Andrew Lytle

Worked closely with Post Supervisor and editors to meet strict deadlines during the editing schedule. Responsible for tracking and managing tasks from editors, colorists, sound mixers, and AE’s. Used AVID to aid editors in smaller tasks such as putting in chyrons, stock footage swaps, subtitles, and other minor actions for the edit of shows. Generated graphics for the show using adobe after effects. Worked extensively with legal to license and clear stock footage, archival material, and third-party material for the show. Provided blur passes and QC. Responsible for ensuring delivery of final episodes and network deliverables including legal contracts, timing sheets, paperwork, releases, music elements, final scripts, and more.

Worked closely with Post Supervisor and editors to meet strict deadlines during the editing schedule. Responsible for tracking and managing tasks from editors, colorists, sound mixers, and AE’s. Used AVID to aid editors in smaller tasks such as putting in chyrons, stock footage swaps, subtitles, and other minor actions for the edit of shows. Provided blur passes and QC. Responsible for ensuring delivery of final episodes and network deliverables including legal contracts, timing sheets, paperwork, releases, music elements, final scripts, and more

Manage all show related pool builds on the ground. Serve as the main point of contact for local Premier team and will manage each step of the build as it relates to the story for the episode. Keep production team informed as to the steps in construction and schedule. Responsible for capturing Broll on the ground between main shoot days. Assist Executive Producer and Field Producer in scheduling main shoots based on construction work that is integrated into the story. On main shoot days, responsibilities include supporting the producer/director and camera department by tracking and organizing media log notes, assisting with simple camera setups, and managing the PA runs. Conducting OTF coverage and content. Connect w/ producer before shoot to see if any props or wardrobe runs are needed in advance of shoot. Conduct DIT and update digital field log documents and daily notes for editors.

Manage all show related pool builds on the ground. Serve as the main point of contact for local Premier team and will manage each step of the build as it relates to the story for the episode. Keep production team informed as to the steps in construction and schedule. Responsible for capturing Broll on the ground between main shoot days. Assist Executive Producer and Field Producer in scheduling main shoots based on construction work that is integrated into the story. On main shoot days, responsibilities include supporting the producer/director and camera department by tracking and organizing media log notes, assisting with simple camera setups, and managing the PA runs. Conducting OTF coverage and content. Connect w/ producer before shoot to see if any props or wardrobe runs are needed in advance of shoot. Conduct DIT and update digital field log documents and daily notes for editors.

Assisted with equipment load-in and setup. Tasked with managing crafty and other related food and beverage items for crew. Tasked with helping get appearance releases signed. Assisted in helping with equipment re-positioning, and lighting setup and re-positioning when necessary.

Manage lighting build and breakdown. Rigging jokers, light panels, Kino Flo 4Bank interview kit, . Setup backdrop and C-stand work. Rigging in closed spaces.

Responsible for rental and operation of cube truck. Other responsibilities included managing load-in and load-out of equipment for camera department, sound department, and grips. Manged walkie checkout and checkin for AD's and assisted all other departments as needed.

Assist in facilitating established schedules through production planning, coordination and troubleshooting. Arrange, coordinate and confirm all travel arrangements on behalf of the Producer. This included coordinating travel for production crew as necessary. Ensure that all schedules are distributed, appropriate parties are kept up to date, and that all shots are executed.

Assisted in the setup and breakdown of A-cam and B-cam FS7's. Responsible for setup and mounting of GoPro's, Canon 5D Mark III, as well as, silks, bounces, OTF setup, dolly and light panels. Collected B-roll when necessary and assisted Field Producer when necessary.

Responsibilities included assisting in station building and setup, equipment setup and breakdown, equipment rental, coordinating rental car pick-up and return, assisting AD's with moving talent, organizing receipts for PM.

Assisted in transporting production van as well as, setup and breakdown of camera gear and sound gear. Responsible for scheduling lunch breaks and assisting producers in the obtainment of appearance releases.

Responsibilities included assisting in station building and setup, equipment setup and breakdown, equipment rental, coordinating rental car pick-up and return, assisting AD's with moving talent, organizing receipts for PM.

Responsible for rental and operation of cube truck. Other responsibilities included managing load-in and load-out of equipment for camera department, sound department, and grips. Manged walkie checkout and checkin for AD's and assisted all other departments as needed.

Responsibilities included assisting in station building and setup, equipment setup and breakdown, equipment rental, coordinating rental car pick-up and return, assisting AD's with moving talent, organizing receipts for PM.

Responsible for helping producer maintain daily schedule. Assisted in scheduling and managing crafty and lunches for the crew. Assisted DP and sound department in setup and breakdown of gear as necessary.

