1/17 – 1/17
Corporate — Ward & Ames Special Events
1/17 – 1/17
1/17 – 1/17
Netflix — TV — Mitú
1/17 – 1/17
12/16 – 12/16
First Assistant Camera (Lead)
–
The Eleven
A&E — TV — Cineflix
12/16 – 12/16
12/16 – 12/16
First Assistant Camera
–
Middle Mile
Reliant Energy — Advertising — Humble
12/16 – 12/16
11/16 – 11/16
First Assistant Camera
Advertising — Martino Flynn
11/16 – 11/16
11/16 – 11/16
First Assistant Camera (Lead)
–
Ay Lav Yu Tuu
Film (Feature-length) — Bird House Productions
11/16 – 11/16
11/16 – 11/16
Direct Energy Home Services — Advertising — Nonfiction Unlimited
11/16 – 11/16
10/16 – 10/16
Corporate — Ward & Ames Special Events
10/16 – 10/16
9/16 – 9/16
First Assistant Camera
Advertising — Fox Sports
9/16 – 9/16
9/16 – 9/16
First Assistant Camera
Advertising — The Vault
9/16 – 9/16
9/16 – 9/16
Nike — Advertising — Caviar Films
9/16 – 9/16
7/16 – 7/16
Castrol — Advertising — PYTKA
7/16 – 7/16
6/16 – 6/16
Prime Video — TV — Pig Newton
6/16 – 6/16
6/16 – 6/16
Second Assistant Camera
Advertising — Wondros
6/16 – 6/16
6/16 – 6/16
Danone — Advertising — ZapBoomBang Studios
6/16 – 6/16
5/16 – 5/16
HEB — Advertising — Sugar Film Production
5/16 – 5/16
5/16 – 5/16
Second Assistant Camera
–
Wongdoody
Houston Methodist Hospital — Advertising — The Sweet Shop
5/16 – 5/16
5/16 – 5/16
Reebok — Advertising — Unit9
5/16 – 5/16
5/16 – 5/16
First Assistant Camera
–
The Vault
Academy Sports and Outdoors — Advertising — The Vault
5/16 – 5/16
5/16 – 5/16
Hershey's — Advertising — Caviar
5/16 – 5/16
4/16 – 4/16
First Assistant Camera
–
77 Ventures
Reliant Energy — Advertising — GLP Creative
4/16 – 4/16
1/16 – 1/16
Second Assistant Camera
–
Deutsch LA
Taco Bell — Advertising — Skunk
1/16 – 1/16
2/15 – 2/15
Second Assistant Camera
–
Latinworks
Stripes/ Laredo Taco Company — Advertising — Lucky 21
2/15 – 2/15
2/15 – 2/15
Panda Express — Advertising — Saville Productions
2/15 – 2/15
1/15 – 1/15
Live/Special Event — Bishop-McCann
1/15 – 1/15
1/15 – 1/15
Corporate — VISION Production Group
1/15 – 1/15
1/15 – 1/15
Joes Crab Shack — Advertising — MacGuffin Films
1/15 – 1/15
1/15 – 1/15
Second Assistant Camera
–
MD Anderson
MD Anderson Cancer Research Hospital — Advertising — Wondros
1/15 – 1/15
12/14 – 12/14
Corporate — Rivet Films
12/14 – 12/14
12/14 – 12/14
Second Assistant Camera
–
Interview
TV — Duo Films
12/14 – 12/14
12/14 – 12/14
Second Assistant Camera
–
McGarryBowen
Chevron — Advertising — Bodega Pictures
12/14 – 12/14
12/14 – 12/14
Verizon — Advertising — Oolala! Productions
12/14 – 12/14
12/14 – 12/14
NBA Chinese New Year — Advertising — RCR Inc.
12/14 – 12/14
12/14 – 12/14
College of Health Care Professionals — Advertising — Zen Films
12/14 – 12/14
11/14 – 11/14
Ovation — TV — OVATION TV NETWORK Details
11/14 – 11/14
AC/ Grip and Data Manager.
11/14 – 11/14
Ovation — TV — OVATION TV NETWORK Details
11/14 – 11/14
AC/ Grip and Data Manager.
10/14 – 10/14
Assistant Camera (AC) (Alexa XT)
–
Olson
Baylor College of Medicine — Advertising — Harpoon Pictures Details
10/14 – 10/14
Second Assistant Camera and Data Manager.
10/14 – 10/14
Assistant Camera (AC) (ALEXA XT)
–
The Lee Group
St. Lukes Hospital — Advertising — 808, Inc.
