- Cut 10 - 15 transitions per episode; string out footage for story producers; sort B-Roll. - Uprez Pic-Lock cuts and prep for color correction. - Prep lower 3rds for network cuts; audio pass on Pic-Lock cuts & prep for audio mix.
Summary
I edit (AVID & FCP) TV series, commercials, documentaries and live-actions from ground to delivery. My background in literature and visual arts (Animation/Motion Graphics on After Effects) expedite various stages of story-telling & post-production.
Credits
5/19 – 8/19
Editor – The Real Housewives Of Atlanta (Season 12)
Bravo — TV — True Entertainment
5/19 – 8/19
11/18 – 2/19
Editor – The Real Housewives of Potomac (Season 4)
Bravo — TV — True Entertainment
11/18 – 2/19
8/18 – 11/18
Additional Editor – Don't Be Tardy... (Season 7)
Bravo — TV
8/18 – 11/18
5/18 – 8/18
Additional Editor – The Real Housewives Of Atlanta (Season 11)
Bravo — TV — True Entertainment
5/18 – 8/18
1/18 – 4/18
Editor – Hack My Life (Season 4)
TruTV — TV — Sharp Entertainment
1/18 – 4/18
5/17 – 8/17
Editor – Xscape: Still Kickin' It (Season 1)
Bravo — TV
5/17 – 8/17
2/16 – 5/16
Editor – Behind Bars: Rookie Year (Season 2)
A&E — TV — Lucky 8
2/16 – 5/16
2/15 – 2/16
Editor (Final Cut Pro) – Flatball
Film (Feature-length) — Embassy Row
2/15 – 2/16
Unions
Media
Recos
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Education
Class of '09
Bates College
BA in Film and Literature
My Gear
Skills
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