Angelo Gentile III

Built and pulled focus on RED Epic-X for overnight shoot. Provided relief for director of photography when necessary.

Assisted all needs of production and operated passenger van for the entirety of three day shoot. Assisted G&E department when additional hands were necessary. Facilitated company moves and organization of production items and gear.

Assited Production Coordinator with all needs prior to and during the production. Facilitated pickup of equipment and supplies as well as meals for cast and crew. Completed lock-ups of busy public locations. Maintained a professional yet friendly demeanor.

Responsible for slating each scene, assisting camera team with any needs throughout production, maintaining a positive workplace demeanor. Worked with a RED Dragon to capture the commercial outside of Citrus College in Glendora, CA.

Facilitated equipment and wardrobe pickups and returns. Assisted in the breakdown of set and packing of the transportation vehicle.

Served as the First Assistant Camera for a day of pickup shots for the film. Responsible for building the RED Epic-X and RED Scarlett. Maintained a professional demeanor when interacted with talent such as Eric Roberts.

Assisted the camera team with all needs during production, including spotting the MoVi operator/director of photography. Additionally, I was responsible for media managing of RED Mags throughout the day.

Responsible for the building and movement of video village, slating and logging camera information on each take, and for the construction of the ARRI Alexa Plus camera setup. The production included guest appearances from Seth Rogen and Ryan Hansen.

As the production assistant, I was responsible for setting up craft services, going on runs for necessary equipment and/or accessories, transporting rental equipment on wrap day, and fulfilling any needs of the crew. I was relied upon to fill any position, including grip or second assistant camera, when necessary.

I was responsible for the camera build and safety of the rented gear and camera team. Maintained a working relationship with the first assistant director and ensured that camera was set and in position at all times so as to adhere to the production schedule.

I was responsible for wrangling cables, setting up director's and client's monitors, and taking care of anything the DP and/or camera team needs. Maintained a list of all rental equipment to ensure that all gear was accounted for and returned to the proper locations the following day.

As the camera operator for the film, I worked alongside the Director of Photography to achieve anything and everything desired. The majority of the film was handheld which required our builds to be as flexible as possible in case we needed to get in a difficult position or tight area.

As the Key Grip, I was responsible for all of the camera and lighting rigs throughout the film, which included a menace arm over a balcony seven stories up and a camera rig above a bed. I was also responsible for my grips who looked to me for instruction.

I worked as the head of the camera team on a two camera shoot, both Canon C100's, and operated "A" camera on all scenes. I also worked with the Director of Photography in regards to camera placement to successfully utilize both cameras as much as possible.

I worked alongside the Director of Photography to complete camera builds and checkouts each day as well as pulled focus for the entirety of the film. I also collaborated with our Peruvian camera tech's during the film and served as a translator for many other students on the set.

As the director of photography, I worked to create the visual landscape of the film in coordination with the vision of our director. I worked alongside my gaffer and key grip, both Emerson College students, to create lighting setups that created the soft, subtly colored style that was desired.

Created a black and white film that is a series of fragmented periods linked together through the use of zero cuts. The entirety of the shoot was completed on the Paramount Soundstage at Emerson College and utilized the Sony PMW-F5 and the Sony AXS-R5 4K recorder.

I was responsible for the camera builds and pulling focus throughout the entirety of the shoot. I was also responsible for troubleshooting any issues with the camera which none of the camera team had used prior to the shoot.