Charles McGarrigle

Conducting field interviews, taking story notes to outline the story of the episode, prepping talent in between camera roll, contestant outreach, maintaining show-wide documents

Interviewing and producing 1 of the 2 NBA players, explaining challenge rules, taking story notes, shaping story of the mini-competition and the dynamic between the two players, conducting hero shots, and conveying to the talent the needs of the brand/client.

Casting food truck teams, securing locations for filming, producing the main talent, conducting field OTF's with bystanders, conducting interviews with talent, running beats of the day, maintaining story notes for interview.

Conducting field interviews, taking story notes to outline the story of the episode, prepping talent in between camera roll, contestant outreach, maintaining show-wide documents

Being point of contact between producer unit and talent, conducting interviews, prepping/producing talent in between camera roll, maintaining show-wide creative documents, printing morning materials, taking story notes / camera logs, assisting the showrunner & executives in any needed matter.

PRE-PRO: Prepping the filming of the show by assisting with casting, vetting talent, and pitching games for the season. FIELD: Overseeing the ESU at the talent's house, being the liaison between the production and the talent from start to finish, directing camera, conducting ITM and OTF interviews, conducting 1.5 hour long sit-down interviews about what happened in the show, communicating with the 'home base' to maintain the schedule for the day.

Watching the show being shot through zoom and taking notes/collecting info for the producers to use in the field and post. Also was point of contact between the production team and talent in regards to COVID testing.

Screening potential contestants with video calls to help shape their 'story', helping the showrunner decide which chefs go in which episode, pitching games, updating show wide documents.

Conducting interviews, taking story notes, being the point of contact between producer unit, other departments, and contestants, updating show-wide documents.

Conducting interviews, taking story notes, being the point of contact between producer unit, other departments, and contestants, updating show-wide documents.

Doing string-outs, pulling bites for promo, attaining materials from contestants, assisting the post producers in any other aspect needed.

Was point of contact between producer team, talent, and rest of crew, conducted pre-interviews with talent to frame their 'story' on the show, assisted with on-set interviews, field-produced the talent during taping, took story notes for the producers to use in interview, responsible for retrieval and releasing of contestant materials, maintained show-wide documents for the entire crew (+ post) to refer to.

Used AVID to pull bites for episodes and promos, cleaning AVID timelines, did string outs for parts of episodes, was point of contact between talent and production, responsible for retrieving and releasing materials from talent, organizing post files, marked footage for producers and editors to use.

Was point of contact between producer team, talent, and rest of crew, conducted pre-interviews with talent to frame their 'story' on the show, assisted with on-set interviews, field-produced the talent during taping, took story notes for the producers to use in interview, maintained show-wide documents for the entire crew (+ post) to refer to.

Being contact between chefs and producers, assisting with casting, conducting phone interviews for story, assisting with story interviews, coordinating chef travel with the production team, updating the show's build (the document referred to by all departments for all creative aspects of episode), updating notes during daily lunch meetings, scheduling calls, taking story notes during each cooking round, having Guy Fieri almost learn my name

Did runs for all 3 departments of the company (production, management, and live), stocked and cleaned the kitchen twice a day, maintained the cleanliness of the office, manned the front desk at night, moved the gear in and out of storage whenever needed, generally assisted wherever else we was needed.

Going on runs, set clean-up, closing the set, restocking coolers and crafty, set lock-up, coordinating producer team to wrangle talent, bring as much catering home as possible.

Assisting Neil Sheridan and Alex McKinzie in all aspects of pre-pro, post, and distribution.

Responsible for editing together the clips, and mixing sound for the entire film.

Helped with load-in, load-out, watching over the gear, moving furniture, retrieving gear, assembling stands, standing in, locking down the set.

Helping out where I'm needed, whether it be setting up equipment, getting lunch, addressing the talent, or retrieving gear.

Responsible for ingesting footage, organizing file structures, logging data, cutting down episodes for time - all to be ready for Apple TV launch by the end of the year. Distributed by OCEAN Media.

Responsible for researching potential talking points for the host to discuss on the show.

Responsible for ingesting footage, logging data, organizing the file structure for the show Local Eyes, when it was given to Tinmen to complete by the end of the year for Apple TV launch.

Responsible for ingesting footage, organizing file structures, logging data, cutting down episodes for time - all to be ready for Apple TV launch by the end of the year. Distributed by OCEAN Media.

Responsible for ingesting footage, organizing file structures, logging data, cutting down episodes for time - all to be ready for launch by the end of the year for Apple TV (distributed by OCEAN).

Responsible for checking in and managing the talent, maintained the flow of the auditions overall, holding the camera while someone else auditions the talent, or auditioning the talent myself.

Responsible for ingesting footage, organizing file structures, logging data, cutting down episodes for time - all to be ready by the end of 2017 for launch on Apple TV.

Sorted assets on the QNap for the editors to use, as well as organizing and maintaining the file structure used on Media Silo for all OCEAN assets (Good Spirits, Local Eyes, Go., Ocean Treks, Vacation Creation, Voyager, Royal Naming Ceremonies, Carnival Cruise Lines, Princess Cruise LInes, AIDA Cruise Lines, and P&O assets).

Responsible for ingesting footage, organizing file structures, logging data, cutting down episodes for time, and putting together promotional clips/commercials for high profile clients. When not doing assistant editing tasks, I was responsible for general office upkeep and casting for the television shows.

Responsible for organizing the scheduling, assigning tasks, and partially funding the movie.

Arranging the shots, lighting, and types of lenses to complete the filming of this short film. I was also camera operator all throughout production.

Responsible for translating footage (from Italian to English) taken in Trieste, Italy, for the editors to be able to put together episodes of Local Eyes (distributed by OCEAN Media).

Did whatever was needed, ranging from: standing in, setting up flags, setting up camera gear and cables, ushering in and managing the talent, retrieving gear, breaking down, getting lunch.

Did whatever was needed, ranging from: standing in, setting up flags, setting up camera gear and cables, ushering in and managing the talent, retrieving gear, breaking down, getting lunch.

Responsible for putting together all 6 episodes of the first season, as well as mixing sound for each episode.