Apply to this Video Assist Operator Job

We are looking for an experienced VTR who is local, or willing to work locally, to the Houston, TX area. This job is non-union, capturing short-form digital content.

Shoot Day: Mon 6/10
Rate: $800/12
Job Type: Non-Union

We are looking for an experienced VTR who is local, or willing to work locally, to the Hazleton, PA area. This job is non-union, capturing short-form digital content.

Shoot Days: Wed 6/5 and Thursday 6/6
Rate: $800/12 (hourly rate based on 14 hours to account for OT)
Project: Amazon low budget social video
Crew: Ability to work as Non Union
Local to Hazleton, PA or willing to work as a local (has local accommodations)
Project location: Hazleton, PA

Job Posting: Camera Operator for Sports Matches

Position: Camera Operator (Will hire lead and assistant camera operator)

About the Tournament:
Inviting an experienced camera operator for live rugby matches. The role involves filming rugby action using a zoom lens on sticks, gimbal, or monopod, according to your expertise.

Matches are 14 minutes long, with 7-minute halves. Expect to film 3 matches per day for a total of 42 minutes of game time. The schedule is dynamic, with games spread throughout the day - typically one in the morning, early afternoon, and later afternoon.

About Us: Video production company who specializes in corporate video production and content creation for social media.

Job Description & Responsibilities:
As a camera operator, you will be responsible for capturing high-quality footage of rugby matches, ensuring dynamic and engaging content for our viewers. The role demands a keen eye for detail, the ability to follow fast-paced sports action, and a solid understanding of sports filming techniques.

The two types of acceptable styles that you can use on this project:
1. Lead Cam A Operator: Filming with a zoom lens on sticks, preferably up to 200 or 300mm to follow the player with the ball
2. Assistant Cam B Operator: Filming using a gimbal or monopod following as closely as possible to the action.

Responsibilities:
Operate camera equipment to capture high-quality footage of rugby matches.
Work closely with the producer and client to achieve desired visual outcomes.
Ensure all equipment is set up and tested before each game.
Be flexible and ready to move between different field locations as required.
Capture the energy and excitement of the game, focusing on key moments, plays, and player reactions.

Requirements:
Proven experience as a camera operator, preferably with sports events.
Strong understanding of sports filming techniques and ability to capture fast-moving action.
Excellent communication and teamwork skills.
Ability to move quickly and adapt to schedule changes.

Example of a highlight reel from a recent match is on my profile.

Must be local to location (or willing to work as a local).

Seeking a DP to to capture footage of an event, interviews and b-roll for our client in the Jacksonville FL area.

Seeking candidates with documentary and corporate experience, ideally in the commercial/event space. Please make sure we have a link to any website/reel you have!

Gear Required: Camera, Tripod, Stabilizer, Three-Point Lighting, and sound gear (recorder, LAV Mics, potentially a boom)

Call time is TBD.

We are seeking a DP with gear for a well established show in its 4th season. It will be a one day shoot that consists of 2 sit down interviews and some b-roll.

We are looking for someone who owns their own gear (Sony cameras).

In addition to the rate listed above we can offer $700/day for the camera package and $200 for the lighting package.

-$53.5714/hr for a 12 hour day.

I need a client-friendly experienced DIT who has a great attitude and works well with others. This is part of an activation where you will need to interface with clients and participants as well as the production crew, so I need someone with great people skills as well as technical skills. Thank you!

Looking for camera operators for a live concert recording Thursday May 16. Please include links to any previous concert filming or music experience with your submission. Please also indicate if you have familiarity with the Sony family of cameras, specifically the FX3.

Owner/operators, as well as camerapeople without equipment are welcome to submit. Please include your asking rate, and if it includes equipment or not.

Looking for a 2nd cam operator with a gimbal to do some b cam event coverage this Tuesday evening in NYC at a black tie event. Should have experience with this type of production and examples of work to show. Cam op also needs to be able to dress appropriately for the occasion. Please let us know what your camera package entails.

