• Prepare initial production budgets and schedules to hand off to Line Producer and Accountant for feature films. • Establish production accounting processes including A/R, A/P, payroll, vendor set up, and reconciliations – for each feature film. • Communicate with guilds and unions for upcoming films, including setting up signatory status, residuals approvals and payouts. • Research and provide quotes for talent and crew to assist in hire negotiations for feature films. • Responsible for hiring project specific Line Producers and Production Accountants to hand off day-to-day accounting, but still oversee. • Work closely with Silver Pictures’ CFO to ensure timely and accurate reporting to investors, thus requiring me to: • Single handedly daily manage the following aspects of Silver Pictures’ accounting as a production company: petty cash, A/R and A/P, bank account and credit card reconciliations, track and record ongoing investment in 20+ projects, profit participation tracking.
Summary
I'm an LA native who is seeking work as a producer to expand my network. Willing to work internationally.
Credits
5/18 – 8/18
Associate Producer – Creed II
Film (Feature-length) — Winkler Films
5/18 – 8/18
7/14 – 1/16
Finance Manager
Staff Position — Silver Pictures Details
7/14 – 1/16
1/13 – 7/14
Producer – Back Home (Season 1)
Fusion — TV — Canana Details
1/13 – 7/14
Create original stories via verite footage, producing, directing, sizzle editing, scene cutting, guest/talent booking, arranging travel, international production managing, managing budget per episode and overall, pre-production, production and post-production.
1/12 – 7/14
In House Producer
Staff Position — Canana Details
1/12 – 7/14
I served as the producer and production accountant for many branded content projects for Fortune 500 clients. I was required to produce projects in the United States and Latin America; I managed the preliminary accounting, pricing and hiring for crew members (above and below-the-line) and daily operations including all locations, rentals, meals and per diems, etc. At wrap, I was single handedly responsible for turning over a final production cost report to our clients. In this role, I was produced our television show that was shot internationally, and alone managed the international accounting aspects of the episodes that filmed abroad. I worked to establish relationships with Co-Producers in various countries we filmed in including areas like Mexico, South America and Cuba.
6/13 – 4/14
Producer – Sanctity
Film (Short) — USC School of Cinematic Arts Details
6/13 – 4/14
Budget, schedule, line produce, negotiate rates with crew and vendors. Develop the script, physical production and post production.
6/12 – 4/14
Producer – Nzara '76
Film (Short) — USC School of Cinematic Arts Details
6/12 – 4/14
Budget, schedule, line produce, negotiate rates with crew and vendors. Develop the script, physical production and post production.
1/14 – 3/14
Producer
Advertising — Canana Details
1/14 – 3/14
Hire director/writer and full crew, negotiate rates, schedule shoot, obtain film permits, schedule travel, see the project through the edit and deliver.
9/13 – 12/13
Production Coordinator – Cesar Chavez
Film (Feature-length)
9/13 – 12/13
Recos
Education
Class of '14
USC School of Cinematic Arts
Master of Fine Arts in Film & Television Production
Class of '10
University of La Verne
Master of Business Administration, Finance
Class of '07
Cal State Los Angeles
Bachelor of Science, Business Administration
Skills
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