Summary
As a cinematographer, I gravitate towards character driven pieces where I can help complement and explore the nuances of story and persona. This has given me a strong narrative background and helps set the stage for other types of projects as well.
Credits
7/20 – 10/20
Cinematographer – Ambrosia
Beloved Root — Film (Feature-length) — Beloved Root
7/20 – 10/20
1/20 – 4/20
Cinematographer – The Reddler (Season 1)
Digital — TV — Indie
1/20 – 4/20
4/19 – 7/19
Cinematographer – Commonality
Fulfillms — Film (Feature-length) — Fulfillms
4/19 – 7/19
4/19 – 7/19
Gaffer – Burning Kentucky
Snowfort Pictures — Film (Feature-length) — Snowfort Pictures
4/19 – 7/19
5/18 – 8/18
Cinematographer – Shoot
Shoot [sa] — Film (Feature-length) — Shoot [sa]
5/18 – 8/18
4/18 – 7/18
Gaffer – Delirium
BH Tilt — Film (Feature-length) — Appian Way
4/18 – 7/18
2/18 – 5/18
Gaffer – 6 Balloons
Netflix — Film (Feature-length) — Campfire
2/18 – 5/18
2/18 – 5/18
Cinematographer – The Dip Run
Full Lip Entertainment — Film (Feature-length) — Full Lip Entertainment
2/18 – 5/18
Unions
Recos
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John Killoran
Director
Mike was a pivotal asset to the project. He's clear-headed, thoughtful, communicative, and a skilled collaborator -- in addition to straight up skilled DP. (And he was even nice enough to show patience when I was trying to talk about things I demonst ...MORE...
rably knew less about than he did, which happened more than once.)
- John was Director and Michael was Director of Photography (DP) on School Nights
Education
Class of '05
Academy of Art University
Bachelors Degree in Motion Picture Science
My Gear
Skills
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