Anita H.M. Yu

• Media managed and synced Avid projects on multiple hard drives for a seamless edit workflow. • Imported, organized and synced video/audio media in Avid. • Performed temp audio mixes and exports for screenings. • Assisted editor in search for certain shots going through many hours of footage. • Preformed conform test relinking to higher resolution transcodes in the Avid.

• Researched, logged, organized and imported archive videos and images into the Avid. • Media managed the editor’s drive with the assistant's edit drive using ChronoSync. • Used Filemaker Pro to log all camera footage, archive image, and archive footage in the picture locked sequence.

• Prepped and delivered the color/sound turnover in Final Cut X and then switched to Premiere to finish the delivery. • The film will premiere in 2018 Sundance Film Festival.

• Prepped and delivered color and sound turnover in Avid. • Delivered reference reels, archive masters and other media in a timely manner. • The film will premiere in 2017 Telluride Film Festival.

• Ingested and organized over hundreds of hours of footage on the AVID. • Created sync maps for syncing and multigrouping dailies. • Managed transcodes and grouping with QuicKeys efficiently on several workstations. • Assisted editor in assembling short scenes and making changes to scenes with notes. • Performed temp audio mixes for screenings.

Berlinale - Panorama Dokumente 2017 Sundance Film Festival 2017 - Winner U.S. Documentary Special Jury Award • Worked directly with the editor to assemble short scene montages. • Imported and organized Canon C300 and Canon 5D footage into the project. • Media managed on multiple hard drives. • Conformed entire film in Final Cut Pro 7. • Prepared deliverables for color grading, sound mix and music score. https://www.strongislandfilm.com/ https://www.sundance.org/projects/strong-island-e7b2decf-53c4-4ad3-b27b-4594683a06c0 https://www.berlinale.de/en/programm/berlinale_programm/datenblatt.php?film_id=201714846#tab=filmStills

The four-hour television special premiered September 2016 on PBS. • Created motion graphics and digital composites. • Used rotoscoping and masking techniques to remove and/or add blur on objects that blended seamlessly into the footage. • Repaired damaged archival photos. http://www.art21.org/season8/

The six-hour television special premiered December 2016 on the Animal Planet. • Ingested and organized over hundreds of hours of footage on the AVID. • Created sync maps for syncing and multigrouping dailies. • Managed transcodes and grouping with QuicKeys efficiently on several workstations. http://www.brickcitytv.com/ocean-warriors-2016 http://www.animalplanet.com/tv-shows/ocean-warriors/