Camera Operator Production Jobs

We are looking for an experienced local reality/docuseries Camera Operator for our reality/docu-series for A&E. We will be filming May 8th - May 12th

We will be filming on 2x FS7, GoPros, AS7 and drone.

Vertie and Interview Sit Downs.

If applying, we are asking for experience in reality television.

Our Company is an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

In search of Camera operator to shoot reality style vignette segments for Kayak/boat/paddlebaord tours.
Looking to produce proof on concept for adventure tour company youtube series.
Looking to put together the right team to produce/shoot and edit.
If shooter can edit that is a plus.
Given the action sports theme, based in the coastal back drop of Amelia Island, there is great potential for amazing photo/videography.

I am looking for a camera operator for a small documentary shoot in Albany, NY shooting on May 9. We will be filming 3-4 interviews and likely one person will be on camera for each interview. This will take place in various spots within the same location. This is the very last day of filming for this documentary so we have a streamlined process. It should be a relatively easy going day.

We are filming on the Red Komodo and Red Raptor. If you own one of those cameras, that is a huge plus. Rate negotiable for camera package

Must be local to Albany, NY or willing to work as a local. We cannot accommodate any travel, hotels, per diem, mileage, etc.

Rate is $600/10 + negotiable camera package if applicable

Thanks!

Job Title: Wired (1)/ Wireless (1) Camera Operator(s)
Panasonic ag-cx10

Location: US Squash Specter Center, Philadelphia, Pa 15237
Date: June 21st

Job Duration: 3:00 PM - 11:00 PM

Compensation: $350/day

Job Description:
We are seeking a skilled Wireless Camera Operator to capture live footage of an international Squash match at Louisville Boat Club. As the Wireless Camera Operator, you will be responsible for operating wireless cameras to ensure high-quality footage of the match. Your primary duties will include setting up and positioning wireless cameras, adjusting camera angles, zoom levels, and focus, and ensuring smooth and uninterrupted footage throughout the event. Additionally, you will collaborate closely with the production team to execute the director's vision and capture key moments of the match. The ideal candidate will have previous experience operating cameras, familiarity with wireless camera systems, and excellent attention to detail. This is an exciting opportunity to be part of a high-profile sporting event and showcase your camera operating skills.

Job Title: Wired (1)/ Wireless (1) Camera Operator(s)
Panasonic ag-cx10

Location: Louisville Boat Club
Date: May 17th

Job Duration: 3:00 PM - 11:00 PM

Compensation: $350/day

Job Description:
We are seeking a skilled Wireless Camera Operator to capture live footage of an international Squash match at Louisville Boat Club. As the Wireless Camera Operator, you will be responsible for operating wireless cameras to ensure high-quality footage of the match. Your primary duties will include setting up and positioning wireless cameras, adjusting camera angles, zoom levels, and focus, and ensuring smooth and uninterrupted footage throughout the event. Additionally, you will collaborate closely with the production team to execute the director's vision and capture key moments of the match. The ideal candidate will have previous experience operating cameras, familiarity with wireless camera systems, and excellent attention to detail. This is an exciting opportunity to be part of a high-profile sporting event and showcase your camera operating skills.

Job Title: Wireless Camera Operator
Panasonic ag-cx10

Location: St. George School, Newport, Rhode Island

Date: May 3rd

Job Duration: 4:00 PM - 11:00 PM

Compensation: $325-350/day

Job Description:
We are seeking a skilled Wireless Camera Operator to capture live footage of an international Squash match at St. George School in Newport, Rhode Island. As the Wireless Camera Operator, you will be responsible for operating wireless cameras to ensure high-quality footage of the match. Your primary duties will include setting up and positioning wireless cameras, adjusting camera angles, zoom levels, and focus, and ensuring smooth and uninterrupted footage throughout the event. Additionally, you will collaborate closely with the production team to execute the director's vision and capture key moments of the match. The ideal candidate will have previous experience operating cameras, familiarity with wireless camera systems, and excellent attention to detail. This is an exciting opportunity to be part of a high-profile sporting event and showcase your camera operating skills.

We are currently seeking a highly skilled and adaptable Camera Operator to join our team for a verité documentary follow series. The ideal candidate will be professional, positive, outgoing, and capable of thriving in a fast-paced filming environment. Experience with reality shows and non-union productions is required.

Key Details:
• Filming dates: May 10th to May 14th
• Equipment Experience: Black Magic Ursa Mini 2 and GoPro cameras

Compensation:
• Rate: $650 per 12-hour shoot day
• Please note: This is a Non-Union position

If you are passionate about capturing compelling footage and are ready to contribute to an exciting project, we encourage you to apply. We look forward to reviewing your application!

