Leland Haushalter

Camera Loader for a series 3 camera 4K shoot for Youtube's Create Space.

A camera 2nd AC for an ambitious car commercial for GMC . Shot on ARRI Alexa XT and Arri Alexa Mini on Angenieux zooms and Arri Master Primes. A combination of Super Techno Crane with Libra Head and hostess tray process car rigging. Shot on location in Brooklyn and Upstate, NY.

First AC for a 30 second spot for Carle Hospital. Shot on Red Dragon with mini s4 Cooke lenses.

Day playing as a digital loader on the NBC show Chicago PD.

Additional 2nd AC for NBC's Chicago Fire.

Reality TV camera assistant work for the popular show "Shark Tank" while filming locally in Chicago. Shot on Sony F800.

Digital Imaging Technician on commercial for "Depends". Created dailies and pulled selects.

1st AC for a national commercial for Hefty. Shot on Red Dragon with Arri Master Prime and Fujion Zoom lenses. Hired additional camera crew as well. Process trailer camera management.

Key 1st AC for a live to tape comedy special for the comedian Godfrey. Shot on a mix of Arri Alexa and Amira.

Camera loaded for a 3 day commercial shoot for Crate & Barrel. Cloned and backed up footage using the Data Loader Pro while generating daily shot logs. Shot on Red Epic.

First AC for a PSA Commmercial commissioned by the NFL. Shot on Varicam35 with Angenieux lenses. Provided the Data Loader Pro as well for digital workflow managment onsite.

Key assistant camera for season 2 of Garage Squad. Show was shot on variety of cameras consisting of two C300's, one 5D, and Four Go Pro Hero 3+'s. Hired additional 2nd assistant cameraman to help run a tight ship. Utilized the Data Loader Pro to ingest media assets. Operated occasionally.

2nd AC / digital loader for a two day commercial shoot for Discover Card. Utilized the Data Loader Pro system to clone and backup footage. Provided digitally generated camera reports to post. Shot on Arri Alexa and Amira with Angenieux zoom lenses.

A-Camera 2nd AC for a national McDonalds commercial. Provided the Data Loader Pro to camera department as well. Shot on Alexa, Black Magic Camera and GoPro Hero 4.

Data manager for multiple simultaneous multi-cam shoots.

Assistant Camera responsible for maintaining main and sub cameras for an "on the streets" shoot for the ALS Foundation. Shot on Canon C300, Canon 5D, Canon 7D, Go Pro Hero 4 Black Edition. Hired additional camera assistants as needed.

Focus Puller on a commercial for an upcoming Microsoft product. Shot on Red Epic Dragon with Canon Cine Primes.

2nd AC on a national commercial spot for Hefty brand. Shot on Red Epic with Cook S4 and 5i lenses.

First Assistant Camera for a New Balance shoe commercial shot on RED Dragon with Angenieux Lenses on Stedicam.

Data Wrangler for a Nintendo Commercial. Shot on Red Epic and utilized the Data Loader Pro for footage back up and quality control.

Tasked with the responsibility of loading and managing footage from two Arri Alexas and one Arri Amira. Quality control task with backup to secure SSD technology. Managed with the Data Loader Pro. Redundant card readers for both SXS and Cfast cards.

First Assistant Camera for a corporate video for a cheese importer company. Shot on Canon C300 with Zeiss CP.2 Super Speed lenses. Also provided additional data wrangling equipment.

First AC'd a commercial for the Chicago Blackhawks. Shot on C300 with Angeniux lenses.

First AC for Chicago Blackhawks commercial "One Goal". Shot on Canon C300 with Angenieux lenses.

Data Wrangler for the 'Road To The Winter Classic Blackhawks Vs. Capitals' Provided Data Wrangler Pro kits in the field over a month. Managed media from Sony F55's, Canon 5D's, and GoPro Hero 4's. Also maintained a critical line feed record of each game using the Pix240i.

Assisted DP and B Cam Operator with pickups for the tv show.

First AC for Cadillac commercial spot.

Responsible for managing multiple cameras with downloading and verifying media assets using the Data Loader Pro.

Provided on set data managment services for a music video style commercial for the Off the Street Club in Chicago. This production each year is the result of highly crafted industry coming together each year to help raise money for the club.

Camera operator for a live to tape medical discussion video.

Data wrangler for a commercial shot on Red Epic.

Additional second assistant camera hired for episode 108.

First assistant camera for a feature film being shot on Red Epic and Arri Alexa. Also filmed the arial cinematography for the film.

First Assistant Camera for a medical training video shot on Canon C300 with Schneider Xenar lenses. Also provided production with the Data Loader Pro data management system.

1st AC for Chicago Blackhawks commercial shot on Canon C300. Stedicam and handheld focus pulling.

Additional AC and data wrangler for ESPN's 'whatcha Got?'. Celebrity's race each others in a $250,000 car where the winner drive it home. Shot on 11 cameras.

First assistant camera for a HH GREGG commercial. Shot on Arri Alexa with Angenieux 24-290 zoom lens. Provided Data Loader Pro station as well.

Data Wrangler on Panera Bread spot shot on RED Scarlet with PIX240i Pro-Res Recorder. Checksum-verification of media with pdf shot reports.

1st AC for national NASCAR promo spot. Shot on Arri Alexa with Zeiss Master Prime Lenses. Hired on additional crew to manage media for a tight turn around.

Prepped ARRI Alexa camera with Zeiss Super Speed lenses for an upcoming commercial.

Provided data wrangling for a multi-day shoot on canon c300's Backed up footage and sound files.

