Lauren Aptekar

(Dinosaur Train - 10 x 30, PBS) I currently make small tweaks in viewing sessions with show creator Craig Bartlett and handle all outputs to all vendors (sound, translation, color, etc.) according to their individual specs.

(Camp WWE - 10 x 30, WWE) I worked within Final Cut Pro 7 and received all recorded audio for the show. I then created individual sequences for each character to deliver to the dialogue editor.

(House Hunters S50 - 15 X 30, HGTV) AE for all shows currently in post with Pie Town Productions including Say it to my Face, House Hunters: Tiny House, Pool Kings, and Flip or Flop. Responsible for digitizing tapes, ingesting tapeless media, grouping/syncing, outputting, project prep, and other AE duties.

(Booze Traveler S2 - 15 X 60, Travel Channel) Transcoding, syncing, grouping, logging, and organizing footage. Outputs to the network and for transcription.

(Pacific Heartbeat - 4 x 60, PBS) Responsible for watching down and making sure language is appropriate for broadcast and for outputting to correct specs.

(TRT - 2:15:00) People are the Sky is a feature length documentary that explores North Korea's current state. I am responsible for assisting with color and onlining archival footage.

I help create spots for Central Coast Ford and SoCal Ford dealers (both in English and Spanish). I work with several different finishing houses and deliver different outputs to each of them.

(How We Got Here - 12 x 30, Discovery's AHC) I assembled rough cuts within Avid Media Composer that were then delivered to the lead editor to polish. Upon picture lock, I then completed the onlining process for each episode and assured that delivery specs were correct.

(Rick and Morty - 10 x 30, Cartoon Network's Adult Swim) I worked within Final Cut Pro 7 and received all recorded audio for the show. I then created individual sequences for each character to deliver to the dialogue editor.

(How We Got Here - 12 x 30, Discovery's AHC) I worked within Avid Media Composer to compile efficient projects for the editors, which included transcoding, multi-grouping, and assembling a rough cut.

Worked with the director (Evan Sartory) to complete a 15 minute short film. Shot on RED camera, $4000 budget.

Worked with the director (Evan Sartory) to complete a 15 minute short film. Shot on RED camera, used R3D file workflow.

Responsible for collaboratively creating the Look Book for the festival (for both internal and press-related use). Assured that all festival guests were provided with everything they needed during their stay. Worked as an assistant to the Director of the Trustees Theater.

Organized a small student set with a crew of around 15 people for an entry in the Savannah Film Festival's bumper category. Winner at the 2011 Savannah Film Festival.