Hannah Epstein

Working with Arri Alexa, Angenieux Optimo lenses and Zeiss superspeed set. Perform Lens swaps, filters, matte boxes, keep battery fresh, set up 17" monitor for director and graphics coordinator.

Prep camera gear before it's sent out with cinematographers: Check that equipment is functioning, proper settings, clean and in tact. Pack appropriately to travel with the cinematographer. When gear's returned, go through it to be sure nothing is missing and it's again prepped before going out with anyone else.

Shot top camera on both film and digital, Arri SR3 16mm film, and Arri Alexa. Fuji 25x lens. Full operator and film loader, shot games every weekend including playoffs and Super Bowl.

2012 season Assist cinematographers and DP's on interviews. Build camera rigs with Arri Alexa, or Panasonic 3100 with Pro35 adapter. Zeiss primes and Angenieux Optimo lenses. Lighting with Arri Lowcasters, LED's, Kinos, HMIs. Build and wrap quickly. B roll shooting: carry equipment for mobility, fast lens swaps, equipment maintenance on the go.

Intern in the NFL Films camera department - Prep Technician, and assistant to cinematographers in the field. Prep camera packages, build camera rigs and lighting on shoots. Cameras: Arri Alexa, Arri SRII, Panasonic 3100, Aaton, Canon 5D Lenses: Zeiss master primes, Canon L-series, Angenieux Gitzo/Sachtler tripods, Slider systems, Panasonic monitors

DP/Cinematographer for all B Roll footage of Tattoo artists (working on clients) Shot on the Canon 5D, L series 24-105mm

Worked as a camera assistant to the cinematographers and DP of the project. Assisted with Lens changes, battery swaps, equipment management, media management, and camera moves. Wrangled cable for Jib work. Worked with the Arri Alexa and Zeiss prime lenses.

Drive vans to location and parking. Manage batteries and media for two camera shoot. Assist with lighting set ups, gel windows, tape actors' marks. Block doorways during shooting. Guide steadycam operator. Stand in for actors.