The Camera Operator is responsible for live capture of on-field play. They may be responsible for camera, tripod, elevation set up. They receive instruction from Production Coordinators and Video Controllers on when and how to frame the action. They must be well organized, extremely punctual, and able to communicate well with supervisors and crew both in person and digitally.

All games at this event will be recorded locally and live streamed for parents, fans, and coaches.

Who: Freelance camera operator
What: High school lacrosse games
When: May 10 (one game)
Where: Bethesda, MD
Why: $100 per game (Rate is per game, approx 2-3 hours.)

Responsibilities:
- Assist with venue set up
- Monitor and maintain power, storage, and bitrate
- Charge gear after each event day (if applicable)
- Break down venue

Qualifications:
- Must have experience with sports video production.
- Must have transportation to athletic facility.
- Must be able to climb ladder or scaffold.
- Must be 18 or older.
- Must be eligible to work in US.
- Must be capable of all day activity, standing / walking for long periods.

Looking for an experienced camera operator with an ENG camera and light kit for a one-camera news broadcast in Sheridan, WY, on Tuesday, May 21st, 2024.

Should have a news style camera, Sony HXC or comparable is preferred.

Must have experience with live-streaming events and broadcast cameras. Must have camera and lighting gear.

Professional attire and a photo ID are required. Please provide work samples, a description of your experience and your gear, and your 10-hour day rate.

Looking for an experienced camera operator with an ENG camera and light kit for a one-camera news broadcast in Las Vegas, NV, on Thursday, June 20th, 2024.

Should have a news style camera, Sony HXC or comparable is preferred.

Must have experience with live-streaming events and broadcast cameras. Must have camera and lighting gear.

Professional attire and a photo ID are required. Please provide work samples, a description of your experience and your gear, and your 10-hour day rate.

In search of a Camera Operator for a two-day shoot in Jacksonville, FL scheduled for June. The specific dates are yet to be determined, but we are currently in the process of assembling the crew. The initial day will involve verite filming and potentially capturing some B-Roll footage, while the second day will primarily focus on conducting interviews. A Supervising Producer will be present to oversee the verite filming process, provide assistance, and prepare questions for the interviews. A designated room will be available for you to store your equipment and access any necessary supplies.

Experience working with a small crew (7) is a plus;

Supervising Producer & Production Manager will be in the field in addition to;

Cam Ops (x2)
AC
Audio
PA

Talent is a well known Social Media Influencer and Rapper. Positive attitued and engery is also a plus. Ultimate goal is being able to work together as a team to produce the best results for this new project.

The exact dates are still pending but are expected to fall within the timeframe of 6/13/2024. Kindly ensure your availability aligns with the indicated timeframe.

Local Camera & Drone Operator needed for 2-3 days of interview and B-Roll footage, following a pro running team in Boulder, Colorado. Experience necessary, and owned gear is preferred but not essential. Willing to pay an additional rental fee for any gear. You will be working directly with the Producer/Director to capture supporting footage for a sizzle reel.

Additional compensation for gear rental.

Looking for a Camera Operator for a one day shoot in NYC on Sunday 5/5/2024. The day will consist of predominantly B-Roll with one or two stand up interviews. The day should require roaming around a convention so a gimbal will be needed. B-roll will consist of capturing establishing shots, signage, attendees interacting, panels, crowds, and exhibit hall shots. A producer will be there to feed questions for the interviews. Being able to set up and monitor wireless lavaliers (up to two) to record directly into the camera will be needed. Also needed is a small light set up that we can use for the short interviews. A room for you to leave any equipment and grab what you need will be provided.

Please detail what equipment you have available.

9:30am arrival to 7pm wrap.

Rate: $1000.00

Thank you!

Looking for a camera operator with verite documentary experience as well as experience filming live sporting events. We are shooting on FX6’s.

If you could please send over reels with documentary and/or verite filming.

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Looking for a confident and experienced camera operator and camera assistant. Two days filming interviews and b/roll.

MUST BE LOCAL IN TORONTO - we won't accept any applications outside of this location.

Confident will setting up lighting for sit down interviews, as well as recording audio.

Ideally has workers compensation or exemption from workers compensation.

Dates 14th & 15th of May - 2 full days
Filming for a documentary

Looking for an experienced camera operator with an ENG camera and light kit for a one-camera news broadcast in Sheridan, WY, on Tuesday, May 21st, 2024.

Should have a news style camera, Sony HXC or comparable is preferred.

Must have experience with live-streaming events and broadcast cameras. Must have camera and lighting gear.

Professional attire and a photo ID are required. Please provide work samples, a description of your experience and your gear, and your 10-hour day rate.

