Supervised all functions in the post-production department for a 60-minute documentary utilizing Avid editing software to ensure the timely delivery of quality assets. Manage the completion of the film's deliverables, analyzing masters to ensure they achieve client specifications. Lead business activities such as creating post-production budgets, negotiating rates with vendors, hiring staff, creating calendars, organizing archival, music, and graphics workflow, and content delivery. Function as liaison between production and studio, collaborating with project managers and stakeholders regarding all post-related issues. Filled client and festival requests, managed edits, and troubleshot any problems in the post department. Participate in audio mixes and online sessions, analyzing to produce excellent pictures and sound before quality control.
Summary
Experienced remote management candidate that likes to keep an upbeat, yet professional & organized atmosphere. Excellent communication & management skills. Capable of taking projects from shoot-final delivery. Independent thinker but collaborative solver.
Credits
11/23 – 1/24
Post Production Supervisor (Senior) – Uninterrupted
Tres Generaciones — Advertising — The Springhill Company/UnInterrupted
11/23 – 1/24
5/23 – 12/23
Post Production Supervisor (Senior) – Radical Reparations
Film (Feature-length) — The SpringHill Company Details
5/23 – 12/23
3/23 – 12/23
Post Production Supervisor (Facilities system tester and Transmission Feed) – The Breakfast Club on BET
BET — TV — BET Networks (Subsidiary of Viacom Inc.) Details
3/23 – 12/23
Responsible for overseeing and delivering daily near live to tape morning show for a partnership deal between iHeartMedia and a reputable Television Network. Collaborate closely with Executive Producer, network, and iHeartMedia points while managing an editing staff. Duties include communicating and facilitating the delivery and live-to-tape, contingency, and evergreen episodes to the network operating broadcast center, adhering to deadlines, and creating a process for overall post workflow.
1/23 – 3/23
Post Production Supervisor (Senior) – Game Theory with Bomani Jones (Season 1)
HBO Max — TV — HBO Max Details
1/23 – 3/23
Responsible for overseeing and delivering a 60-minute weekly live-to-tape night show for a partnership deal between HBO and TNT. Collaborate closely with the Executive Producer, HBO network, and TNT points while managing an editing staff. My duties include communicating and facilitating the live-to-tape transmission feed delivery, and filed pieces to the network operating broadcast center, adhering to deadlines, working closely with the control room, and creating a process for overall post-workflow.
7/22 – 1/23
Post Production Supervisor (Senior) – Hell of a Week with Charlamagne Tha God (Season 2)
Comedy Central — TV — Paramount
7/22 – 1/23
4/22 – 7/22
Post Producer – The Captain
ESPN+ — Film (Feature-length) — Tollin Productions & Mandalay Sports Media
4/22 – 7/22
9/21 – 2/22
Post Production Supervisor (Senior) – Tha God's Honest Truth with Charlamagne Tha God (Season 1)
Comedy Central — TV — Viacom CBS
9/21 – 2/22
7/21 – 10/21
Post Production Supervisor – The Untitled Shaquille O'neal Project
HBO — TV — Film 45 Details
7/21 – 10/21
Gatekeeper of all aspects of Post-Production Process: Provided feedback regarding technical aspects of videos during pre-production. primary contact across all phases of post-production and ensured post team successfully delivered within an approved schedule, and technical and budget parameters. Acted as the bridge between productions and internal teams to anticipate challenges, problem-solve, and communicated expectations and Studio needs. -Assist the Post Producer in vetting post-production budgets and schedules to ensure the show had the resources to deliver the content of the highest quality. -Coordinate the onboarding process of editors/freelancers. -Track projects in the pre-production phase in anticipation of those projects coming into post-production. -Track and manage post schedules, keep leadership apprised of status as well as anticipation, and problem-solve potential roadblocks. -Requested and obtained assets such as graphics, music, and archival videos and photos. -Coordinated and managed the viewing of all cuts. -Coordinate and attend key creative approval sessions such as final mix playbacks, color correction reviews, and legal clearance reviews. -Other duties as assigned.
Orgs
Recos
Lead Assistant Editor
- Coralie was Assistant Editor and Star was Post Production Supervisor on Movie Night With Karlie Kloss
Lead Assistant Editor
- Edward was Lead Assistant Editor and Star was Post Production Supervisor on Movie Night with Karlie Kloss
Editor
- Corey was Editor and Star was Producer on The Collective powered by Nuvo
Education
Class of '02
CSUN
BA: RTVF
Skills
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