3/19 – 3/19
Director of Photography (DP) (Sony FS7 MKII)
Internet — Advertising Details
3/19 – 3/19
I was hired by Down the Road productions to facilitate the look, crew, and gear for a week long shoot at Sugardale. During this week we showcased the many recipes created by their team. We utilized Sony cameras, cinema lenses, remote FIZ, a movi pro and Kessler Cinedrive to create smooth parallax movements across the set. We utilized RGBW fixtures by Arri and KinoFlo to create the style requested by the client.
3/19 – 3/19
Director of Photography (DP) (Canon c300 MKII)
Internet — Advertising Details
3/19 – 3/19
I was hired by Aquent studios to film two independent film pieces. The first highlighted new equipment that we showcased in a large studio space on a forty foot cyc wall. The second was a series of scenes comparing two individuals: one who was not using their product and another who was. We shot over three days at three locations showcasing the ease of use and efficient of their products. We utilized the Canon C300 MK2, Zeiss cinema lenses, Arri Skypanels, and remote FIZ to create stylized shots to differenciate the two stories.
9/16 – 2/19
Lowe's — Digital — R43 Limited Details
9/16 – 2/19
Responsibilities included working on a team of two operators to capture wide and inserts of projects being assembled and completed. Projects coverage a wide range of uses both indoors and outdoors. Myself and the other operator would rotate days on handheld and tripod cameras. We use an F55 and FS7.
12/17 – 12/18
Director of Photography (DP) (RED Weapon )
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FlexJet
Corporate — Red Bicycle Media Details
12/17 – 12/18
My responsibilities included:
-Plan, setup and tear down of interviews with company CEO
-Provide coverage of talent during multiple camera round table
11/17 – 12/17
TV — Leftfield Entertainment Details
11/17 – 12/17
My responsibilities as a camera operator consisted of covering scenes with multiple talent and cameras. As it was a home renovation show we spent a lot of time gathering broll in forms of real time video, on the fly interviews and many time lapses. We used Sony EX3s, Canon 5D and GoPro cameras to capture the content.
11/17 – 11/17
ESPN — TV — Bpf Productions Details
11/17 – 11/17
MY responsibilities included:
-Players arrivals at the stadium
-Set up and tear down of live shots on the field prior to pregame
-Post game press room coverage of coaches and players
-Set up and tear down of live shots post game on the field with ESPN hosts
9/17 – 11/17
Fox Sports — TV — Fox Sports Ohio
9/17 – 11/17
10/17 – 10/17
Director of Photography (DP)
Advertising — Think Media Studios
10/17 – 10/17
10/17 – 10/17
ESPN — TV — ESPN Details
10/17 – 10/17
My responsibilities included:
-Gathering Broll of surrounding areas and location a day prior to the live show
-Covering and feeding live via TVU the arrival of special guests at airports and campus
-Gathering game day broll of game attendees in the tailgate fields,
10/17 – 10/17
ESPN — TV — Bpf Productions Details
10/17 – 10/17
My responsibilities included:
-multiple live shots fed to Bristol by TVU
-Players coverage and interviews during practice
-Players coverage during pre-game warm ups
-Post Game interviews with ESPN hosts
9/17 – 9/17
TV — INE Entertainment Details
9/17 – 9/17
Pull Focus, build and maintain camera gear. Our setup was (2) shoulder mounted Sony FS7s with multiple lenses used for reality scenes. We used a Sony A7R on a movi for more stylized broll shots. On the movi we used Zeiss CP2 primes on which I pulled focus.
9/17 – 9/17
First Assistant Camera
Advertising — Elite Entertainment Details
9/17 – 9/17
Focus Pulling on Alexa Mini with Angenuix glass, build and maintain all camera equipment,
9/17 – 9/17
Camera Operator
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ESPN
ESPN — TV — BPF Productions, LLC
9/17 – 9/17
6/17 – 6/17
TV — Red Marble Media Details
6/17 – 6/17
I acted as the Assistant Camera to (2) operators. We operated on (2) Sony FS7s with Cooke Panchro Primes. We shot multiple interviews over (2) days. I assisted with camera setup, media management, as well as lighting. We used a fair amount of grip gear to block exterior light and keyed the subject through book lights.
6/17 – 6/17
First Assistant Camera (Lead)
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Death Metal
Film (Feature-length) — Red Bicycle Media Details
6/17 – 6/17
I was hired for Death Metal by Red Bicycle Media. My responsibilities included camera prep and maintenance as well as some gaffing, and pulling focus during shooting. We operated with (2) cameras; a RED Helium and RED Dragon with Kowa anamorphic lenses . I used the Chrosziel follow focus system to control focus and iris along with RED's Fool Control to manage the camera's internal configuration.
5/17 – 5/17
Sizzle Reel — TV — Atlas Media Corp Details
5/17 – 5/17
I was second operator to the Director of Photography. We shot with the Sony EX3, Canon 5D and Go Pro. We shot in a variety of locations around the city. I was responsible for shooting coverage of scenes with my DP as well as broll around the area.
