Apply to this Sound Engineer Job

SHOW DESCRIPTION - 

In Depth with Graham Bensinger averages 3 million television viewers/episode and 2.5 million digital views/episode airing weekly across the U.S. on the local NBC, CBS, ABC and FOX stations. It re-airs on NBC Regional Sports Networks and FOX Sports Nets, YouTube, ESPN in Australia/Latin America/Caribbean, BT Sport in Ireland/UK and TSN in Canada. Recent episodes range from a few days in Serbia with tennis star Novak Djokovic, to a trip to Texas for Cowboys quarterback Dak Prescott, to visiting Hong Kong with Arnold Schwarzenegger, to traveling to Monaco with Prince Albert, to the week in the Bahamas with Sir Richard Branson.



POSITION SUMMARY

- We film on Canon 5D Mark IVs.
- We record at 48000 khz, 24 bit, shoot at 29.97 drop-fps and do not require timecode jamming.
- Audio must be recorded to separate tracks - we have to be able to split audio. Mixdowns and backup tracks are welcome but no mixdown as primary track.
- Hops are not necessary but welcome if no additional cost.
- Minimum of (1) IFB required for the producer to monitor audio.
- At least two subjects, no more than four, requiring wireless lavalier microphones throughout the interview and following activities.
- Booming additional subjects and activities will be required.
-Mic redundancies required for sit-down interviews when there are 2 subjects (aka 2 lavs and 2 booms).
- We will provide an SD, CF card or both for each day we film and then collect upon wrapping.




REQUIREMENTS / QUALIFICATIONS 

- Ability to troubleshoot technical difficulties
- Ability to work under stressful and extreme conditions, as well as quickly adapt to last-minute schedule changes
- Be teachable and willing to learn new workflows
- Ability to work under strict deadlines

SHOW DESCRIPTION - 

In Depth with Graham Bensinger averages 3 million television viewers/episode and 2.5 million digital views/episode airing weekly across the U.S. on the local NBC, CBS, ABC and FOX stations. It re-airs on NBC Regional Sports Networks and FOX Sports Nets, YouTube, ESPN in Australia/Latin America/Caribbean, BT Sport in Ireland/UK and TSN in Canada. Recent episodes range from a few days in Serbia with tennis star Novak Djokovic, to a trip to Texas for Cowboys quarterback Dak Prescott, to visiting Hong Kong with Arnold Schwarzenegger, to traveling to Monaco with Prince Albert, to the week in the Bahamas with Sir Richard Branson.



POSITION SUMMARY

- We film on Canon 5D Mark IVs.
- We record at 48000 khz, 24 bit, shoot at 29.97 drop-fps and do not require timecode jamming.
- Audio must be recorded to separate tracks - we have to be able to split audio. Mixdowns and backup tracks are welcome but no mixdown as primary track.
- Hops are not necessary but welcome if no additional cost.
- Minimum of (1) IFB required for the producer to monitor audio.
- At least two subjects, no more than four, requiring wireless lavalier microphones throughout the interview and following activities.
- Booming additional subjects and activities will be required.
-Mic redundancies required for sit-down interviews when there are 2 subjects (aka 2 lavs and 2 booms).
- We will provide an SD, CF card or both for each day we film and then collect upon wrapping.




REQUIREMENTS / QUALIFICATIONS 

- Ability to troubleshoot technical difficulties
- Ability to work under stressful and extreme conditions, as well as quickly adapt to last-minute schedule changes
- Be teachable and willing to learn new workflows
- Ability to work under strict deadlines

Mixing, mastering, and sound design for a dialogue driven short film between two characters outside on a vineyard.

THE POSITION
Our roster has an opening with your name on it

Audio Technician performs a variety of tasks related to live, pre-recorded, studio and field production, all in support of multiple 24x7 TV broadcast channels and OTT platforms.  Primary duties include, but are not limited to, responsibility for all facets of audio production projects and daily operation of audio mixing, switching and special effects equipment.

THE GAME PLAN
Everyone on our team has a part to play

- Operate all audio mixing, switching, equalizing and special effects equipment for TV production primarily in a live studio environment
- Address daily show requirements from an audio and technical standpoint as communicated by the Director, Producer and production staff
- Coordinate daily feeds, including IFB and PL coordination lines, with the remote tech manager (as required) or - Transmission Operation Center staff
- Test mics, IFB's and PL system with remote A2
- Confirm all audio sources are good and fax inbound remote feeds and mix-minus' prior to show.
- Program production intercom for use in remote locations
- Monitor audio feeds, make appropriate adjustments and mix talent microphones, various audio sources, music playback and sound effects to create a program mix for air
- Create additional mixes for clean feed, iso records and monitoring stations, as required
- Proficient problem solving and troubleshooting techniques and effective communication to best convey the issues necessary for resolution
- Operate routing equipment which may require patching of video, audio and ancillary signals
- Setup and operate different types of adjunct audio and telephone equipment, including analog/digital cartridge machines, audio servers, speech enhancers and intercoms
- Provide proper technical interface between in-plant devices and outside audio and communication sources
- Performs ingest procedure for transfer of media material into the audio air server.
- Quality checks and adjusts video/audio signal levels for optimum quality
- Able to complete tasks and projects with strict deadlines.
- Develop, write and implement Standard Operating Procedures (SOP) for the department.
- Complete formal paperwork for Audio department and other departments including, but not limited to creating, maintaining, and disseminating daily audio schedules, emails, and charts of all audio feeds and remote based information
- Takes direction from control room team for content assignment
- Performs duties on remote broadcasts, as assigned