We are looking for a Director of Photography or Camera Operator to join us for a 3 day shoot at a farm in Fresno, CA.

We will be filming agricultural content.

Content is for the new agriculture systems certificate offered by 7 community colleges in Central Valley of CA.

Shoot dates are June 4 - 6

The day rate for this role is $500 for labor + $500 for gear rental.

Rehearsal and principal production start June 20th through July 3, 2024. We are looking for experienced DP only with own gear/lenses etc.

30min bilingual short film we are making will model for teens how to navigate biases in their own community and the importance of acceptance.

I am looking for a second camera operator to help me film a graduation ceremony. The ideal candidate here would be a camera operator who has experience filming weddings or corporate events. I am using Sony Alpha series cameras myself and I need someone who also has a Sony camera so we can sync profiles and color settings etc.

Ideally, I would like someone who has experience with a range of camera settings and shooting in Slog etc.

I am looking for someone who is enthusiastic, willing to work with whatever happens, who is professional and respectful and can be a future team player in my video production business.

I know the rate is low but I am not being paid a lot either! The client is a small private school that is in its early years and does not have a large budget. I would like to help them by producing this video for them.

The event is from 1pm - 3pm on May 31st at a country club. I would need you to be there from 12Pm to 3:30 pm most likely.

I am also looking to hire people in the future for larger, higher-paying work. I am looking to build my network of professionals to work with.

Again, I apologize about the rate, but this would be a great job for someone who has experience and is looking to build on it, like myself. Also, it is only for a few of hours, not a whole day. This is a flat rate for the job. No travel included, although, that could be negotiated if it is a deal-breaker for you!

I look forward to hearing from you,

Regards,

Felix

Need someone who has experience in being an on set stills digitech that can organize files and edit on site with minimal retouching. We will be shooting very fast paced on site and will need someone that is organized and can work quick on their feet.

Need someone who has experience in assisting a stills photographer. We will be shooting very fast paced on site and will need someone that is organized and can work quick on their feet. Must have camera experience with a Canon R5.

$550/10

Looking for an experienced AC for a 2-camera interview shoot on 5/16 + 5/17 with 2x talent. We'll be shooting on FX9s.

Must have experience pulling focus.

$600 10/hr + gear rentals if you have gear we're looking to rent. Must be local to Atlanta.

Looking for a camera assistant who *lives* in Atlanta, GA (or within 30 min drive). *Not "willing/able to work as local", must live there.
Looking for someone to be a right hand to our DP for a documentary sit down interview; setting up cameras and video village, helping to light, monitoring B cam while shooting, etc. Director is Zoom calling in to conduct the interview, so must have experience setting up remote interviews. Must have prior experience as an AC on a documentary, must have a reference.
5/20- Camera check out / prep
5/21- Shoot

Looking for camera operators for a live concert recording Thursday May 16. Please include links to any previous concert filming or music experience with your submission. Please also indicate if you have familiarity with the Sony family of cameras, specifically the FX3.

Owner/operators, as well as camerapeople without equipment are welcome to submit. Please include your asking rate, and if it includes equipment or not.

Must be local to location (or willing to work as a local).

Seeking a DP to to capture interviews and b-roll for our client in Boston, MA. This is for a local investment agency.

Seeking candidates with documentary and corporate experience, ideally in the commercial/event space.

Gear Required: Camera, Tripod, Stabilizer, Three-Point Lighting,

Call time is TBD

Rate is $350 for five hrs on set, $50/h after that. We do not expect the shoot to go into overtime.

Looking for local-to-Toronto DP for short, documentary project. Exact dates are TBD but likely to be three (non-consecutive) days starting May 17. Preferably a DP with documentary experience, their own gear and wide variety of lens selection.

We are building up our vendor list in every region. Looking for local crews.
Will vary based on project needs. Comcast shoots work based on half days 5 hours and full days 10 hours.