10/14 – 10/14
9/14 – 10/14
Assistant Camera (AC) (Canon C300/ C100/ 5D Mk III)
–
Urban Legend
CMT — TV — Ten100 Productions Details
9/14 – 10/14
Assembled cameras for interviews then Data Management at end of day.
9/14 – 9/14
Chick-fil-A — Advertising — RSA Films Details
9/14 – 9/14
2nd Assistant Camera
9/14 – 9/14
Assistant Camera (AC) (Alexa XT)
–
Artplan
Live Tim "Chuck Norris" — Advertising — Cheeky Monkey Films Details
9/14 – 9/14
2nd Assistant Camera.
8/14 – 8/14
First Assistant Camera (A Camera)
–
K.I.L.D. TV
Film (Feature-length) — Eye Candy Inc. Details
8/14 – 8/14
Assembled GH4 cameras with two monitors each and wireless focus for handheld and tripod settings plus a handheld monitor with up to 4 video streams.
7/14 – 7/14
First Assistant Camera (Media Manager)
–
Motive
Mountain Dew — Advertising
7/14 – 7/14
7/14 – 7/14
Texas A&M University — Advertising — Locke Bryan Productions Details
7/14 – 7/14
Ran C500 on a Movi 10.
6/14 – 6/14
Internet — Live/Special Event — Uncle Toad's Media Group
6/14 – 6/14
6/14 – 6/14
First Assistant Camera (Operator)
–
Ogilvy & Mather
Castrol — Advertising — SO & SO
6/14 – 6/14
6/14 – 6/14
Second Assistant Camera
–
Team Detroit
FORD ECO BOOST SUPERFAN — Advertising — VRA USA
6/14 – 6/14
6/14 – 6/14
John Moore — Advertising — Bird House Productions Details
6/14 – 6/14
Transferred footage and photos.
5/14 – 5/14
PBS — TV — Blink Films
5/14 – 5/14
5/14 – 5/14
Digital — The Traveling Picture Show Company
5/14 – 5/14
5/14 – 5/14
First Assistant Camera
–
Retail First
Ford — Advertising — Television Video and Post Details
5/14 – 5/14
First AC'd Canon 1DC W/ CP2's. Movi M10
5/14 – 5/14
Amegy Bank — Advertising — Lankford Films
5/14 – 5/14
4/14 – 4/14
TLC — TV — LMNO Productions
4/14 – 4/14
4/14 – 4/14
Assistant Camera (AC) (C300 & FS700)
–
Brain: Inner Cosmos
PBS — TV — Blink Fims UK Details
4/14 – 4/14
Set up camera equipment and on smaller days would help set up the lighting. Pulling focus on longer shots. Changed lenses etc.
4/14 – 4/14
Digital — The Famous Group Details
4/14 – 4/14
Filmed players in front of green screen for game prompts.
4/14 – 4/14
Corporate — Pedersen Media Group Details
4/14 – 4/14
AC'd two RED EPIC Dragons.
4/14 – 4/14
Music Video — Eagle Productions Details
4/14 – 4/14
Pulled focus on a Epic.
4/14 – 4/14
Romano's Macaroni Grill — Advertising — Wee Beastie Details
4/14 – 4/14
First AC for ALEXA XT.
3/14 – 3/14
BET — TV Details
3/14 – 3/14
Set up cameras and monitors.
3/14 – 3/14
Film (Feature-length) — Eye Candy Inc. Details
3/14 – 3/14
First Assistant camera on this short film. Worked with a Epic and master primes. The camera package didn't come with a follow focus so I ended up pulling focus off the barrel of the lens for 90% of the movie.
3/14 – 3/14
PBS — Live/Special Event — Artists Den Entertainment Details
3/14 – 3/14
Took lead for concert event with multiple assistants. Built and mounted 8 C300's to various mounts including a 24ft jib, 3 handheld cameras, three pedestal mounted cameras and a sliding cam then ran the BNC to a signal monitor for the show runner.
3/14 – 3/14
Live/Special Event — Jimmy Lee TV Details
3/14 – 3/14
Helped build and mount the Three Alexa's to various mounts in preservation for the show. Also ran monitoring station to a single point in the back of the room.
3/14 – 3/14
Kia — Advertising — A Common Thread Details
3/14 – 3/14
Second Assistant camera for two first assistants. Union commercial. Had two epics and a ALEXA with Russian arm. Worked from camera truck to provide both assistants whatever they needed as they were split units.
