Working from pre-production through post-production and even through marketing the final film. I work very closely with the producers to hire crew members, and supervise personnel, technology, budget, and scheduling. I make sure the filming stays on schedule and within its budget.
Summary
candace, a Production Coordinator, based in New York, has 1 Production Coordinator credit and 1 Casting Director credit, and has been a member since 2014.
Credits
12/13 – 3/14
Production Coordinator – Brujo
Cvolf Details
12/13 – 3/14
12/13 – 3/14
Casting Director – Brujo
Film (Feature-length) — Cvolf Details
12/13 – 3/14
Worked closely with producers and director to find excellent candidates for auditions, and held through auditions over the course f a month. Eventually casting perfect character matches for the film.
12/13 – 3/14
Key Makeup Artist (SPFX) – Brujo
Film (Feature-length) — Cvolf Details
12/13 – 3/14
The director and I worked very close in achieving the look of the monster creature in this film. I did prosthetic and bald cap application, used airbrush paint, and hand painting/makeup application technique. I also did bruising, and basic makeup as well.
10/13 – 10/13
Art Director – Spit Boys
Film (Feature-length) — B&C Studios Details
10/13 – 10/13
Work closely with the director, and DP (director of Photography) to visually bring the screenplay to life, creating drafts for set construction,preliminary sketches, drawing up wardrobe ideas, working closely with the makeup artists, stylists, lighting technicians, etc. to help create a cohesive look for the film.
9/13 – 9/13
Key Makeup Artist – Dodo
Film (Feature-length) — Brooklyn College Details
9/13 – 9/13
Worked closely with director and actors to create a look for the characters based on the script. Very clean, and natural.
4/13 – 5/13
Production Designer – GiGi Rose - Look but dont Touch
Music Video — B&C Studios Details
4/13 – 5/13
Buying/renting props, locations, and many other items, Attending location and tech. scouts with crew, research for film (time period, character development, psychology behind story, etc). On production days, overseeing set prep and scene readiness, while working closely with the script supervisor to assure each scene is set and consistent.
Recos
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