John Adam Gallegos

Hotels magazine captured media for 13 videos they needed done to promote a specific hotel on their website. They provided me with the captured content to create thirteen 2-5 minute videos showcasing the different aspects of the hotel. I edited the content and finished one week from their projected deadline.

On Batman vs Superman, I set up cameras and prepped them for shooting, slated and shot various takes with the first team for three dimensional reference of space and texture reference. I Communicated with the acting Coordinator and Visual Effects Supervisor to capture specific angles desired for Post Production.

This particular project brought me into the world of Elvis Presley. I worked on this award winning short film over the course of a year while working closely with the Director and Producer to ensure the story was being told as per the Director and Producers creative decisions.

My duties on this project were to collaborate, organize and produce essentials in order to capture media for Plate Magazine's website. Once captured, I edited the series to form promotional videos highlighting the story and contributors therein. Winner: Best Food Multimedia Presentation - American Food Journal.

My duties for this project were to envision a shooting process that would best suit coverage as the fight progressed from beginning to end. I designed a 6 camera setup operated at a switchboard that would allow an audience to view the fight live and on Comcast cable.

My duties as director of this short film were to create a concept and see the concept through the stages of pre-production, production and post production. I worked closely with actors and all key crew members to produce a ten minute short film worthy of the client's liking.

I gathered equipment for a DSLR video production, secured a second shooter, secured travel and housing for crew and saw that they reached their destination and back safely. I edited the final piece for Plate Magazine in accordance to how they saw their vision with my own.

In this behind the scenes video I captured behind the scenes footage gathered on the day of shooting this commercial production for All State insurance. I cut the piece together into a 7 minute segment of what it took to make the commercial in a twelve hour working day.

My duties as director of this commercial were to create a concept and see the concept through the stages of pre-production, production and post production. I worked closely with actors and all key crew members to produce a one minute broadcast worthy commercial advertisement.

I did lock ups, cued talent on timed shots, assisted the First Assistant Director, and maintained the production space among 3 others. I worked closely with the Production Coordinator and the Production Manager with any and all on and off set tasks and necessities during production.

It was my responsibility to create a concept and see the concept through the stages of pre-production, production post production and onto the air. I worked closely with actors and all key crew members to produce a one minute broadcast worthy commercial advertisement.

My duties as director of this commercial were to create a concept and see the concept through the stages of pre-production, production and post production. I worked closely with actors and all key crew members to produce a one minute broadcast worthy commercial advertisement.

My duties were to edit the captured footage on to non linear editing software to create a series of 2-5 minute pieces to be published in their Ipad edition publications "Menu Maestro" section. All videos were published within Plate's publication. Edited on Final Cut Pro 7 and Adobe Premiere Pro CC

My duties for this project were to envision a shooting process that would best suit coverage as the fight progressed from beginning to end. I designed a 6 camera setup operated at a switchboard that would allow an audience to view the fight live and on Comcast cable.

My responsibility on this production was to work as craft service assistant . Organizing a clean and sufficient work place to set up craft services, act as sous chef as cooked snacks were provided, keep stock and inventory of day to day provisions, and go on grocery runs.

My tasks were to: Aid the First Assistant Director as needed, meet and greet cast and crew, direct and coordinate background talent, conduct and compose daily production reports, create next day call sheets for the production and to confirm cast and crew for the productions day to day schedule.

Assist the First and Second Assistant Director in any way that they needed, performing set lock up to establish the set was both secure and quiet while filming, cueing talent and background as prompted by the Second Assistant Director, and collaborating with the transportation department.

Working with the First Assistant Director to ensure a timely process of walking the cast through hair, makeup, wardrobe, and sound check, making sure the craft services section of the set was clean and stocked, taking 2nd unit camera crew out to shoot B-Roll and acting as Assistant Cameraman.

I performed set lock ups to ensure the set was secure and quiet for filming, did runs for production (catering, documents, dailies, wardrobe accessories), and assisted the art department with the built set.

My tasks were to: Aid the First Assistant Director as needed, meet and greet cast and crew, direct and coordinate background talent, conduct and compose daily production reports, create next day call sheets for the production and to confirm cast and crew for the productions day to day schedule.

I carried out tasks for the Locations department and the Assistant Directors department. I prepped locations as needed, often acted as liaison between the film and the location property master, did runs for the production and performed area sweeps once the days shooting has come to an end.

For this event hosted by Norton sand Facebook, I took on the responsibilities of Set Production Assistant. The event (a 24 hour endeavor) was a essentially a glamorized talent show that was broadcasted live via Facebook feed. My duties on this particular project were to work and coordinate with First Assistant Director Daniel Lampkin to ensure that on stage talent was being cued in a timely manner, making sure the next round of talent was on deck and ready to go, help the production crew as needed and to make runs to be certain the production had everything that was needed.

My duties were to work closely with the Visual Effects department to operate on set witness camera and to aid the visual effects crew on a day to day basis. At the end of the production I worked closely with production coordinator Margaret Orlando to wrap out the offices.

I coordinated logistics as the pertained to specific projects ensuring that equipment, crew, space, and food were provided for the on set crew. I gathered talent and coordinated with all department heads to ensure that each and any production had every element it needed to execute a well oiled production.

Track daily progress against the filming production schedule, arranging logistics, preparing daily call sheets with the Second Assistant Director, checking cast and crew, maintaining order on the set, and also ensuring that the care, health and safety of the crew are in top order.

On set of Baby Time Episode one and Two I played the role as producer handling logistics, managing shooting schedule, finding and organizing vendors and crew and moving the production from Pre-Production to Post-Production. Richard's wife wife is having a baby... TODAY! Unfortunately, he faces increasing difficulty in reaching her before she gives birth. Each episode presents new neighborhoods and characters of Chicago that challenge his control-freak nature, and eventually will force him to confront the realities of parenthood.