Andrew McNally

A uniquely rewarding filmmaking experience with the young actors of ABLE Ensemble, a theater group consisting of teens with Down's Syndrome.

Assisted shooters with transport and camera setup for live streaming segments and bumpers for Red Bull's coverage of Lollapalooza 2016.

Local PA for 2 days of shooting in Chicago. Worked with Sony FS700 & F3, and Canon 5D.

Camera PA--helped with gear, slating, setup and breakdown, as well as general PA duties.

Worked closely with directors and producers to coordinate an event at the Chicago Hilton for 1200+ attendees. Responsible for coordinating scheduled branded signage, assigning tasks to other PAs, and wrapping out and shipping product and supplies after the event concluded.

Spot featured "man on the street" style interviews requiring releasing of general public who interacted with talent. Also managed gear and made runs.

Microfilm associated with "Other People's Heads" (2015).

2nd AD for reshoots/pickups.

18 day studio shoot with large cast list. Worked with all departments to ensure efficient management of resources and achieve the goals of the director and 1st AD.

Handled principal talent and over 50 background extras.

Fashion series for an up and coming lifestyle blog. Working within editorial guidelines, I composed, set-dressed and shot a series of 12 episodes featuring two outfits per video, highlighting the unique aspects of each outfit.

Worked closely with production and camera teams.

Assisted production team with pre-production responsibilities. Worked with camera team, helped manage gear and slate takes. This position also included some grip duties.

Assisted production team in handling gear, sourcing wardrobe and driving talent between multiple locations in downtown Chicago and elsewhere. This was a still photography shoot for the upcoming fall lookbook for Levi's Commuter Line.

Managed cast and crew in producing 4 spots over two days of shooting. Worked closely with production coordinator and 1st assistant director to successfully execute a highly ambitious shooting schedule. Duties included crowd management, direction of background actors, and coordination of multiple departments.

Assisted producers over a week-long shoot. This position required flexibility and attention to detail while assisting all departments when necessary, including art and camera.

One of four camera operators covering a live concert at Thalia Hall in Chicago.

Covered a monthly live event at the Art Institute Of Chicago, including live music and dancing performances, timelapses and crowd B-roll. Also assisted in set up and tear down of multiple projectors for added visuals.

Served multiple departments during prepping and shooting for a short internet spot. Picked up and rentals, packed camera truck, and assisted production, grip and camera crews on set.

Operated teleprompter and directed background, while assisting all departments when needed.

In addition to driving production vehicles and managing gear, I assisted all departments and worked closely with the camera team on set and in the field for B-roll shots.

Primarily assisted ADs in processing background actors. Also drove production vehicles and assisted in any way possible on set.

Responsible for setting up client monitors and providing VTR playback using the Atomos Samurai system. Multiple location, fast-paced shoot at many well-known Chicago landmarks.

Ran prompter and provided set assistance for numerous Onion News Network shoots.

Created full episode string-outs in Avid Media Composer, wrote voiceover and constructed act breaks and teases, and researched and wrote facts to be used on-screen in each episode. (Episodes 302, 304, 306, 308, 310, 313)

This project was produced with actors from ABLE, a local after school organization working with teenagers with Down's Syndrome. As cinematographer I worked directly with the DP and director to set up and light shots quickly, creating a fun, efficient set for the actors.

Operated teleprompter, assisted production staff as well as camera and art departments.

Operated teleprompter for a weekly web series using Mirror Script Pro software. Required attention to detail, strong communication with actor, writers and directors.

Small crew shoot, assisted all departments.

Drove production/picture vehicle for a reality web series/branded content for Menard's. As set production assistant, was also responsible for obtaining releases, making runs and general on-set maintenance.

Assisted in set construction and decoration.

Worked closely with production manager and 1st & 2nd AD's on a multi-location shoot.

Worked closely with producer, DP & locations.