12/13 – 3/14
First Assistant Camera
–
Osprey
Film (Feature-length) — Osprey Movie, LLC Details
12/13 – 3/14
First Assistant Camera on Feature film. Shooting Red EPIC with Nikor and Rokinon glass.
2/14 – 2/14
First Assistant Camera (C camera)
–
Young and Rubicam
Goldman Sachs — Advertising — Bunker Details
2/14 – 2/14
ALEXA package. Shot interview with other cams then broke off for B-roll for rest of day.
1/14 – 1/14
HEB "Identity" — Advertising — Region-C
1/14 – 1/14
12/13 – 12/13
Sizzle Reel — TV — Endemol Shine Group Details
12/13 – 12/13
Op'd the reality portion of the Houston bit.
12/13 – 12/13
Assistant Camera (AC) (C300 and 5D MK II)
–
Restaurant Redemption
Food Network — TV — Lion Television Details
12/13 – 12/13
Camera Assisted and Op'd 5D
12/13 – 12/13
First Assistant Camera
–
Trigger Man
Film (Feature-length) — Uberflukt Films, LLC Details
12/13 – 12/13
Camera Assisted on EPIC w/ Nikon Lenses.
12/13 – 12/13
Assistant Camera (AC) (5D Mark III)
–
Land Speed Record
TV — Bandito Bros Details
12/13 – 12/13
Camera Assisted and Media Managed. Started with 3 cameras in the morning, ended up with 8 in the evening.
12/13 – 12/13
Film (Feature-length) — Dangerous Curves Productions Details
12/13 – 12/13
First Assistant on first leg of Feature film. Worked on ALEXA with Cooke S4's.
11/13 – 11/13
TBS — TV — Asylum Entertainment Details
11/13 – 11/13
Camera Assisted for 2 C300's. Canon EF lenses.
11/13 – 11/13
First Assistant Camera
Emerus — Advertising — Sketch Creative Details
11/13 – 11/13
1st AC for RED EPIC.
11/13 – 11/13
CNN — TV — Herzog & Company Details
11/13 – 11/13
Camera Assisted on C300 camera w/ canon EF lenses. Mostly handheld.
11/13 – 11/13
First Assistant Camera
–
VAAC ARMY
Internet — Digital — Uberflukt Films, LLC Details
11/13 – 11/13
Camera Assisted on EPIC w/ Nikon lenses.
11/13 – 11/13
Music Video — Michael Artis Films Details
11/13 – 11/13
1st AC on RED EPIC. Had handheld, stedicam and more on this shoot.
10/13 – 10/13
First Assistant Camera
SKF — Advertising — Stark Productions Details
10/13 – 10/13
EPIC.
10/13 – 10/13
First Assistant Camera
–
Delusions
Film (Feature-length) Details
10/13 – 10/13
Trailer. Alexa flew on a Fisher 11 w/ crane attachment.
10/13 – 10/13
First Assistant Camera (B Cam)
–
McGarryBowen
Verizon — Advertising — Tool of North America Details
10/13 – 10/13
1st AC B Cam on Union ALEXA shoot.
9/13 – 9/13
First Assistant Camera
–
Flashes
Film (Feature-length) — Flashes LLC Details
9/13 – 9/13
Worked half of feature on RED ONE. Multiple mounts including handheld, Stedicam and more. Lomo lenses with 3 on board monitors sometimes. A fun fast moving shoot.
9/13 – 9/13
Film (Feature-length) — Not Disclosed Details
9/13 – 9/13
Short film. RED EPIC. Nikon lenses. Long pulls. Phantom w/ GoPro.
9/13 – 9/13
Assistant Camera (AC) (Utility)
–
The Pheonix
Live/Special Event — Artists Den Entertainment Details
9/13 – 9/13
AC/ Utility. Built 8 C300 cameras with different lenses, mounts for the show.
9/13 – 9/13
Assistant Camera (AC) (C300 & 5D MK II)
–
Imagination
Shell — Advertising — Exit 9 Films
9/13 – 9/13
8/13 – 8/13
Assistant Camera (AC) (7D)
Baylor College of Medicine — Advertising — Laszlo Rain
8/13 – 8/13
8/13 – 8/13
Music Video — Brad Golowin Films Details
8/13 – 8/13
http://www.youtube.com/watch?v=n5ePonnGrlY&sns=tw
8/13 – 8/13
First Assistant Camera
–
McGarryBowen
Chase — Advertising — WarPaint, LLC Details
8/13 – 8/13
First Assistant B Cam on RED EPIC UNION shoot.
