regularly with team members, clients, vendors, service providers, and the general public. Most of the work will be conducted in person at the firm's studio. Telecommuting is supported 1-2 days per week, adjusting for the ebb and flow of the business cycle.

This is a great role for someone who sees their career potential in managing a business from top to bottom. Ideal candidates will be organized and capable of organizing others, able to anticipate needs and solutions, and fastidious when it comes to quality control. Just as importantly though, we're looking for people who are agile, eager to learn, outgoing and enjoy working in partnership with others.

Looking for a PA to assist with general set duties for an event at NMAAHC. Must be professional, team player and help out where and as needed. Should have a driver's license and know the DC metro area well.

Looking for a production assistant local to Baltimore, MD for a new reality paranormal/road trip show. Shooting at a few locations in and around Baltimore.

Please only apply if you can work as a local in Baltimore. We cannot provide accommodations or mileage for travel.

The Production Coordinator (or Event Manager) is responsible for the onsite organization and administration of gear and crew. They prep the venue prior to the event, transport gear to and from the venue, set up gear on game day, supervise crew schedule, execute the production, and break down equipment at end of event. They must be well organized, extremely punctual, and able to communicate well with supervisors and crew both in person and digitally.

All games at this event will be recorded locally and live streamed for parents, fans, and coaches.

Who: Freelance production coordinator
What: Lacrosse tournament
When: June 26, 2024 (set up June 25, break down June 26)
Where: Annapolis, MD
Why: $400 per day, meals, travel

Responsibilities:
- Receive gear shipment or hand off
- Lead venue set up
- Give direction to crew
- Communicate with event partner and/or facility manager
- Manage game and crew schedule
- Monitor and maintain power, storage, and bitrate
- Charge gear after each event day (if applicable)
- Break down venue
- Return gear shipment or drop off
- Must be available for one pre-production meeting with management team
- Must be available for set up and breakdown days, possibly before and after event days
- May be required to conduct a site visit prior to event

Qualifications:
- Must have experience with sports video production.
- Must have experience with live video production.
- Must be capable of all day activity, standing / walking for long periods.
- Must have transportation to athletic facility.
- Must be able to lift up to 30 lbs.
- Must be able to climb ladder or scaffold.
- Must have valid driver's license.
- Must be 18 or older.
- Must be eligible to work in US.
- Must feel comfortable giving direction to crew.
- Must be capable of efficient digital communication (text, phone, email).

The Production Coordinator (or Event Manager) is responsible for the onsite organization and administration of gear and crew. They prep the venue prior to the event, transport gear to and from the venue, set up gear on game day, supervise crew schedule, execute the production, and break down equipment at end of event. They must be well organized, extremely punctual, and able to communicate well with supervisors and crew both in person and digitally.

All games at this event will be recorded locally and live streamed for parents, fans, and coaches.

Who: Freelance production coordinator
What: Lacrosse tournament
When: July 10, 2024 (set up July 9, break down July 10)
Where: Baltimore, MD
Why: $400 per day, meals, travel

Responsibilities:
- Receive gear shipment or hand off
- Lead venue set up
- Give direction to crew
- Communicate with event partner and/or facility manager
- Manage game and crew schedule
- Monitor and maintain power, storage, and bitrate
- Charge gear after each event day (if applicable)
- Break down venue
- Return gear shipment or drop off
- Must be available for one pre-production meeting with management team
- Must be available for set up and breakdown days, possibly before and after event days
- May be required to conduct a site visit prior to event

Qualifications:
- Must have experience with sports video production.
- Must have experience with live video production.
- Must be capable of all day activity, standing / walking for long periods.
- Must have transportation to athletic facility.
- Must be able to lift up to 30 lbs.
- Must be able to climb ladder or scaffold.
- Must have valid driver's license.
- Must be 18 or older.
- Must be eligible to work in US.
- Must feel comfortable giving direction to crew.
- Must be capable of efficient digital communication (text, phone, email).

Looking for a set PA for a Comedy Special. This is a one day wonder stage show with long hours.
Experience preferred.

We are looking for an Encoding Engineer to work with us on a live stream for a Global Investor Conference from the Waldorf Astoria Hotel in Washington, DC. The dates would be from September 16-19, with the Conference happening on September 16-18.

Experience working with vMix, OBS, and Makito X4Es is preferred.

Must be local to the Washington DC area or be willing to work as a local. We will not reimburse or pay for transportation, parking, or accommodations.

Must be available for a 10-15 minute interview prior to hire.