Responsible for helping to execute schedule. Assisting A-cam and B-cam with camera setup and breakdown. Assisted field producer when necessary.

Reviews daily production plan and arranges/coordinates work to be done during shooting of the scenes according to the plan. Supervises the setup and operation of GoPro and GH5. Assists in providing B-roll and secondary camera work. Responsible for labeling, dumping, and archiving media. Organizes and coordinates logistics upon receipt of the specifics of each shooting location. Assists with handling releases for locations.

Responsibilities included assisting in station building and setup, equipment setup and breakdown, equipment rental, coordinating rental car pick-up and return, assisting AD's with moving talent, organizing receipts for PM.

Responsible for setup and breakdown of equipment and stations. Assisted with coordinating contestant areas and managing scheduling.

Assisted in transporting production van as well as, setup and breakdown of camera gear and sound gear. Responsible for scheduling lunch breaks and assisting producers in the obtainment of appearance releases.

Assisted in transporting production van as well as, setup and breakdown of camera gear and sound gear. Responsible for scheduling lunch breaks and assisting producers in the obtainment of appearance releases.

Assisted in transporting production van as well as, setup and breakdown of camera gear and sound gear. Responsible for scheduling lunch breaks and assisting producers in the obtainment of appearance releases.

Responsible for helping to setup and breakdown lights and camera equipment on set. In charge of coordinating with and assisting producer in taking notes, maintaining schedules, and organizing media. Responsible for Greeking locations and getting releases signed. Undertake errands as assigned. Assist in scheduling and coordinating lunches.

Responsible for the setup and breakdown of various equipment beginning with the camera equipment for the Sony FS7 and Red Scarlet-W. Provided additional setup of the DJI Inspire 1 ProX5 and Movie-M10 gimbal. Provided assistance in laving up talent with the Sennheiser ew 100 G3 lavalier system and Rode NTG-3. Additional work included camera operation of the Sony FS7, and providing assistance to the other camera operator.

Responsibilities included, but not limited to, assisting in equipment setup and breakdown, coordinating rental car pick-up and return, as well as handling releases and daily activities on behalf of the producer. Other responsibilities included coordinating lunches and purchasing items and equipment upon request.

Responsibilities included, but not limited to, assisting in equipment/camera setup and breakdown, handling releases and daily activities on behalf of the producer. Other responsibilities included coordinating lunches and purchasing crafty, as well as, helping with lighting setups and running sound.

Responsibilities included, but not limited to, assisting in equipment setup and breakdown, handling releases and daily activities on behalf of the producer. Other responsibilities included coordinating lunches and purchasing crafty.

Responsibilities included, but not limited to, assisting in camera setup and breakdown, coordinating rental car pick-up and return, as well as scouting locations with the DP for b-roll. Other responsibilities included coordinating lunches and crafty, as well as, obtaining releases.

Responsible for helping to setup and breakdown lights and camera equipment on set. In charge of coordinating with and assisting producer in taking notes, maintaining schedules, and organizing media. Responsible for Greeking locations and getting releases signed. Undertake errands as assigned. Assist in scheduling and coordinating lunches.

Responsible for helping to setup and breakdown of work stations, sets, and craft areas. Assist field manager and producers in transporting equipment and getting releases signed. Undertake errands as assigned.

Responsible for assisting in the setup of the camera equipment for the Red Scarlet-W. Additional Setup and breakdown was provided for the Movie-M10 gimbal, Kessler Shuttle Dolly, Lilliput 4k monitor, and wireless follow focus system. Provided electrical and lighting setup of Kino Flo Diva-Lite LED 30 DMX Lightpanel, Astra 1X1 Bi-Color LED Panel, Fresnel 1k, and LED Quasar lights. Responsible for operating the Sony A7Sii and Pilotfly Gimbal for behind the scenes content. Provided assistant with boom operation and focus pulling when needed.

Responsible for the setup and breakdown of various equipment beginning with the camera equipment for the Sony FS7 and Red Scarlet-W. Provided additional setup of the DJI Inspire 1 ProX5 and Movie-M10 gimbal. In charge of assembling various lighting setups of the Kino Flo Diva-Lite LED 30 DMX Lightpanel, Astra 1X1 Bi-Color LED Panel, and Westcott Flex Bi-Color LED Mat Cine Set 1X1 using regular C-Stands and Baby C-Stands. Provided assistance in laving up talent with the Sennheiser ew 100 G3 lavalier system and Rode NTG-3. Additional work included camera operation of the Sony FS7 for b-roll, and providing assistance to the director and other camera operator.

Responsible for spearheading content creation from pre-production to post-production. Responsibilities included story-boarding with owner, providing cinematography and lighting setups for the production, editing, coloring, and delivery for final product