Production Jobs

Looking for Production Assistant for 2 days in San Diego area.
Prep (picking up supplies, crafty) - 05/20/2024
Shoot - 05/21/2024 (from 5pm to 5am, overnight shoot)

Prep (05/20/2024) - $250
Shoot (05/21/2024) - $300

Must be local to location (or willing to work as a local).

Seeking a DP to to capture footage of an event, interviews and b-roll for our client in the Jacksonville FL area.

Seeking candidates with documentary and corporate experience, ideally in the commercial/event space. Please make sure we have a link to any website/reel you have!

Gear Required: Camera, Tripod, Stabilizer, Three-Point Lighting, and sound gear (recorder, LAV Mics, potentially a boom)

Call time is TBD.

We are seeking a DP with gear for a well established show in its 4th season. It will be a one day shoot that consists of 2 sit down interviews and some b-roll.

We are looking for someone who owns their own gear (Sony cameras).

In addition to the rate listed above we can offer $700/day for the camera package and $200 for the lighting package.

-$53.5714/hr for a 12 hour day.

You will stay in a hotel or Air BNB from Tuesday, 5/14/2024, at 7 PM to Wednesday, 5/15/2024, at 7 AM. OT is possible.
If you are staying at an Air BNB, you will have your bedroom, bathroom, and full access to the Kitchen. If you're staying at a hotel, your room will be next to the talent room.
You will help talent with anything they need during the evening/night (e.g., Food, snacks). Security will also be provided. You can sleep all night.

Your rate is $234.92 per day. You will be reimbursed for any purchases made if you do not receive a P card.

We are seeking a Post Production Technical & Creative Assistant. The candidate must be highly technical with knowledge of digital tools. We work with Avid Media Composer so we need someone with basic knowledge on how Avid works. The role requires someone flexible who can evolve with the project as the project expands during post development. The ideal candidate will also be creative with a strong desire to learn and grow.

This part-time position starts in early June and runs through approximately 6 months with the possibility of extension. Must be based in NYC and able to work in person. Salary commensurate with experience.

Qualifications
-Must be proficient in Google Suite, Asana, Video Editing Software
-Exception work ethic
-Strong communication skills, verbal and written
-Detail oriented
-Strong time management skills and ability to thrive in a fast paced environment
-Willingness to learn new applications and technology
-Loves to collaborate and works well with others
-Highly technical person
-High energy person with good vibes
-Resourceful and problem-solving mindset
-Avid Media Composer experience a plus but not required
-Position is in person at our Brooklyn office, 3 to 5 days a week
-Strong computer skills

Responsibilities include

-Filtering footage for translation, exporting, tracking what is sent to the translation team, managing a shared translation calendar.
-Avid Project Management: creating media folders / bins
-Backing up Media: Moving data between hard drives and cloud back ups, etc.
-Manage the Media Manager log of the breakdown of all media
-Manage the project scene log. Add tag words or update with new shoot days. Breakdown and log scenes.
-Help locate and log specific scenes, shots, characters and moments in the footage.
-Add tags to the log, get scenes on and off my miro white board, print scene boards, change naming conventions,
print the scenes, locate footage, etc.
-Work with the director and editors to locate footage, create B-roll sequences and gather footage on specific topics
inside the Avid Project
-Sit in on meetings with director and editors, track story beats and arcs and help coordinate everyone around a miro
board.
-Purchase and install software, manage software licenses, troubleshoot basic technical problems
-Maintaining social media pages
-Run office errands
-Additional office duties as required: purchasing office supplies, office craft, booking cleaning services, etc.

MUST HAVE GRAPHIC DESIGN BACKGROUND/SKILLSET

Looking for a motivated, detail oriented person to assist with development of series, films and other content.

You'll be conducting research, taking notes, organizing materials and assisting with pitch creation.

Looking for a storyteller that wants to grow into a creative role.

Must be a social media junkie and be familiar with Canva, Photoshop, google products and up to date on media trends.

