Oversee Post production. Hire & Manage team of Editors, Story Producers, AEs, Post Supervisor. Map out episodes, assign scenes to creative team, review stringouts, review cuts. Write Voice Over narration. Work with Showrunner on creative and schedule.
Summary
Kyung, a Co-Executive Producer (CoEP), based in Los Angeles, has 2 Co-Executive Producer (CoEP) credits and 6 Supervising Producer credits, and has been a member since 2015.
Credits
2/22 – 4/22
Co-Executive Producer (CoEP) – Going Fur Gold (Season 1)
Nat Geo Wild — TV — Painless TV Details
2/22 – 4/22
10/21 – 2/22
Co-Executive Producer (CoEP) (Post) – Tipping Point: Donna Summer
Pepsi — Film (Short) — Diamond Docs / Flat Out Films Details
10/21 – 2/22
Oversee post production, liaison with Pepsi Executives (sponsors), work with editors, manage team, source archival materials, deliver cuts, address notes. *Tipping Point accepted into Tribeca Film Festival 2022
10/20 – 6/21
Supervising Producer (Post) – Home Sweet Home (Season 1)
NBC — TV — Array Films / NBC Details
10/20 – 6/21
Collaborate to determine creative direction of series, hire and manage post team (4 Story Producers + 4 Story APs + 5 Editors) and workflow, distribute daily assignments, communicate with Story and Edit teams about creative direction of series, screen string-outs and cuts, give notes, pull clips, pull music, deliver cuts, review & help manage post calendar and schedule, address notes, report to Co-EP, Showrunner and Array Executives, manage Post Supervisor assignments, devise creative documents for post, facilitate handoffs and discussion between field and post teams, troubleshoot daily.
8/19 – 11/19
Story Producer (Post) – Copwatch America (Season 1)
BET — TV — Critical Content Details
8/19 – 11/19
Stringouts, worked with editor, selected music, addressed notes, delivered episodes, etc...
4/19 – 5/19
Supervising Producer (Post) – JFK Jr and Carolyn's Wedding: The Lost Tapes
TLC — TV — Critical Content Details
4/19 – 5/19
Collaborated with Showrunner and Co-EP on story, editor assignments. Managed post work flow. Supervised archival research team in gathering video and print assets for edit. Addressed notes.
7/18 – 11/18
Supervising Producer (Post) – Seeking Sister Wife (Season 2)
TLC — TV — Wilma TV Details
7/18 – 11/18
Led of team of Story Producers and Story AP in post-production, coordinated with Showrunner and Co-EP on season story arc, editor assignments, work-flow, addressed internal and network notes, made stringouts, etc...
5/18 – 7/18
Senior Story Producer – In Search Of (Season 1)
History — TV — Propagate Details
5/18 – 7/18
Created story boards, constructed string-outs on avid, wrote VO scripts, worked with editors, addressed notes with EP, President of Propagate, Network Notes, etc...
1/17 – 2/17
Supervising Producer (Field) – Retried
Oxygen — TV — Leepson Bounds Productions Details
1/17 – 2/17
Wrote shooting outlines for network approval. Pre-interviewed and prepped cast to develop story points. Secured DP and crew. Directed scenes & b-roll in the field.
Self ID
I identify with the following groups:
Recos
Education
Class of '92
University of California, Santa Cruz
B.A./Politics
Skills
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