Worked in the office (creating sides, call sheets, looking up information for other crew and production teams, and completing other duties for other departments) and became a personal assistant for the composer for the second half of the job.
Summary
I was a member of CAPA (Creative And Performing Arts). I learned many techniques such as: set and light design, props master, assistant director, grips, wardrobe assistant, and much more. Can provide references upon request.
Credits
7/13 – 8/13
Production Assistant (office PA/ personal assistant) – Writer's Block
Film (Feature-length) — Illuminati Films Details
7/13 – 8/13
5/13 – 5/13
Production Assistant – How To Catch A Monster
Film (Feature-length) — Warner Brothers Details
5/13 – 5/13
*assisted with extras paperwork (checking in and out) *announcing "rolls" and "cuts" *runner of a variety of things *transporting extras from holding to set and vice versa *assisting other departments when asked
6/12 – 6/12
– Black Sky
Film (Feature-length) — Newline Cinema Details
6/12 – 6/12
As a background extra, I followed directions given by production assistants and casting directors.
5/11 – 5/11
– 5 Year Engagement
Film (Feature-length) — Universal Pictures Details
5/11 – 5/11
Background extra.
3/11 – 3/11
– The Ides Of March
Film (Feature-length) — Sony Pictures Entertainment Details
3/11 – 3/11
Background Extra
11/10 – 11/10
– Last Man Standing
Film (Feature-length) — Lifetime Television Networks Details
11/10 – 11/10
Background Extra
6/10 – 6/10
– A Very Harold & Kumar 3D Christmas
Film (Feature-length) — Kingsgate Films Details
6/10 – 6/10
Background Extra
5/10 – 5/10
– Real Steel
Film (Feature-length) — Dreamworks Details
5/10 – 5/10
Background Extra
Recos
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Education
Class of '12
Central Michigan Univeristy
Neuroscience
Class of '07
Churchill High School
Creative and Performing Arts
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