I helped hire the crew and communicated their deals to them as well as found catering for the crew. I hired extras for this 1950s period inspired piece based on Kurt Vonnegut Jr's short story. On the set, I helped where I was needed. It was a very everyone helps out when and where they could atmosphere.
Summary
Website at: http://www.chantelaking.net Linkedin profile: www.linkedin.com/in/chantelking/
Credits
12/15 – 12/15
Production Manager
Staff Position — The Foster Portfolio LLC Details
12/15 – 12/15
6/15 – 7/15
Set Production Assistant
Staff Position — Speculative Pictures INC Details
6/15 – 7/15
As 2nd AD, I was responsible for the Call Sheet. Because of the needs of the shoot, I also completed the Production Report. It was my responsibility to coordinate 1st schedules and tell them and their agents/managers their report time and location every day. I assisted the 1st AD with completing the daily schedule, creating the order on the call sheet, and get the 1st team through the works at the appropriate times.
2/15 – 3/15
Set Production Assistant
Staff Position — Zero Point Zero Production, Inc Details
2/15 – 3/15
I was an on set production assistant for CNN/Zero Point Zero's The Hunt. I helped with A and B camera unit set ups including driving shots.
10/14 – 2/15
Set Production Assistant (Paperwork)
Staff Position — Turner North Center Productions, Inc. Details
10/14 – 2/15
Paperwork production assistant working under the Assistant Director department, assisting with the call sheet, doing the preliminary production report, contacting every department daily for manpower, and other duties as they arose.
8/14 – 9/14
Set Production Assistant (Paperwork)
Staff Position — Bron Studios Details
8/14 – 9/14
Worked in the assistant director department. I created the Production Report and got it reviewed personally by the Producer, Line Producer, and Production Supervisor.
8/14 – 8/14
Location Manager – Memory Box
Film (Short) — Until the Light productions Details
8/14 – 8/14
I helped the directors scout remain locations they didn't lock in and filed all the permits for all the NY city locations. Once on location, I acted as the liaison with the location's owner and answering questions. I also was delegated responsibilities on set by the production manager/line producer.
6/14 – 7/14
Set Production Assistant (Paperwork, Director's Driver)
Staff Position — Sundial Pictures Details
6/14 – 7/14
I started off as a 15 passenger van driver. Due to personnel changes, I moved up to driving the director, Janet Grillo, and becoming the paperwork production assistant.
6/14 – 6/14
Set Production Assistant (Art)
Advertising — Light Of Day Details
6/14 – 6/14
Helped on set with the art department. I created papercranes and taught Johnson & Johnson employees how to make the cranes.
Recos
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Education
Class of '10
Florida State University
BA in Theatre emphasis in Stage Management
Class of '10
Florida State University
BA in Communication concentration in Media Production
Skills
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