Bill Thomas

As the DP on this interview shoot I filmed A-camera while directing B-camera and collaborating with the Director and my Gaffer.

As the DP on this one day corporate interview shoot for Canon, I designed the lighting to the clients needs, operated A-camera and directed B-camera

Two days of operating front of house Sony F800 with Fujinon DigiPower 99 box lens during New York dates of Rolling Loud music festival

As this documentary's DP my role has been filming keep interviews domestically, instructing our foreign unit operators and making sure technical and aesthetic continuity is followed.

Lighting and filming interviews with supporting talent

On this one day shoot, as the DP/Operator I built the interview lighting set-up to match the production's prior interviews.

As the DP on these two videos I worked closely with the Director designing the lighting and relaying that to my Gaffer. I acted as the sole camera operator alongside my 1st AC

During the two day shoot working alongside the director I designed the lighting and operated the camera for our multiple interview set-ups.

Filming A camera and supervising B and C cameras/operators

As the DP on this project Im currently responsible for all photography, lighting and look of the project.

Working in concert with B cam op and Director/Producer

Filming documentary coverage of band in their home town as well as operating the A camera on a four camera live concert.

As the B Camera Operator I worked with the DP and EP on this home renovation show for a three day shoot. Filming "befores" of the property, touring house with buyers, capturing b-roll of them in town and process of construction crew renovating house.

One of two camera ops. on one day/episode shoot.

Filming vintage sports car racing at Lime Rock Park in CT. for the VSCCA & Lime Rock to be used in promo films on their respective websites. Filmed hi-speed slo-motion tracking cars and rigged a Black Magic Pocket Camera to the back of a lead vehicle to film cars racing behind.

As this documentary's DP my role has been filming A camera on one of the three units, instructing the other unit operators and making sure technical and aesthetic continuity is followed. My Producing role was creating & managing one of the sub-stories within the documentary.

Operating A-camera, setting lighting and choosing dolly camera-moves for final episode reveal of finished home.

As sole operator, setting green screen 5-light set for interview testimonials with subjects.

DP'd for a one day "reveal" shoot doing interview and b-roll pick ups for home renovation pilot.

On this two day shoot, as 2nd Camera Operator I worked with the DP and director following their instruction and matched the cameras.

I acted as the DP and Operator for the New York filming portion of this film.

As the DP for this one day corporate commercial shoot, I worked with the Director, AD and Gaffer to design the lighting set-up as well as operating A-camera and instructing the B-camera operator.

During one week in Sept. 2014 and another in May 2015, my role as the DP was to create and film lit interview set-ups along with shooting supporting b-roll.

Over a one week period filmed all material; interviews, live performances & b-roll for JALC's Summer Jazz Academy held in Virginia.

As the DP and sole camera operator I'm responsible for lighting musical performances and interview set-ups and all filming. This is a two camera set-up, our crew has filmed and produced over three hundred 5 minute shorts since 2013.

As the DP and sole camera operator, I lit and filmed spot along with supporting b-roll for Episode 1, Season 1.

For this one day documentary pilot, as the DP I was responsible for lighting scenes on location, filming A camera and instructing B camera.

For this corporate spot(web based), my duties were determining all shots that were needed, all filming, lighting the scenes and field producing.

Lit all scenes and operated A camera

For this corporate recruiting spot(web based), my duties were determining all shots that were needed, all filming, lighting the scenes and field producing.

As the DP for over half of the season's episodes, I was responsible for lighting interiors and interview set-ups, filming A camera and instructing B camera.

For this corporate recruiting spot(web based), my duties were lighting and filming all scenes under the Producer's direction.

As the Director of Photography and sole camera operator, I was responsible for designing the lighting set-up and filming all eighteen spots.

Lit and filmed interviews and verite scenes

Shoot was a web promo spot for A&E's "Crazy Hearts: Nashville". Responsibilities included lighting and filming talent on green screen studio set-up.

As the DP and sole camera operator I worked with the Director lighting scenes to his taste and filmed all footage for eight separate spots over four days.

As the DP and sole camera operator on this 20 day documentary production, I lit and filmed all interviews and supporting b-roll.

Camera Operator

Filmed twenty five live concerts for use and archive by Jazz At Lincoln Center.

As the DP I was responsible for lighting interior & exterior interview set-ups, filming A camera and instructing B camera.

Working in the field in Haiti for ten days filming interviews and b-roll

Lit & filmed interviews and shot corresponding b-roll.

As the DP and sole camera operator I was responsible for all photography and lighting during the one-day production.

Filming marches, events and interviews related to "Occupy Wall St." in lower Manhattan.

As the DP and sole camera operator I was responsible for lighting/shooting interiors and interview set-ups along with all supporting b-roll.

Sole DP and Co-Producer for the this 30 minute Emmy Nominated news magazine piece. For two months I filmed and field produced this story from Afghanistan. Back in NY I worked with my co-producer piecing together the investigative side of the story and filming additional material in Colorado and Latvia.

Was one of three camera operators for episode 1 of season 2.

Lit & filmed interviews and supporting b-roll.

Working with the Director filming interviews and supporting b-roll

Filming and field producing in Afghanistan for a series of reports for Time.com

Filming & field producing on the streets of Baghdad, speaking to citizens about the coming withdrawal of US forces.

Filming and field producing in Iraq for a series of reports for Time.com

While in the field in Iraq, working alongside the writer, filming all supporting material for story.

While in the field in Iraq, working alongside the writer, filming all supporting material for story.

Filmed supporting b-roll for the episode "The War Briefing".

Filmed interviews and supporting b-roll.