Margo Kent

Show runner on build series. Responsible for all aspects of production, pre-pro to delivery including budgets and schedules. Supervised casting and wrote episodic pitches for network approval. Worked with talent to create (and manage) build schedule. Worked with talent to create design themes. Directed in the field, conducted OTF's and interviews. In post, cut several episode strings on AVID. Responsible for editorial direction over all story producers and editors. Ran multiple bays. Worked directly with network on notes. Conducted narration sessions.

Follow doc series following five wildlife rehabbers in the fields of Kentucky. Show runner for all aspects of production from pre-pro through delivery. Tracked multiple story arcs simultaneously, ensuring all important elements were captured to limit pick-ups. Supervised editorial in field and post. Directed narration. Directed graphic development. Ensured timely, on budget delivery.

Show runner for logistically complex series following six mining teams in search for gems and minerals deep in the Colorado Rockies. Responsible for all aspects of production from pre-pro to delivery. This included: budgets and schedules, tracking and directing story development for six field teams, talent management, compiling storylines for each episode, directing six story producers/editing teams simultaneously, creating string outs on AVID, addressing network notes, overseeing graphic development, directing narration sessions and everything else as needed. Production required sending crews into precarious locations for camping/shooting. This included shooting at high altitudes as well in underground mines. We worked closely with the US Forest Service to create strict, safety protocols for all shoots. Created devo decks to pitch additional seasons. Oversaw casting of new miners.

Co-created format and show runner for successful CBS series. Responsible for all aspects of production. Supervised shoots, writers, editors, graphic creation and narration. Worked directly with ad sales clients on product integration and branded segments. Wrote pitches for potential additional ad sales clients. Series received two daytime Emmy nominations.

Supervising Producer for post on the successful TWC adventure series following the brave men and women who fly straight into the eye of a hurricane. Guided and managed four story producers/editing teams simultaneously. Cut strings on AVID, addressed network notes, oversaw graphic development, directed narration sessions and directed pick up interviews.

Produced Animal Planet's Puppy Bowl's first few seasons. Created and produced the Kitty Halftime Show and Tailgate extensions. Created and produced the first "Bissell Spotbot" integration recognized in Adweek as a "genius bit of product placement".