4/17 – 5/17
Digital — R43 Limited
4/17 – 5/17
3/17 – 3/17
Internet — TV — Red Bicycle Media Details
3/17 – 3/17
Myself along with the DP and other operator planned and executed a talk show setup with Lebron James and his agent Maverick Carter. We used the RED Weapon, and Sony FS7s.
9/16 – 12/16
Internet — Digital — R43 Limited
9/16 – 12/16
11/16 – 11/16
Live/Special Event Details
11/16 – 11/16
As one of three operators covering the main stage my main responsibility was the on stage handheld position. I caught talent as they entered and exited the stage as well as captured all close ups and inserts of the chef and food as the dish was being prepared.
5/16 – 9/16
CNBC — TV — Magical Elves Details
5/16 – 9/16
I was the camera operator under the Director of Photography for this series. We operated on Canon C300s with L-Series glass supported by a ready rig. Our days were split between shooting reality scenes in multiple locations and interviews. Most scenes consisted of 2-4 people while others were as large as 8 people with mics and many others as extras.
8/16 – 8/16
TV
8/16 – 8/16
5/16 – 7/16
First Assistant Camera
Advertising — Stonekap
5/16 – 7/16
5/16 – 5/16
Second Assistant Camera
Advertising — Imperial Woodpecker
5/16 – 5/16
5/16 – 5/16
First Assistant Camera
Advertising — TNC Productions
5/16 – 5/16
2/16 – 2/16
Esquire — TV — Coolfire Studios
2/16 – 2/16
2/16 – 2/16
Director of Photography (DP) (Canon 5D MK3, Sony FS700)
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Cleveland Man on the Year
Digital — Think Media Studios
2/16 – 2/16
12/15 – 12/15
Film (Feature-length) — LAMF BBM LLC
12/15 – 12/15
10/15 – 10/15
Director of Photography (DP) (Sony FS700)
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Steris
Corporate — Think Media Studios
10/15 – 10/15
9/15 – 9/15
Corporate — Think Media Studios
9/15 – 9/15
8/15 – 8/15
Director of Photography (DP) (Sony FS7)
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Marcus Thomas
MTD Products — Advertising — Think Media Studios
8/15 – 8/15
7/15 – 7/15
Director of Photography (DP) (Sony FS7)
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Nestle
Corporate
7/15 – 7/15
6/15 – 6/15
Camera Operator (DJI Inspire 1)
Advertising — Think Media Studios
6/15 – 6/15
5/15 – 6/15
Assistant Camera (AC) (Camera Operator)
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Sing it! (Season 1)
Lifetime — TV — Bright Road Productions
5/15 – 6/15
5/15 – 5/15
Corporate — Think Media Studios
5/15 – 5/15
4/15 – 4/15
Second Assistant Camera
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O'Positive
Beats By Dre — Advertising
4/15 – 4/15
3/15 – 4/15
Lifetime — TV — Sunset View Productions
3/15 – 4/15
9/14 – 3/15
Corporate
9/14 – 3/15
7/12 – 3/15
Director of Photography (DP) (Sony PMW 200, EX3)
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After the First 48
A&E — TV — ITV Studios America
7/12 – 3/15
12/14 – 2/15
Director of Photography (DP) (Canon C300)
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Multiple Projects
Corporate — TTI Floorcare Details
12/14 – 2/15
Design and execution of motion visuals for commercials, marketing, and promotions materials for brands Hoover, Dirt Devil, Oreck and Vax.
12/14 – 12/14
Second Assistant Camera
Advertising — Supply and Demand
12/14 – 12/14
12/14 – 12/14
Second Assistant Camera
Advertising — Smuggler
12/14 – 12/14
11/14 – 11/14
Film (Feature-length) — Woodridge Productions/ Sony
11/14 – 11/14
10/14 – 10/14
Second Assistant Camera
Progressive Insurance — Advertising — Station Film
10/14 – 10/14
9/14 – 9/14
Camera Operator
Advertising — Bandito Brothers
9/14 – 9/14
7/14 – 7/14
AXS TV — Live/Special Event — Program Productions Inc. Details
7/14 – 7/14
Responsible for covering entrances and exits of speakers, guests, award recipients and band members during awards portions. During concert performances I was responsible for finding creative shots of band members and the audience from an on-stage perspective.
7/14 – 7/14
Camera Operator (Canon 5D MK3)
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Twist Creative
Lake Health Bariatric Surgery Center — Advertising — Mike Jones Video Details
7/14 – 7/14
I was responsible for the tight, moving angle during all interviews and finding creative cutaways during broll shots.
6/14 – 6/14
Swing
Advertising — Think Media Studios Details
6/14 – 6/14
I was one of the 3 man crew. Producer, DP, and swing (myself). I assisted with lighting and camera setup and monitored audio during interviews and broll docu-style coverage.
5/14 – 5/14
Internet — Live/Special Event — Think Media Studios Details
5/14 – 5/14
I was responsible for covering all action with the speakers during the live web stream with a static camera as well as a moving camera.
5/14 – 5/14
Live/Special Event — Think Media Studios Details
5/14 – 5/14
I was responsible for covering all activities on the main stage including short interviews with talent, talks with the Hall of Famers and the crowd, as well as football workshops and activities with the participants and Hall of Famers.