THE STATS
What we're looking for in our next teammate

- Working knowledge of systems/equipment used in functions identified above, including analog/digital/high definition video/audio signals and monitoring equipment
- Minimum of 1 year of experience in broadcast operations at a local TV station, cable/satellite channel or other industry-related environment
- Working level of operational skills and abilities when using all broadcast equipment and technology within assigned operating areas, including but not limited to microphone and IFB signal flows, wireless PL systems, mix minus and Intercom devices
- Ability to travel to remote broadcast sites, as assigned
- Ability to lift up to 50 lbs. un-assisted of technical and or set gear
- Ability to work well in a broadcast team environment, including talent, producers and directors, under strict time deadlines
- Ability to work a flexible schedule consisting of weekends and holidays
- At least 1 year of Audio Technician experience working in a live television studio or remote environment preferred

PLAYER BENEFITS
We treat our team right

From our many opportunities for professional development to our generous insurance and paid leave policies, we’re committed to making sure our employees get as much out of FanDuel as we ask them to give. Competitive compensation is just the beginning. As part of our team, you can expect:

An exciting and fun environment committed to driving real growth
Opportunities to build really cool products that fans love
Mentorship and professional development resources to help you refine your game
Be well, save well and live well - with FanDuel Total Rewards your benefits are one highlight reel after another 

FanDuel is an equal opportunities employer and we believe, as one of our principal states, “We Are One Team!”  We are committed to equal employment opportunity regardless of race, color, ethnicity, ancestry, religion, creed, sex, national origin, sexual orientation, age, citizenship status, marital status, disability, gender identity, gender expression, Veteran status, or another other characteristic protected by state, local or federal law. We believe FanDuel is strongest and best able to compete if all employees feel valued, respected, and included.  We want our team to include diverse individuals because diversity of thought, diversity of perspectives, and diversity of experiences leads to better performance.  Having a diverse and inclusive workforce is a core value that we believe makes FanDuel stronger and more competitive as One Team!

The applicable hourly range for this position is dependent on a variety of factors including relevant experience, location, business needs and market demand. This role may offer the following benefits: medical, vision, and dental insurance; life insurance; disability insurance; a 401(k) matching program; among other employee benefits. This role may also be eligible for short-term or long-term incentive compensation, including, but not limited to, cash bonuses and stock program participation. This role includes paid personal time off and 14 paid company holidays. FanDuel offers paid sick time in accordance with all applicable state and federal laws.

A sound mixer for a micro budget web show shooting entirely indoors.

We're seeking a production sound mixer for our independent music film. Currently scheduled for 19 days of filming.

Narrative overview: A struggling LA music producer navigates a career-defining showcase and sudden guardianship of his newly discovered half-sister. Music plays an integral role in their journey of healing and connection.

Sound Needs:
-Heavy emphasis on live music recording (vocals and various instruments).
-Skill in capturing the energy and nuance of both intimate and showcase performances.
-Experience and comfort with on-location sound mixing.
-Budget available for a sound partner/boom operator of your choice at the same rate.

We are looking for a Post Production Sound Designer for our independent music film. The script is fairly contained to mostly indoor locations, but does feature diegetic singing.

A responsibility of this job will also include delivering a fully filled M&E.

The ideal candidate will join our team before filming commences to ensure a seamless and successful workflow.

Audio Mixer w/gear needed in Cairo, Illinois. We can talk housing for the right person if you are traveling from a surrounding city (ex: St. Louis or Nashville). This is a sizzle reel with OTFs. Please be prepared to mix and record outside. Previous experience in docu-follow or interview is required.

2 Shoot Days within the week of 6/03/24.

Gear Rate TBD

Looking for an Audio Mixer w/gear that can work locally in Medford OR. 1-3 Day Shoot (sizzle). Needs to be experienced in docu-style and interviews.

Possible Shoot Dates:
6/01
6/02
6/03

*Gear rate TBD

Jupiter Entertainment seeks an experienced Sound Mixer as local as possible to Reno, NV to join us on American Detective 5/27-5/30. Applicants from surrounding areas are encouraged as well!

You will be joined by a small crew consisting of a Field Producer, Associate Producer, DP and PA. A team-oriented attitude is a must!

Gear will be provided and a list of equipment will be shared upon hire.

Please include your rate for a 10-hour day excluding any gear rentals as well as a resume/reel along with your application. True crime experience is a huge plus!

Looking for experienced sound recordist to record audio for a one day, outdoor commercial shoot with a notable athlete sponsored by a local company. Rate includes equipment (mixer, lav mics, boom, etc).

