Art Olmos

Dailies, Sound Pass, Script Sync, Turn Overs, and Exports.

Sync, Group, Export, Transcode, AMA Link

Sync, Group, Export, Transcode, AMA Link

Sync, Group, Exports, Network Cuts, AMA Link, Upres'ing.

The usual

Responsible for setting up project, grouping, syncing, transcoding, organizing, importing media and graphics,uprezing sequences, exporting quicktime cuts, exporting AAFs, prepping show for Online Confrom, and cutting for webisode use.

Responsible for setting up project, grouping, syncing, transcoding, organizing, importing media and graphics,uprezing sequences, exporting quicktime cuts, exporting AAFs, prepping show for Online Confrom, and cutting for webisode use.

Responsible for setting up project, grouping, syncing, transcoding, organizing, importing media and graphics,uprezing sequences, exporting quicktime cuts, exporting AAFs, prepping show for Online Confrom, and cutting for webisode use.

Responsible for setting up project, grouping, syncing, transcoding, organizing, importing media and graphics,uprezing sequences, exporting quicktime cuts, exporting AAFs, prepping show for Online Confrom, and cutting for webisode use.

Daily duties involving transcoding, converting, labeling, digitizing, syncing, grouping, exporting, and troubleshooting high definition media files including R3D, ProRes4444, MTS, MXF, H.264, and various others. Daily use of Avid Media Composer, Final Cut Pro 7, REDCINE - X, Sony XDCAM, DVC PRO, and other industry standard applications and equipment.

Daily duties involving transcoding, converting, string outs, labeling, digitizing, syncing, grouping, exporting for all of our various projects in the Development department.

Daily duties involving transcoding, converting, labeling, digitizing, syncing, grouping, exporting, and troubleshooting high definition media files including R3D, ProRes4444, MTS, MXF, H.264, and various others. Daily use of Avid Media Composer, Final Cut Pro 7, REDCINE - X, Sony XDCAM, DVC PRO, and other industry standard applications and equipment.

On set transcoding of all 4.5k RED One .R3D camera files using REDCINE-X in preparation for Off-line edit. Performing color adjustment in accordance to the wishes of the Cinematographer and Producers as well as ingesting and logging media into Final Cut Pro. Transferred and managed image data

I cut the First Assembly of the film over the course of the first few months of Post, I also did all of the Assistant Editor work including all transcoding. I cut scenes after some reshoots and then I handed off the project to another editor to finish the film.

Assisted producers and assistant directors with various tasks including but not limited to; obtaining supplies and equipment, going on runs, directing background actors, driving principle actors to locations, and assisting art department.

Assisted the first assistant director and producer by setting up base camp, obtaining needed supplies, escorting talent to destination, and keeping set orderly and quiet.

Oversaw all aspects of production from screenplay, contracts, negotiating funding with Universal Studios over backlot and production services, insurance, banking, casting and editing.

Provided efficient administrative support to all staff. Prioritized and organized workloads to meet strict deadlines. Read incoming scripts and provided coverage. Prepared the office for the Cannes Film Festival. Assisted Director of Development in scheduling meetings and appointments.

Responsible for hiring of various crew positions from grips and production assistants to drivers and craft persons. Handled permits, compliance with fire code regulations, equipment check-out and returns.