Technical Coordinator Production Jobs

We are looking to hire a full time technical support role who assists in programming our channel, spearheading VOD technical delivery across-platform, and day to day performance reporting.

Hi, we are looking for a technical director who know digital broadcast for corporate events. All gear provided and pre-built studio. Roland and Atem knowledge a plus.

Streaming a 30 min event. 3 Camera going into switcher. Capturing ambiance audio.
Have additional $400 for a test at a time before the event.

Plus $200 for ATEM Mini and Streaming laptop

Assist our LEAD AV Tech to load in/set-up

Hard worker, physically able to handle load-ins/outs, positive attitude and professional attire, corporate casual and non-offensive language a must.

If you provide your W-9 in advance, you will be paid in full at the end of the job on Tuesday evening if you can provide us an invoice for $500 all in, this includes parking, meals, and travel rolled into the $250 short day rate.
You will be helping unload a mini van of AV gear with our Lead AV tech. You will help open cases, and deploy speakers, projector, screen and tv monitors per our tech's instructions. Need to be a hard worker, positive attitude and not always checking your phone. Laying cables, taping down cables and sound checking is expected.
We'll pay you in full with company check at the end of the second day assuming you provide us a W9 and invoice for $500.

Each day is 5 hours maximum. Your travel, parking, meals and mileage must be included in this deal please.

Are you a passionate expert in sports and television, ready to tackle the challenge of a lifetime? We’re seeking visionary Technical Directors to craft epic experiences for the biggest sporting events! Join us as a freelancer in LA and play a pivotal role in shaping the future of sports entertainment!

-3+ years of technical directing or directing experience in a live broadcast environment (preferably Live Sports multi-camera).

-Experience using Newtek TriCaster, BlackMagic ATEM, Skaarhoj, Streamdeck, or equivalent switching systems.

-Knowledge of current broadcast technologies appropriate to the position's job responsibilities.

-familiarity with remote broadcast practices and operations a plus.

-Technical Director will operate the Video Switcher for live and pre-taped programming.

-Communicate with producers, studio and control room crew, and talent to execute live and pre-taped programming.

Pay range varies based on experience and evolving sport-specific needs (i.e. UFC TD vs Football TD).

Hook up computer to projector, hook up audio, bring up speaker via zoom, babysit meeting.

We are looking for a CAMERA SHADER to work with us on a live stream for a Global Investor Conference from the Waldorf Astoria Hotel in Washington, DC. The dates would be from September 15-19, with the Conference happening on September 16-18.

Experience working with Ursa Broadcast G2 or Sony Bodies is preferred.

Must be local to the Washington DC area or be willing to work as a local. We will not reimburse or pay for transportation, parking, or accommodations.

Must be available for a 10-15 minute interview prior to hire.

KO-MAR Productions is looking for a freelance Engineer to work on a number of upcoming projects as well as general maintenance for the control room/studio. Fiber based control room/studio. We are hoping to eventually turn this into a full time position

We are looking for an Encoding Engineer to work with us on a live stream for a Global Investor Conference from the Waldorf Astoria Hotel in Washington, DC. The dates would be from September 16-19, with the Conference happening on September 16-18.

Experience working with vMix, OBS, and Makito X4Es is preferred.

Must be local to the Washington DC area or be willing to work as a local. We will not reimburse or pay for transportation, parking, or accommodations.

Must be available for a 10-15 minute interview prior to hire.

We are looking for a Technical Director to work with us on a live stream for a Global Investor Conference from the Waldorf Astoria Hotel in Washington, DC. The dates would be from September 15-19, with the Conference happening on September 16-18.

Experience with Blackmagic Constellations is preferred.

Must be local to the Washington DC area or be willing to work as a local. We will not reimburse or pay for transportation, parking, or accommodations.

Must be available for a 10-15 minute interview prior to hire.

We are looking for a Technical Manager to work with us on a live stream for a Global Investor Conference from the Waldorf Astoria Hotel in Washington, DC. The dates would be from September 14-20, with the Conference happening on September 16-18.

Experience working with Blackmagic Videohub Routing, AJA Fiber, Blackmagic Switching and Cameras is preferred.

Must be local to the Washington DC area or be willing to work as a local. We will not reimburse or pay for transportation, parking, or accommodations.

Must be available for a 10-15 minute interview prior to hire.

The Director's job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics and titles while communicating to the camera operators which shots they will be putting on the air.

The Technical Director/Director must be experienced in preparing and switching various video elements during live event productions. Work is expected to meet FloSports quality standards and will be executed in a fast-paced, live production environment.

Technical Director/Director responsibilities include:
Prepares and switches video sources at a high level
Performs live digital effects and transitions
Inserts pre-records, graphics, and title slates
Strong communication skills in camera operations calling
Proficient with Blackmagic ATEM and VMIX switching software

Needed TD for a live YouTube show that will have two studio host, four cameras (two PTZ, one blackmagic ursa on sticks, and either a Steadicam or jib), and remote guests. ROSS carbonite switcher

· Collaborate with producers, directors, and other team members to execute technical aspects of productions

· Assist in the planning and execution of video shoots, including camera setup, lighting, and audio recording

· Identifying problems

· Documenting engineering processes, parts, repairs, and causes of failure

· Maintain and troubleshoot broadcast equipment, including cameras, video switchers, audio mixers, and lighting systems

· Set up and operate equipment for live broadcasts and recordings

· Monitor broadcast signals to ensure quality and make adjustments as necessary

· Stay up-to-date with the latest trends and technologies in broadcast engineering

· Monitor broadcast signals to ensure quality and make adjustments as necessary

· Be familiar with SMPTE fiber work flows.

· Be familiar with the ROSS Carbonite switcher.

$500 for a half day, $700 for a full 12 hour day.