I need a client-friendly experienced DIT who has a great attitude and works well with others. This is part of an activation where you will need to interface with clients and participants as well as the production crew, so I need someone with great people skills as well as technical skills. Thank you!

Looking for a Local Los Angeles PA to jump on a one day shoot on Monday 5/13. Normal PA Duties include but aren't limited to, Load In/Load Out, Lunch Runs, Moving Equipment, and assisting crew and talent with anything that is needed.

Looking for a high energy producer to design and direct action challenges for a competition series.

Experience writing creative for challenges, negotiating with locations and preparing location reports for production all necessary.

I am looking for a couple of stellar set PAs to help us out on an overnight shoot. Day will start at 7pm and wrap at 7am. Needs to have a great professional attitude, ready to jump in any help any department, knowledge of set rules and etiquette, and able to take direction. I am constantly looking for great PAs and the crew works a ton so this is a great place to make connections and show off your skills!

Might need you for a prep day also.

Looking for a 2nd cam operator with a gimbal to do some b cam event coverage this Tuesday evening in NYC at a black tie event. Should have experience with this type of production and examples of work to show. Cam op also needs to be able to dress appropriately for the occasion. Please let us know what your camera package entails.

Looking for a Production Manager with strong office/admin experience to help out for a week or two with a busy production company that has too much going on at the moment.

Ideal candidate is well organize and a problem solver that takes initiative and always looks to improve processes and work flows. Someone great with Google Drive and knows their way around Excel/Google Sheets. Knows the docs and paperwork of production in and out and can work independently.

Job is short term for a week or two. Can be done remote, preference given to east coast/NYC based candidates as we are east coast based. Duties would include:
- Assisting with organizing company Google Drive/Share Drives
- Consolidating templates and documents in to one place
- Cleaning up document templates,
- Updating staff list and vendor list
- Assisting EIC with establish workflows for new series

Position is ideal for someone with extensive office experience but also has knowledge of field. Prior production management experience is required.

Please detail your experience and its relevance to this positions tasks in your cover letter.

I am looking for someone local in the Phoenix area who is available next week on May 14th to photograph some cars in a tow yard that will be used for an online auction.

You will be photographing the cars on your cell phone and uploading the pictures into a google drive folder that we will give you access to.
Once you are done, you will notify me so I can notify the client and they will check the pictures before you leave the lot, in order to make sure we have all the pictures and to avoid and trips back to the lot.

We need the following photos of each car:

Exterior Photos
* Front left
* Front Right
* Back left
* Back right

Interior photos
* Odometer/Cluster
* VIN Tag/Sticker
* Interior front row
* Interior back row

Engine Bay
* Engine Bay ( center angle)

Other Requirements
* Video of Vehicle Running ( only if car keys are available to turn on the car )
* Any physical damages located on the car
* Catalytic Converters/Undercarriage [ very important!! ]


- This is a per piece project.
- The rate is dependent of how many cars are photographed.

We are looking for a Production Assistant to join us for a 3 day shoot at a farm in Fresno, CA.

We will be filming agricultural content.

Content is for the new agriculture systems certificate offered by 7 community colleges in Central Valley of CA.

Shoot dates are June 4 - 6

We are looking for a Sound Mixer to join us to capture audio for a 3 day shoot at a farm in Fresno, CA.

We will be filming agricultural content.

Content is for the new agriculture systems certificate offered by 7 community colleges in Central Valley of CA.

Shoot dates are June 4 - 6

We are looking for a Director of Photography or Camera Operator to join us for a 3 day shoot at a farm in Fresno, CA.

We will be filming agricultural content.

Content is for the new agriculture systems certificate offered by 7 community colleges in Central Valley of CA.

Shoot dates are June 4 - 6

The day rate for this role is $500 for labor + $500 for gear rental.

