Coco Marie Schneider

-Sourcing and licensing 3rd party archival clips for creative team - Sourcing and licensing stock footage for creative time -Overseeing and contract/licensing agreement negotiations with legal counsel and 3rd party vendors/ archival licensees -Overseeing and managing Archival budget in conjunction with Line Producer -Tracking releases (Appearance, Locations, Materials) and managing digital release binder for deliverables to network

-Sourcing and licensing 3rd party archival clips for creative team - Sourcing and licensing stock footage for creative time -Overseeing and contract/licensing agreement negotiations with legal counsel and 3rd party vendors/ archival licensees -Overseeing and managing Archival budget in conjunction with Line Producer -Tracking releases (Appearance, Locations, Materials) and managing digital release binder for deliverables to network

-Sourcing and licensing 3rd party archival clips for creative team - Sourcing and licensing stock footage for creative time -Overseeing and contract/licensing agreement negotiations with legal counsel and 3rd party vendors/ archival licensees -Overseeing and managing Archival budget in conjunction with Line Producer -Tracking releases (Appearance, Locations, Materials) and managing digital release binder for deliverables to network

-Sourcing and licensing 3rd party archival clips for creative team - Sourcing and licensing stock footage for creative time -Overseeing and contract/licensing agreement negotiations with legal counsel and 3rd party vendors/ archival licensees -Overseeing and managing Archival budget in conjunction with Line Producer -Tracking releases (Appearance, Locations, Materials) and managing digital release binder for deliverables to network

--Work closely with story team to research and acquire materials (photos and footage) needed for creative and negotiate licensing terms with approval of legal --Watch-down episodes starting at rough cut thru locked cut to track and flag clearance issues --Work closely with production team and legal counsel to communicate any clearance concerns that need to be addressed --Work with legal counsel to address clearance issues and execute a risk assessment --Track archival footage and images within episodes- secure licensing agreement as necessary --Review all footage and b-roll filmed by production and relay content concerns to legal counsel --Address legal notes on each episode cut at various stages of post production -Organize digital and hard copy binders of all signed release forms (appearance, locations, materials) for final deliverables to network --Create blur list for online editor on non cleared issues and file copy for deliverables --Address standards and practices notes from the network

●Work closely with story team to research and acquire materials (photos and footage) needed for creative and negotiate licensing terms with approval of legal ● Watch down episodes starting at rough cut thru locked cut to track and flag clearance issues ● Work closely with production team and legal counsel to communicate any clearance concerns that need to be addressed ● Work with legal counsel to address clearance issues and execute a risk assessment ● Track archival footage and images within episodes, help secure licensing agreement as necessary ● Review all footage filmed in house and relay issues concerns to legal counsel ● Address legal notess on each episode cut at various stages of post production ● Organize digital and hard copy binders of all signed release forms (appearance, locations, materials) for final deliverables to network ● Create blur list for online editor on non cleared issues and file copy for deliverables ● Address standards and practices notes from the network

-Organize and manage all standard release forms from production -Data managment of all deliverables related to appearance, locations, materials release -Negotiate with third party vendors on third party license fees and terms with support of legal - Handle Deliverables to Amazon

- Acted as Clearance Coordinator (unique situation on this show) -Oversaw the delivery and ingest of daily field footage -Managed AE responsibilities -Oversaw transition from day to night team and created night notes -Communicated and adjusted post schedule to creative team as needed -Assisted the Post Production Supervisor in all aspects necessary -Built and tracked department P.O.s -Processed start paperwork and time cards for post team -Tracked source elements and clearance issues across all episodes -Managed post team and communicated between departments as needed -Worked with post supervisor to manage and adjust post calendar

-Work closely with story and segment producers to locate and pull bites from ingested footage and b-roll in Avid for string outs -Research and acquire third party materials and assist with licensing agreements and track P.O.s. Report expenses to Line Producer -Maintain release binder (Appearance, Materials, Locations) for final deliverables -Assist production team in setting up field shoots and coordinate travel when necessary

-Assist Producers in building out each episode by theme -Research third party materials and secure licensing agreement or release forms -Secure appearance and materials Release forms and Maintain in a binder for final deliverables -Contact potential talent (homeowners) to appear on the show and generate interest and create prospect list for producers -Daily Administrative Tasks