Summary

I am a story first DP and I want my images to do four things: set a tone, establish character, further the script's story, and help execute the director's vision. I embrace natural light and love straying from conventional filmmaking techniques.

Credits

3/18 – 8/18

Cinematographer International Falls

Film (Feature-length) — Outskirt Media
3/18 – 8/18
8/13 – 8/13

Director of Photography (DP) (RED Epic) Artful Gambit

Film (Feature-length)
8/13 – 8/13
6/13 – 8/13

Director of Photography (DP) (RED Epic) The Perfect Sacrifice

Film (Feature-length)
6/13 – 8/13
2/13 – 2/13

Director of Photography (DP) (ARRI Alexa) Life and Crime

Film (Feature-length)
2/13 – 2/13
9/12 – 9/12

Director of Photography (DP) (ARRI Alexa) March From Innocence

Film (Feature-length)
9/12 – 9/12
6/12 – 6/12

Director of Photography (DP) (RED Epic) WIth Interest

Film (Feature-length)
6/12 – 6/12
6/11 – 6/11

Director of Photography (DP) (RED One) A Voice in Silence

Film (Feature-length)
6/11 – 6/11
5/11 – 5/11

Director of Photography (DP) (RED One) A Little Push

Film (Feature-length)
5/11 – 5/11

Unions

  • IATSE Local 600 International Cinematographers Guild (ICG)

Recos

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Education

Class of '07

London Film School

Post graduate diploma
Class of '05

Syracuse University

BS Television-Radio-Film