5/14 – 5/14
First Assistant Director
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Marcus Thomas
Krylon Spraypaint — Advertising — Think Media Studios
5/14 – 5/14
4/14 – 4/14
A&E — TV — Kirkstall Road Enterprises Details
4/14 – 4/14
Responsible for the setup of (2) cameras and continuous operation of main camera to cover all activities within the court room. Also conducted interviews and attorneys and family members.
3/14 – 3/14
Ohio Lottery — Advertising — Animal Details
3/14 – 3/14
My main responsibilities were to help dress and arrange the set in preparation for the main camera shot.
2/14 – 2/14
Camera Operator (Canon 5D MK3)
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Henkel
Live/Special Event — Concept to Motion Details
2/14 – 2/14
Myself and a 2nd operator captured events of this live event over the course of the day. We were responsible for capturing specific shots throughout the day for the final video. Our onsite editor compiled a video of our footage to show that same day wrap up the days activities.
2/14 – 2/14
Director of Photography (DP) (Canon C300)
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Twist Creative
Parkers Restaurant — Advertising — Mike Jones Video
2/14 – 2/14
1/14 – 1/14
TLC — TV — Sharp Entertainment
1/14 – 1/14
11/13 – 11/13
Animal Planet — TV
11/13 – 11/13
8/13 – 11/13
A&E — TV — Kirkstall Road Enterprises Details
8/13 – 11/13
I assisted the DP in all aspects of camera and lighting setup prior to the shoot. During the shoot I operated A Camera and monitored B Camera.
11/12 – 11/13
Live/Special Event — Hughies Audio Visual Details
11/12 – 11/13
I operated four different camera stations during the duration of the Food Shot. Myself and three other operators rotated through the positions. Two being handheld on stage, and the other two on sticks.
10/13 – 10/13
TLC — TV — Sharp Entertainment
10/13 – 10/13
9/13 – 9/13
Live/Special Event — Think Media Studios Details
9/13 – 9/13
Myself and another operator were responsible for a 5D MK3 on a door dolly on the presentation floor. We used the door dolly to create dynamic shots during the introduction and throughout the duration of the presentation.
8/13 – 8/13
Penske Automotive Dealerships — Advertising Details
8/13 – 8/13
Myself and another grip were responsible for the lighting and camera rigging for 5 different location shoots over a period of two days.
7/13 – 7/13
VGI
7/13 – 7/13
6/13 – 7/13
Camera Operator (Canon C300)
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The Sax Man
Film (Feature-length) — Sandwich Entertainment Details
6/13 – 7/13
I was a camera operator for various scenes for the Sax Man documentary including documenting radio shows, behind the scenes, and on the street interviews.
1/13 – 7/13
Film (Feature-length) — Sandwich Entertainment
1/13 – 7/13
10/12 – 7/13
A&E — TV — Kirkstall Enterprises
10/12 – 7/13
6/13 – 6/13
Internet — Live/Special Event — Think Media Studios Details
6/13 – 6/13
I was hired by Think Media Studios as a camera operator for the Krylon 24 in 24 event. My main responsibility was handheld camera operation for the two 12 hour days. Myself and another operator switched off the hand held camera throughout the day while covering all of the activities at the event.
1/13 – 4/13
OWN — TV — Candor Entertainment Details
1/13 – 4/13
I mainly assisted the camera department and crew with lighting setups, camera prep and operation, and media management. We worked with Sony ENG style cameras, Canon DSLRs, Go Pros and Sony F3s, Kino 4x4s and Divas, as well as variations of fresnels and LED systems.
3/13 – 3/13
Camera Operator (Canon C300)
Sandwich Entertainment — Advertising — Sandwich Entertainment Details
3/13 – 3/13
I was a camera operator for a product proposal ad. We spent a day conducting on street interviews asking people what they thought of the product.
1/13 – 1/13
USA Network — TV — Shed Media Group
1/13 – 1/13
12/12 – 12/12
Live/Special Event — Hughies Audio Visual Details
12/12 – 12/12
I operated the main stage camera and my feed was displayed on the main big screen. This was not recorded or televised. It was to provide those in the back with a view.
7/11 – 11/12
Director of Photography (DP) (RED Scarlet, Canon C300, Panasonic HPX250/AF100)
Vision Media and Marketing — Advertising — Vision Media and Marketing Details
7/11 – 11/12
I was one of the in-house Cinematographers/DPs for Vision Media and Marketing. We worked on projects ranging from live events and commercial production to corporate videos and short films.
9/12 – 9/12
Sizzle Reel — TV — Magilla Entertainment
9/12 – 9/12
8/12 – 8/12
Camera Operator
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The FEST
Live/Special Event — Hughies Audio Visual Details
8/12 – 8/12
I was a field camera operator for part of the day in which I followed different talent around the festival as they conducted interviews. The last half of the day I was an on-stage operator for the live concerts and the mass at the end of the day.
6/11 – 6/11
Production Assistant
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Bridezillas
WE tv — TV — September Films
6/11 – 6/11
