Carlos Jimenez

Cinematographer

Cinematographer- We did an interesting Exterior Night For Day look. We had no lighting for outside night shots so we adopted a “Night Look” during the day. We tested and sent over to the color grader and the end results were fantastic! In addition to setting the night exterior look we implemented a “creature cam” that was a red Komodo high, handheld, and wide. We then added some spice in post and voila! We ended up with a look that emulated the vision of a goat, which added to the story given we had no costume for a creature!

Cinematographer- I shot miniatures, live action and green screen elements. I also supervised the color grading to set the visual style.

Cinematographer- This film took 10 years to make. Mostly shot in a series of Weekends. Because the story was a fractured storyline and extremely low budget, it allowed us the flexibility of using different cameras to give it its own specific look. Set up shots with Director Discuss color palette Communication with Key Grip, Gaffer, Production Designer on lighting, shadow and set color design Discuss and implement color LUTs

Cinematographer- Shot 5 episodes with 5 different directors to bring 5 stories under one roof. Came up with a look for each episode.

Cinematographer- One of Two films I Shot on a Sony FX9 which was converted to a PL mount and shot with Cinema Lenses. Cinema Lenses used were Zeiss Super Speeds. Created a unique look. It softened the digital footprint and gave the film its visual aesthetic.

Cinematographer- One of Two films I Shot on a Sony FX9 which was converted to a PL mount and shot with Cinema Lenses. Cinema Lenses used were Zeiss Super Speeds. Created a unique look. It softened the digital footprint and gave the film its visual aesthetic.