Christopher Gebhard

Assisted in media ingestion, project management and organization, and project exports using Avid Media Composer and DaVinci Resolve.

Worked with executive producers to address creative and legal notes in final edit. ● Assisted in media and project management and organization using Adobe Premiere. ● Oversaw internal and network review exports, online color and audio prep, and archival media management using Adobe Creative Suite and DaVinci Resolve.

Worked with executive producers to address creative and legal notes in final edit. ● Assisted in media and project management and organization using Adobe Premiere. ● Oversaw internal and network review exports, online color and audio prep, and archival media management using Adobe Creative Suite and DaVinci Resolve.

Creating final online network delivery sequences in Adobe Premiere, addressing Legal and Network notes, overseeing final delivery of program files and show assets to the network for air. Credits include Hamilton's Pharmacopeia, F*ck That's Delicious Classics, Beerland, Earthworks, Weediquette, VICE on HBO, and The Third Industrial Revolution.

Created rough and final edit sequences on 15 episodes using Adobe Premiere. Worked closely with producers and executives to address legal, structural, and creative notes.

Oversaw media ingestion and organization, project organization, internal exports, online exports, and final delivery for 87 episodes totaling 74 hours of content. Assisted in addressing legal, formatting, and creative notes using Adobe Premiere.

"How to Collapse," "Collectively," and "Motherboard" Series. Responsibilities included making sync sequences, clip logs, scene breakdowns, and rough edits using Adobe Premiere, and creating sequence export files using Adobe Premiere and Media Encoder.

MTV’s True Life Series: I Hate My Butt (2015), I’m the Black Sheep 2 (2015), I’m Being Recruited (2014) Created rough and final edit sequences using Final Cut Pro. Worked closely with producers and executives to address legal, structural, and creative notes. Oversaw network delivery and output process.

Managed and organized media and created rough edits using Final Cut Pro. Worked closely with producers and executives to address legal, structural, and creative notes. Oversaw and assisted in network delivery and output process. Also assisted in on-location camera work, field DIT work, and production research.

ESPN’s 30 for 30 Series: Playing for the Mob (2014), Requiem For the Big East (2014) Managed and organized media, logged and synced footage using Avid Media Coomposer. Worked closely with producers and executives to address legal, structural, and creative notes. Oversaw and assisted in network delivery and output process.

MTV’s True Life Series: I Need to Change My Man (2014), I’m a New Millionaire (2014), I Hate His Bromance (2013), I Need to Leave My Mom (2013) Managed and organized media, logged and synced footage, and created rough edits using Final Cut Pro. Worked closely with producers and executives to address legal, structural, and creative notes. Oversaw and assisted in network delivery and output process.

ESPN’s Nine for IX Series: Runner (2013), No Limits (2013) Managed and organized media, logged and synced footage using Final Cut Pro. Worked closely with producers and executives to address legal, structural, and creative notes. Oversaw and assisted in network delivery and output process.