Looking for a camera operator to follow a reporter around during the BYB Extreme show on May 10th. This person should have a gimbal or steadicam for smooth motion. Camera should be Canon C200 / Sony FS5 or better. Lighting / Audio will also be needed.

Please show examples of your work in motion.

Seeking experienced camera op with corporate experience for a 1-day executive leadership shoot in Dallas, TX on May 14th to support DP as a b-camera operator.

-2x camera shoot
-Total of 3x talent delivering reads from a script/teleprompter throughout the day.
-B-roll of the corporate offices.
-Ability to provide own gear for an additional kit rental fee is a plus.

In need of a camera operator to fill my spot from 4:30pm - 7:30pm May 9th 2024 in Savannah, Georgia. It is just an event to capture BRoll and possible OTF Soundbites of a Spa Grand Opening.

You can use your equipment or mine. Mine will be available with settings already in place. This is a great job for a SCAD Student or Grad in the area.

Three hour shoot where there will be gear available to use. If you are more comfortable using yours I get it.

Sony FX3 or Comparable

Electrify Expo, Phoenix is in need of a camera operator for their e-skateboard series Asphalt Kings. This camera operator will work directly with the field producer shooting interviews and b-roll as well as filming practice, qualifying and the races from a scissors lift.

This is a one day freelance job working on a PGA Championship live YouTube show.

PTZ camera operator.

Job Posting: Camera Operator for Sports Matches

Position: Camera Operator (Will hire lead and assistant camera operators)

About the Tournament:
Inviting an experienced camera operator for live rugby matches. The role involves filming rugby action using a zoom lens on sticks, gimbal, or monopod, according to your expertise.

Matches are 14 minutes long, with 7-minute halves. Expect to film 3 matches per day for a total of 42 minutes of game time. The schedule is dynamic, with games spread throughout the day - typically one in the morning, early afternoon, and later afternoon.

About Us: Video production company who specializes in corporate video production and content creation for social media.

Job Description & Responsibilities:
As a camera operator, you will be responsible for capturing high-quality footage of rugby matches, ensuring dynamic and engaging content for our viewers. The role demands a keen eye for detail, the ability to follow fast-paced sports action, and a solid understanding of sports filming techniques.

The two types of acceptable styles that you can use on this project:
1. Lead Cam A Operator: Filming with a zoom lens on sticks, preferably up to 200 or 300mm to follow the player with the ball
2. Assistant Cam B Operator: Filming using a gimbal or monopod following as closely as possible to the action.

Responsibilities:
Operate camera equipment to capture high-quality footage of rugby matches.
Work closely with the producer and client to achieve desired visual outcomes.
Ensure all equipment is set up and tested before each game.
Be flexible and ready to move between different field locations as required.
Capture the energy and excitement of the game, focusing on key moments, plays, and player reactions.

Requirements:
Proven experience as a camera operator, preferably with sports events.
Strong understanding of sports filming techniques and ability to capture fast-moving action.
Excellent communication and teamwork skills.
Ability to move quickly and adapt to schedule changes.

Example of a highlight reel from a recent match is on my profile.

Job Posting: Camera Operator for Sports Matches

Position: Camera Operator (Will hire lead and assistant camera operator)

About the Tournament:
Inviting an experienced camera operator for live rugby matches. The role involves filming rugby action using a zoom lens on sticks, gimbal, or monopod, according to your expertise.

Matches are 14 minutes long, with 7-minute halves. Expect to film 3 matches per day for a total of 42 minutes of game time. The schedule is dynamic, with games spread throughout the day - typically one in the morning, early afternoon, and later afternoon.

About Us: Video production company who specializes in corporate video production and content creation for social media.

Job Description & Responsibilities:
As a camera operator, you will be responsible for capturing high-quality footage of rugby matches, ensuring dynamic and engaging content for our viewers. The role demands a keen eye for detail, the ability to follow fast-paced sports action, and a solid understanding of sports filming techniques.

The two types of acceptable styles that you can use on this project:
1. Lead Cam A Operator: Filming with a zoom lens on sticks, preferably up to 200 or 300mm to follow the player with the ball
2. Assistant Cam B Operator: Filming using a gimbal or monopod following as closely as possible to the action.

Responsibilities:
Operate camera equipment to capture high-quality footage of rugby matches.
Work closely with the producer and client to achieve desired visual outcomes.
Ensure all equipment is set up and tested before each game.
Be flexible and ready to move between different field locations as required.
Capture the energy and excitement of the game, focusing on key moments, plays, and player reactions.

Requirements:
Proven experience as a camera operator, preferably with sports events.
Strong understanding of sports filming techniques and ability to capture fast-moving action.
Excellent communication and teamwork skills.
Ability to move quickly and adapt to schedule changes.

Example of a highlight reel from a recent match is on my profile.