Summary

Avid Offline and Online Assistant Editor with some experience in Final Cut 7, After Effects, Photoshop, and Premiere.

Credits

4/17 – Current

Assistant Editor (Avid Media Composer) Bring It! (Season 4)

LIFETIME — Reality/Doc (TV) — Pilgrim Studios Details
4/17 – Current

Assembling and exporting cuts for network and producers, Syncing and multi-grouping dailies, Prepping sequences, creating EDLs and AAFs for Online, Pulling and organizing deliverables for Network, Script Syncing, Cutting Deleted Scenes, Helping other shows as needed

2/17 – 4/17

Assistant Editor (Avid Media Composer) Ghost Brothers (Season 3)

DESTINATION AMERICA — Reality/Doc (TV) — Pilgrim Studios Details
2/17 – 4/17

Assembling and exporting cuts for network and producers, Syncing and multi-grouping, Prepping sequences for Online, creating EDLs and AAFs for Online, Pulling and organizing deliverables for Network, Cutting Snap Ins

5/16 – 2/17

Assistant Editor (Avid 8) NiGHTWATCH: TAMPA (Season 1)

A&E — Reality/Doc (TV) — 44 Blue Productions Details
5/16 – 2/17

Avid Project creation and organization, Edit Share Media Management, Ingesting tapeless footage, syncing and multigrouping, importing music and sfx, upressing locked cuts for online, ensuring upresed sequences were organized and ready for Online Editor, blurring episodes, adhering to legal notes as needed, upresing and exporting promo clips to network, outputs for producers and network, laying back Master sequences to HDCAM-SR

5/16 – 2/17

Assistant Editor (Avid 8) Nightwatch (Season 3)

A&E — Reality/Doc (TV) — 44 Blue Productions Details
5/16 – 2/17

Avid Project creation and organization, Edit Share Media Management, Ingesting tapeless footage, syncing and multigrouping, importing music and sfx, leading special legal archivial footage project, upressing locked cuts for online, ensuring upresed sequences were organized and ready for Online Editor, blurring episodes, adhering to legal notes as needed, upresing and exporting promo clips to network, outputs for producers and network, laying back Master seqquences to HDCAM-SR

3/16 – 5/16

Assistant Editor (AVID 7) My Cat From Hell (Season 7)

ANIMLPLNT — Reality/Doc (TV) — Eyeworks USA Details
3/16 – 5/16

Uprezzing Locked sequences, script syncing, ingesting pickups, fulfilling shot swaps and mic requests from finishing mixer and editor

10/15 – 12/15

Assistant Editor (AVID) Built to Fail

Film (Theatrical) — Blue Collar Productions Details
10/15 – 12/15

Creating stringouts for Editors, exports for director and producers, syncing and multigrouping, preliminary editing of scenes for editors, importing archival music and archival footage

8/15 – 10/15

Lead Assistant Editor Esquire's Car of the Year (Pilot)

ESQUIRE — Reality/Doc (TV) — Relativity Media Details
8/15 – 10/15

Avid Project creation and organization, Isis Media Management, Ingest XDCAM and Tapeless footage, syncing and multigrouping, script syncing, importing music and sfx, outputs for producers and network, uprezing locked cuts for online

6/15 – 8/15

Assistant Editor (Avid) Pitch Slapped (Season 1)

LIFETIME — Reality/Doc (TV) — all3media america Details
6/15 – 8/15

Ingesting tapeless footage, Syncing and multi-grouping dailies, stringing out acts and exporting for producers and network, uprezzing and prepping episodes for online, outputs for transcription, creating AAFs and picture refs for Audio Department

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Education

Class of '08

The Los Angeles Film School

Certificate of Completion

Affiliations

  • Local 700 Industry Experience Roster Ready

Skills

  • After Effects
  • Avid Media Composer
  • Video Editing