The studio teacher, in addition to teaching, shall also have the responsibility for caring and attending to the health, safety and morals of minors under sixteen (16) years of age for whom they have been provided by the employer, while such minors are engaged or employed in any activity pertaining to the entertainment industry and subject to these regulations.

THE POSITION
Our roster has an opening with your name on it

Audio Technician performs a variety of tasks related to live, pre-recorded, studio and field production, all in support of multiple 24x7 TV broadcast channels and OTT platforms.  Primary duties include, but are not limited to, responsibility for all facets of audio production projects and daily operation of audio mixing, switching and special effects equipment.

THE GAME PLAN
Everyone on our team has a part to play

- Operate all audio mixing, switching, equalizing and special effects equipment for TV production primarily in a live studio environment
- Address daily show requirements from an audio and technical standpoint as communicated by the Director, Producer and production staff
- Coordinate daily feeds, including IFB and PL coordination lines, with the remote tech manager (as required) or - Transmission Operation Center staff
- Test mics, IFB's and PL system with remote A2
- Confirm all audio sources are good and fax inbound remote feeds and mix-minus' prior to show.
- Program production intercom for use in remote locations
- Monitor audio feeds, make appropriate adjustments and mix talent microphones, various audio sources, music playback and sound effects to create a program mix for air
- Create additional mixes for clean feed, iso records and monitoring stations, as required
- Proficient problem solving and troubleshooting techniques and effective communication to best convey the issues necessary for resolution
- Operate routing equipment which may require patching of video, audio and ancillary signals
- Setup and operate different types of adjunct audio and telephone equipment, including analog/digital cartridge machines, audio servers, speech enhancers and intercoms
- Provide proper technical interface between in-plant devices and outside audio and communication sources
- Performs ingest procedure for transfer of media material into the audio air server.
- Quality checks and adjusts video/audio signal levels for optimum quality
- Able to complete tasks and projects with strict deadlines.
- Develop, write and implement Standard Operating Procedures (SOP) for the department.
- Complete formal paperwork for Audio department and other departments including, but not limited to creating, maintaining, and disseminating daily audio schedules, emails, and charts of all audio feeds and remote based information
- Takes direction from control room team for content assignment
- Performs duties on remote broadcasts, as assigned

THE STATS
What we're looking for in our next teammate

- Working knowledge of systems/equipment used in functions identified above, including analog/digital/high definition video/audio signals and monitoring equipment
- Minimum of 1 year of experience in broadcast operations at a local TV station, cable/satellite channel or other industry-related environment
- Working level of operational skills and abilities when using all broadcast equipment and technology within assigned operating areas, including but not limited to microphone and IFB signal flows, wireless PL systems, mix minus and Intercom devices
- Ability to travel to remote broadcast sites, as assigned
- Ability to lift up to 50 lbs. un-assisted of technical and or set gear
- Ability to work well in a broadcast team environment, including talent, producers and directors, under strict time deadlines
- Ability to work a flexible schedule consisting of weekends and holidays
- At least 1 year of Audio Technician experience working in a live television studio or remote environment preferred

PLAYER BENEFITS
We treat our team right

From our many opportunities for professional development to our generous insurance and paid leave policies, we’re committed to making sure our employees get as much out of FanDuel as we ask them to give. Competitive compensation is just the beginning. As part of our team, you can expect:

An exciting and fun environment committed to driving real growth
Opportunities to build really cool products that fans love
Mentorship and professional development resources to help you refine your game
Be well, save well and live well - with FanDuel Total Rewards your benefits are one highlight reel after another 

FanDuel is an equal opportunities employer and we believe, as one of our principal states, “We Are One Team!”  We are committed to equal employment opportunity regardless of race, color, ethnicity, ancestry, religion, creed, sex, national origin, sexual orientation, age, citizenship status, marital status, disability, gender identity, gender expression, Veteran status, or another other characteristic protected by state, local or federal law. We believe FanDuel is strongest and best able to compete if all employees feel valued, respected, and included.  We want our team to include diverse individuals because diversity of thought, diversity of perspectives, and diversity of experiences leads to better performance.  Having a diverse and inclusive workforce is a core value that we believe makes FanDuel stronger and more competitive as One Team!