Produced a written script for episodes of I Hate My Bath, including voiceover and pop-up facts to be featured in the episode. Created stringouts in Avid Media Composer, edited footage and soundbites, and added scratch audio to create a realistic running time for the final edit. (Episodes 603, 604, 607, 610, 612)

This shoot involved SAG talent & NFL player appearances. Responsible for transporting talent from hotels to set, and working with multiple departments to ensure talent was prepared for their next scene. Also served as liason between producers and clients from Lenovo, Digitas, and the NFL.

Served as a set PA over a two-day shoot on location at a food festival in Illinois. Responsible for securing releases, making equipment runs across the festival grounds, and transporting talent and crew, all in a fast-paced, run and gun shooting environment.

Worked closely with 1st and 2nd assistant directors to maintain efficient and effective communication between multiple departments. This shoot involved multiple locations, actors and background talent, as well as crowd control, equipment distribution and client relations.

Executed a highly conceptual vision, working closely with the director to achieve a very specific look. https://www.youtube.com/watch?v=5rFZC1G8rtU

Produced a written script and Avid timeline for episodes of I Hate My Yard. Responsible for selecting soundbites, constructing act breaks, shaping the overall episode structure and writing voiceover, with the finished product being sent to an editor for a final polished edit. (Episodes 204 & 212)

Worked closely with producers, directors and clients to provide clear communication and efficient execution between multiple departments.

Assisted in the setup, execution and tear down of a large scale workout event in Chicago's Grant Park. In addition to loading and unloading equipment, I was responsible for crowd control, efficiently communicating with event participants and ensuring a safe work environment over two days of prep and tear down.

Assisted production staff with administrative tasks and paperwork, kept set clean and orderly at location, and worked closely with 1st and 2nd ADs to move a large number of talent and background actors through hair, makeup and wardrobe.

Assisted production staff with administrative tasks and paperwork, handled crowd control and obtained appearance releases, and worked closely with 1st and 2nd ADs to move talent through hair, makeup and wardrobe.

Assisted production staff with administrative tasks and paperwork, made runs, kept set clean and orderly at location, and worked closely with 1st and 2nd ADs to move a large number of talent and background actors through hair, makeup and wardrobe.

Responsibilities included handling of talent and extras, keeping a clean and orderly set, and working closely with the assistant directors to ensure a smooth shoot.

Served as a key staff member during a two-day shoot for Youtube's April Fool's Day roll-out. Shuttled cast and crew between multiple locations, worked closely with assistant directors and production staff to maintain a positive work environment. Assisted art department with set decoration, operated teleprompters, and managed background talent.

Managed talent and assisted crew for DSW's "Monopod" April Fool's Day roll-out. Worked closely with director, assistant directors and DP. Locked down locations, assisted production staff with paperwork, and maintained a clean and orderly set.

Acted as a trusted production assistant on a multiple location shoot day. Responsibilities included coordinating shuttles for crew, communicating clearly between assistant directors and other departments, and administrative duties.

Acted as a trusted production assistant on a shoot involving animal wrangling and taking care of the shoot location, a private residence. Duties included coordinating of shuttles for crew, clear communication with assistant directors regarding animals and wranglers, and keeping a clean set.

Filled many roles on a busy set as a production assistant. Worked closely with assistant directors, art department, and director as a trusted PA. Duties included teleprompter operation, making runs, and assisting in office/administrative tasks.

Worked closely with production staff and assisted camera and grip departments, ensuring a smooth shoot day. Handled paperwork, set decoration, and equipment distribution/collection. Also performed tasks equivalent to that of a script supervisor during scenes with dialogue.

Produced a written script for an episode of I Hate My Bath, including voiceover and pop-up facts to be featured in the episode. Created stringouts in Avid Media Composer, edited footage and soundbites, and added scratch audio to create a realistic running time for the final edit. (4 episodes: 507, 509, 511, 512)

Assisted the production team during open call auditions in Chicago for season 7 of NBC's The Voice. Duties included registering all potential participants, checking personal information, and clearly informing participants of the audition process. This occurred over 2 days of open call auditions, with thousands of applicants.