Sound Mixer/Boom Op combo with their own gear.

Please send your rate and confirm your availability for 5/30 for consideration. Thanks!

We are shooting a proof of concept for a docuseries about some racers at the Mid-Ohio racetrack 6/6-6/9. Looking for someone with experience shooting car racing in addition to general docuseries - there will probably be some walk and talks, and maybe a sit down interview. The racing portion takes about 45 minutes 2x per day for the cup that we are following.

I know you probably live a bit far from there, so we can get you a hotel room, but we are looking for people to work as locals.

650/12, 450 kit

Experienced and reliable Audio Mixer with gear needed for a tentative shoot in West Lafayette, IN 6/4 - 6/5

Applicant must be local to the area as Production does not cover any travel costs or accommodations.

Must have 4-6 channel mixer with a boom and lavs.

Experience on home reno shows and HGTV shows are a plus.

EOE. This company is an equal opportunity employer to all, regardless of age, ancestry, association with a member of a protected class, bereavement leave, color, disability, exercising the right to family care and medical leave related to serious health condition of employee or family member, child bonding, or military exigencies, engaging in protected activity, gender identity or expression, genetic information or characteristic, marital status, medical condition, military and veteran status, national origin, pregnancy, childbirth, breastfeeding, or related medical conditions, Pregnancy Disability Leave (PDL), race (includes hairstyle and hair texture), religious creed (includes dress and grooming practices), reproductive health decision making, sex/gender, and sexual orientation.

We are looking for a Sound Mixer for a podcast shoot in Kansas City. This is a podcast with athletes, 4-5 people at any time, so we will need 5 Lavaliers. We will need one lock box for timecode jamming of all cameras (no need for multiple). We will also want a line in for our center camera (a 3.5mm mix line in) and 3x IFBs for producers.

These will be relaxed and short days, first day in a hotel and subsequent days in single Airbnb location.

Day rate for sound mixing plus additional equipment requested.

Please respond with a gear list and rates.

Looking for a Sound Recordist/Operator for a scripted interview on a half day shoot in Hartford City, IN.

Date: May 23rd, 2024
Area: Hartford City, IN
Position: Sound Operator
Call Time: TBD, 5-hour shoot
Gear Required: LAV Mic, Shotgun Mic, Boom Pole, External Recorder
Rate: $350/5h

We pay $350/5h and $35/h after that. We do not expect the shoot to go into overtime
We reimburse every mile after traveling 50 miles in each direction (not round trip) at $0.54 per mile.

Crew Position: Audio
Date: 5/24-5/27
Rate is negotiable

Below you can find list of responsibilities for this role on the shoot.

Audio

Collaborate with the production team to understand the show's audio requirements.
Set up and configure audio recording equipment, including microphones, mixers, and recorders.
Perform equipment checks to ensure proper functioning and troubleshoot any issues.
Determine the most effective placement of microphones on cast members, ensuring clear and high-quality audio capture.
Adjust microphone levels to account for variations in voice volume.
Monitor live audio feeds during filming to detect and address any technical issues promptly.
Use headphones to assess the quality of the recorded audio in real-time.
Mix and balance audio levels between different microphones to create a cohesive and natural sound.
Maintain clear communication with the FP and production team regarding audio requirements and potential challenges.
Coordinate with other crew members to ensure a seamless integration of audio with video production.
Record high-quality audio tracks during filming, ensuring that all relevant audio is captured.
Ensure that audio recording practices comply with industry standards and regulations.
Hand off audio files to PM and/or Media Manager to ensure files are dropped on to hard drives safely.

JOB POSTING: Sharp Entertainment is an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Hello! We are looking for a sound mixer local to DC. This will be a single sit down interview, one location. It's a documentary, so quite a small crew - shooting on May 30th.

Please let me know if this is of interest to you!

We are producing a short documentary on a local company in Stuarts Draft, VA on May 30. We need an audio recordist with their own kit for the day (10 hrs). I've provided some details below. If you're interested, please let me know as soon as possible.

This is the labor rate we have budgeted for the day. We pay Net30.

May 30
10 hour day (7am-5pm)
Hosted walk and talk Interviews with guest + Man on the street interviews.
Sit Down interviews
The full Crew is (1) Field Producer, (2) Cam Ops, (1) Sound Recordist

Equipment Needs
(Please Provide what type of equipment you own)
(2) Lavalier Microphones (Mic needs to be hidden)
(1) Boom Pole/Mic
(1) Audio Mixer

Rate
Labor Rate: $650
Equipment Rate: $300

Looking for someone available to work next week - on Wednesday 5/22. Looking for a sound mixer/recordist to work 12 hr days and bring their own equipment for a really moving documentary. Rate to include kit rental. Ideally would have documentary and docu-series experience. You'll be a part of something that hopefully will make a big social impact. Documentary film called In Search of Love about how attraction works, the science of love and how to have long lasting relationships. Should be some great insight in the interview. Will be interviewing a celebrity musician about their experience so need to keep all confidential.