1st AC focus puller on a commercial for Associate Bank shooting on ARRI Alexa with Cooke lenses. Provided camera assistant kit and Data Loader Pro kit.

1st assistant camera focus puller for national Boost Mobile commercial. Shot on Arri Alexa with Angenieux zooms. Brought on additional crew such as 2nd assistant camera and digital loader.

2nd assistant camera on the short film "Wam Bam" shot on Arri Alexa 4:3 plus with Ultra Prime lenses. Also utilized the Data Loader Pro system to backup and verify camera mags.

1st AC focus puller for national Burger King spot. Shot on C300. Hired on additional crew such as 2nd Assistant camera and camera pa.

First assistant camera for ABC 7 Eyewitness News spots. Shot on Canon C300 and Ziess CP.2 Lenses.

Key Assistant Camera for a series premiere primetime cable TV Show. Show was shot on variety of cameras consisting of two C300's, one 5D, and Four Go Pro Hero 3+'s. Utilized the Data Loader Pro to ingest media assets. Operated occasionally.

Managed Canon C300 for a national Corona Beer commercial. Utilized the Data Loader Pro Mini for media integrity.

Data managed the Chicago Audtion segments for Unvision's spanish singing competition show " Va Por Ti"

DIT'd a visual FX heavy commercial for Leo Burnett Interactive that will play in Time Square for Samsung up to a year. Shot on Red Epic and backed up using the Data Loader Pro mobile system.

Responsible for camera maintenance and upkeep for the short film 'Jack and Amelia'. Shot on Canon C300.

Was responsible for setup of Canon C300 camera on location and DIT workflow including, de-squeeze anamorphic and creating dallies. Director and DP have won previous Sundance awards for their work.

Key 1st assistant camera responsible for prepping and maintaining 3 Arri Alexa's to record promos and stylistic intro for the 2014 NFL Draft. Lensing included 3 Angenieux zooms and a Fuji Cabrio. Complete wireless systems and Preston follow focus control. Shot over the course of a week in Indianapolis, IN.

Assisted Director of Photography with shooting a documentary for the Special Olympics. Responsibilities included light grip work, media management, and capturing candid moments of our subject. Shot with Canon 5D MKIII and GoPro Hero 3.

1st AC'd national commercial spot for RePhresh women's care product. Shot on Red Epic with Cooke S4 lenses.

Shot a small budget-oriented music video for the rap performing group Sicko Mobb.

DP'd a VFX heavy commercial for Vitamix Blenders. Shot on RED Epic.

A Camera 1st AC on RED ONE MX with angenieux zoom 24-290. Prepped 'B' Camera and 'C' camera as well.

AC'd 52 interviews over the course of a week along with doing the data management. Also prepped Canon C300 for B-Roll each day.

Prepped 3-Canon C100's and a Canon 5D MK3 for a "GAC Presents" tv special. In addition to reality AC work, I also did C-Camera operating during the concert.

AC'd for 'HQ' a TV pilot slated for syndication. Shot on 2-C300's, 3-5D Mark3's, and 2-GoPro Hero 3's. Light media management as well. Also did some 3rd unit operating work.

A camera 1st AC for week like corporate commercial. Shot on RED Scarlet.

A Camera 1st AC who also hired camera department for a commercial shot on two RED scarlets with angenieux zooms.

A Camera 1st AC on large budget wine commercial in California. Shot on Red Epic with Cooke 5i lenses. Hired additional camera crew as well.

Data managed a two day commercial for Corona Beer. Shot on RED Epic with additional Pix-240i recorded. Created shot logs and checked reference footage. Created a streamline workflow with post production.

Main Unit DIT for 'Christopher Nolen's Four Seasons'. Shot on Sony F3 with Sound Devices Pix240 ProRes. Also provided gear and 2nd AC work as well when needed.

Loaded two Sony F3 cameras with SXS cards and Pix240i's.

Provided digital utility services for the Chicago episode of BET's ' Sunday's Best'. Shot on Panasonic HDX-900 for stage competition and B-roll / interviews. Over 5 miles of cabling was laid for the 7 camera stage competition.

1st AC'd on this music video with stedicam and Red Scarlet. Shot on the south side of Chicago.

1st AC for Kraft Mayo commercial. Shot on Red Scarlet with Cooke Zoom.

Camera operated for a Koeing & Strey Real Estate 30 second spot. This spot was shot simultaneously on digital medium format for the print ads, and the RED Scarlet for the commercial. The result was a dynamic ad campaign that will reach viewers at the newsstand and their television sets.

1st AC for Stedicam shots for the " Chicago Dream Home Giveaway" 30 second spot. I also operated for portions not done on Stedicam. Shot on RED Epic.

DP'd and operated in a multi-cam set up for a live to tape broadcast of " In the Zone with Dhani Jones". A 45 minute NFL themed talk show for sbnation.com. Shot on multiple Panasonic HPX-500's with Fujion glass on location in Green Bay, Wisconsin.

B Cam 1st AC for opening sequence of the 2013 NFL Draft featuring The Heavy and 50 Cent. Shot on Arri Alexa's in Brooklyn New York. Prepped both A and B camera.

I camera operated on this corporate interview shoot for the Depression Bipolar Alliance. Shot on the Sony FS700 and with Canon lenses.

I worked in coordination with a DP/Operator who flew in from LA to shoot King Louie's latest music video, " Val Venis". In addition to camera maintenance and focus pulling, I helped manage the data ingest for the shoot as well.

I was the A camera first AC for the feature film " For the Cause". Shooting a feature in 12 days is never easy, but I am extremely proud to have worked on a great film. " For the Cause" will be debuting in the summer of 2013.