Summary

As a cinematographer, I gravitate towards character driven pieces where I can help complement and explore the nuances of story and persona. This has given me a strong narrative background and helps set the stage for other types of projects as well.

Credits

7/20 – 10/20

Cinematographer Ambrosia

Beloved Root — Film (Feature-length) — Beloved Root
7/20 – 10/20
1/20 – 4/20

Cinematographer The Reddler (Season 1)

Digital — TV — Indie
1/20 – 4/20
4/19 – 7/19

Cinematographer Commonality

Fulfillms — Film (Feature-length) — Fulfillms
4/19 – 7/19
4/19 – 7/19

Gaffer Burning Kentucky

Snowfort Pictures — Film (Feature-length) — Snowfort Pictures
4/19 – 7/19
5/18 – 8/18

Cinematographer Shoot

Shoot [sa] — Film (Feature-length) — Shoot [sa]
5/18 – 8/18
4/18 – 7/18

Gaffer Delirium

BH Tilt — Film (Feature-length) — Appian Way
4/18 – 7/18
2/18 – 5/18

Gaffer 6 Balloons

Netflix — Film (Feature-length) — Campfire
2/18 – 5/18
2/18 – 5/18

Cinematographer The Dip Run

Full Lip Entertainment — Film (Feature-length) — Full Lip Entertainment
2/18 – 5/18

Unions

  • IATSE Local 728 Motion Picture Studio Production Technicians (MPSPT)

Recos

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John Killoran
Director
Mike was a pivotal asset to the project. He's clear-headed, thoughtful, communicative, and a skilled collaborator -- in addition to straight up skilled DP. (And he was even nice enough to show patience when I was trying to talk about things I demonst ...MORE...

Education

Class of '05

Academy of Art University

Bachelors Degree in Motion Picture Science

My Gear

  • ARRI Alexa Mini
  • Wireless Follow Focus
  • Arri XT
  • Nikkon Nikkor Prime Set
  • 17" Panasonic Directors Monitor

Skills

  • PADI certified
  • Underwater Camera and Lighting