7/13 – 7/13
Internet — Digital — NGL Media Details
7/13 – 7/13
I was the AC for the shoot. Built RED EPIC and changed mounts between handheld and sticks as well as changed lenses and made sure camera was ready to go when asked for.
6/13 – 7/13
OWN — TV — Park Slope Productions Details
6/13 – 7/13
Operated, AC'd and Media Managed for pick up days. Shot with EX cameras and set up starlink monitoring system. Handled lighting for interview setups. Made sure correct equipment traveled to remotes.
4/13 – 7/13
OWN — TV — Park Slope Productions Details
4/13 – 7/13
Set up cameras each day for camera operators and other camera duties. Handled all lighting and made sure all lighting and video equipment traveled to each location we visited. Operated on occasions as well.
6/13 – 6/13
TV — Sharp Entertainment Details
6/13 – 6/13
Prepped camera in the morning and helped DP keep camera going. Changed tapes and labeled them for post. Recorded content to log. Set up Titan monitor system.
6/13 – 6/13
First Assistant Camera (RED EPIC)
VillaSport — Advertising — Silver Rock Productions Details
6/13 – 6/13
Built camera and moved it to DP specified mount. Pulled focus and adjusted camera setting to fit the needs of interior and exterior shooting. Transported camera equipment around complex. Labeled media.
6/13 – 6/13
Assistant Camera (AC) (C100)
–
JWT
Pennzoil Fuel Economy — Advertising — Region-C Details
6/13 – 6/13
Was the Assistant Camera and took on the duties of Media Manager.
5/13 – 5/13
Internet — Digital — Watchfore, LLC Details
5/13 – 5/13
Operated Epic camera for the day.
5/13 – 5/13
First Assistant Camera
AT&T — Advertising — Believe Media Details
5/13 – 5/13
Worked with RED EPIC camera and a 18-340mm Optimo lens. Moved camera quickly to different parts of stadium during match. Built camera and prepped before shoot. Pulled focus. Shot slowmo. Broke down and put away equipment upon wrap.
3/13 – 4/13
Film (Feature-length) — Street Corner Films Details
3/13 – 4/13
Transported Scarlet camera to and from set. Kept camera running and would change out mounts between sticks and handheld options. Pulled focus and was always ready to move on.
12/12 – 12/12
OWN — TV — Park Slope Productions Details
12/12 – 12/12
Worked one day for pick up shots on Canon 60D for DP Pierre Meunier.
12/12 – 12/12
First Assistant Camera (EPIC )
Bella Vetro — Advertising — Blue Ribbon Media Details
12/12 – 12/12
Worked with the RED EPIC under DP Chase Rees.
12/12 – 12/12
First Assistant Camera
–
Fore
Internet — Digital — Watchfore, LLC Details
12/12 – 12/12
Worked for DP Jeff Fountain on this two camera shoot. Cameras were RED EPIC and SCARLET.
12/12 – 12/12
First Assistant Camera (EPIC )
–
Spirited
Film (Feature-length) Details
12/12 – 12/12
Short film. Filmed in Garner, Texas over 4 days under DP Larry McKee with the RED EPIC. Camped on site.
11/12 – 12/12
First Assistant Camera (EPIC )
–
Injustice
Film (Feature-length) Details
11/12 – 12/12
Short Film. Worked for DP Chase Rees with his RED EPIC.
10/12 – 10/12
Assistant Camera (AC) (EPIC )
West Ranch Homes — Advertising — Chron.com Details
10/12 – 10/12
Shot a commercial for the Houston Chronicle with DP Larry Mckee and his RED EPIC.
9/12 – 9/12
First Assistant Camera
–
Patriot Act
Film (Feature-length) — Moonlit Filmworks Details
9/12 – 9/12
1st Assistant Camera for this 3 camera feature under DP Larry McKee. Cameras are 2 RED EPIC's and a SCARLET.
8/12 – 9/12
Second Assistant Camera
–
Sanitarium
Film (Feature-length) — Sanatarium The Movie, LLC Details
8/12 – 9/12
Worked with many well known actors and assisted on a one camera EPIC film. DP: Philip Roy.
6/12 – 8/12
Second Assistant Camera
–
Helen Alone
Film (Feature-length) — Shadow Plat Productions Details
6/12 – 8/12
Worked as 2nd AC for DP Larry McKee with his RED EPIC.
4/12 – 5/12
Film (Feature-length) — Rusty Yankie Productions Details
4/12 – 5/12
Was 1st AC for indie feature film under DP Larry McKee. Shot on RED EPIC.