Working under the 1st Assistant Director and Production Coordinator, I made supply runs, assisted all departments (Camera, G&E, Art) on set, and coordinated equipment. Required good knowledge of downtown Chicago, problem-solving skills, and strong communication.

2nd Unit Production Assistant for a pick-ups/B-roll shoot at multiple outdoor locations in Chicago. Effective communication was key during shots involving choreographed driving and stunts. Other duties included crowd control and being a liaison between the 1st and 2nd Assistant Directors and various departments.

Worked closely with the 1st & 2nd Assistant Directors on a multiple location shoot in downtown Chicago. Helped manage and direct over 80 background actors for numerous exterior shots. Coordinated between multiple departments (art, camera, grip & electric) throughout the day.

Worked closely with the 1st & 2nd Assistant Directors on a multiple location shoot involving numerous props and extras. In addition to making supply and equipment runs, I coordinated and communicated between production crew and the art department and camera crew.

Worked closely with 2nd Assistant Director and Production Manager for a one day shoot consisting of two locations. Responsibilities included making supply runs, coordinating meals, and some location scouting for future shoots. Communication and time management skills were key to this position.

Served in a position directly under the 2nd Assistant Director. Responsible for crowd control, equipment runs, and craft services.

Assistant camera on one of four main stages at Riot Fest 2013. Our team was responsible for both live streaming of media to video displays in front of the stage and recording performances for future promotional materials. Responsibilities included cable-wrangling, media management and equipment troubleshooting. Position included some camera operation.

Served in a position directly under the 1st Assistant Director. Responsible for crowd control, equipment runs, and craft services.

Small crew commercial shoot. I provided a pair of hands wherever needed, handling bounce cards, wrangling crowds, and doing on-set photography.

Assisted in coordinating shooting positions at a live event. Managed media and GoPro cameras. Served as a trusted pair of hands for the producers and director of photography in a high-energy, fast-paced environment.

Responsible for equipment, craft services, set vehicle, and general PA duties, in addition to providing on-set photography and other deliverables for the network. Managed media transfers using ShotPut Pro.

Served as second camera operator for main shoots. Shot B-roll (including light setup, minor sound/audio) on independent shoots between main shooting days.

Responsible for equipment, craft services, and general PA duties, in addition to providing on-set photography and other deliverables for the network.

Served as second camera operator for main shoots. Shot B-roll (including light setup, minor sound/audio) on independent shoots between main shooting days.

Worked closely with field producers in transporting gear, talent and crew members between multiple locations.

Conceived, wrote, and executed a short film for the Minneapolis 48 Hour Film Project.

Served as second camera operator for main shoots. Shot B-roll (including light setup, minor sound/audio) on independent shoots between main shooting days.

Responsible for equipment, craft services, set vehicle, and general PA duties, in addition to providing on-set photography and other deliverables for the network.

Responsible for equipment, craft services, and general PA duties, in addition to providing on-set photography and other deliverables for the network.

Responsible for equipment, craft services, and general PA duties, in addition to providing on-set photography and other deliverables for the network.

Responsible for equipment, craft services, and general PA duties, in addition to providing on-set photography and other deliverables for the network.

Oversaw handling of filming equipment at various rental facilities. Handled administrative tasks and assisted in production of props and other materials needed for shooting.

Oversaw script details, assisted the director of photography, and maintained an efficient working environment on the set of the short film "The Space Between," (dir. Christine Deitner). Also included some media management and animal wrangling, as well as assistance provided to the sound department.

Internship in the writer's room for the SyFy Channel Original Series Eureka. Duties included data organization, office responsibilities, rolling calls, and maintaining a positive and creative work environment.

Editor on The Cutting Edge, a student produced program at the University of Southern California. Responsible for organizing clips and bins, inserting graphics and syncing sound and music, creating a timeline for the final broadcast of the program--all in the AVID editing system.