The applicable hourly range for this position is dependent on a variety of factors including relevant experience, location, business needs and market demand. This role may offer the following benefits: medical, vision, and dental insurance; life insurance; disability insurance; a 401(k) matching program; among other employee benefits. This role may also be eligible for short-term or long-term incentive compensation, including, but not limited to, cash bonuses and stock program participation. This role includes paid personal time off and 14 paid company holidays. FanDuel offers paid sick time in accordance with all applicable state and federal laws.

Looking for a Sound Recordist/Operator for a series of interviews on a half day shoot in Boston MA.

Date: May 16th, 2024
City: Boston, MA
Position: Sound Operator
Call Time: TBD, 5-hour shoot
Gear Required: LAV Mic, Shotgun Mic, Boom Pole, External Recorder 
Rate: $350/5h

We pay $350/5h and $35/h after that. We do not expect the shoot to go into overtime 
We reimburse every mile after traveling 50 miles in each direction (not round trip) at $0.54 per mile.

Would be great if you can do boom and had some lavs but please be specific to what gear you have.
Rehearsal and principal production start June 20th through July 3, 2024. We are looking for crew with own gear, etc.

30min bilingual short film we are making will model for teens how to navigate biases in their own community and the importance of acceptance.

Additional opportunities are available but this project is microbudget. thanks!

Rehearsal and principal production start June 20th through July 3, 2024. We are looking for experienced DP only with own gear/lenses etc.

30min bilingual short film we are making will model for teens how to navigate biases in their own community and the importance of acceptance.

Additional opportunities are available but this project is microbudget. thanks!

Looking for a multiple hat wearer in our budget that has experience pulling focus yet may have experience as a second camera. Additional opportunities are available but this project is microbudget. thanks!

Would be great if you can pull focus as primary role and second camera on just a few days.
Rehearsal and principal production start June 20th through July 3, 2024. We are looking for experienced AC only.
30min bilingual short film we are making will model for teens how to navigate biases in their own community and the importance of acceptance

Rehearsal and principal production start June 20th through July 3, 2024. We are looking for experienced DP only with own gear/lenses etc.

30min bilingual short film we are making will model for teens how to navigate biases in their own community and the importance of acceptance.

Looking for an AP with both story and logistics experience to join a small team for a new uplifting docu-series. Responsibilities will include: keeping field notes, taking wardrobe photos, wrangling cast, helping with booking locations, and writing daily hot sheets. More than anything, must have a positive, upbeat attitude and enjoy being part of a small, fun crew.
Hotel and per diem provided. Bonus if you are coming from the DC area.

Rate is negotiable based on experience.

I am looking for a second camera operator to help me film a graduation ceremony. The ideal candidate here would be a camera operator who has experience filming weddings or corporate events. I am using Sony Alpha series cameras myself and I need someone who also has a Sony camera so we can sync profiles and color settings etc.

Ideally, I would like someone who has experience with a range of camera settings and shooting in Slog etc.

I am looking for someone who is enthusiastic, willing to work with whatever happens, who is professional and respectful and can be a future team player in my video production business.

I know the rate is low but I am not being paid a lot either! The client is a small private school that is in its early years and does not have a large budget. I would like to help them by producing this video for them.

The event is from 1pm - 3pm on May 31st at a country club. I would need you to be there from 12Pm to 3:30 pm most likely.

I am also looking to hire people in the future for larger, higher-paying work. I am looking to build my network of professionals to work with.

Again, I apologize about the rate, but this would be a great job for someone who has experience and is looking to build on it, like myself. Also, it is only for a few of hours, not a whole day. This is a flat rate for the job. No travel included, although, that could be negotiated if it is a deal-breaker for you!

I look forward to hearing from you,

Regards,

Felix