Connor Lynch

Worked as a day-playing non-union loader. Set up village, ran cable, swapped batteries and media, slated and kept camera reports up to date for 2nd ACs when needed.

Reunion Special

Assisted AC with prepping the run bag, managing batteries, properly labeling shot cards and turning them in to DIT. Regularly assumed AC's duties when they were shouldered up. Responsible for packing camera crew van and driving crew to shoot locations.

Celebrity edition featuring Marcus Samuelsson

- Assisted DP and Gaffer with truck and equipment pickups all over the New York Metropolitan area. - Driving Production vehicles (16 foot cube trucks, 15 passengers, mini vans, and picture cars - Managing walkie talkies - Coordinating tasks and distributingredients other PAs accordingly. - Talent pickups - Talent wrangling - Handling releases - Aiding G&E Departments with lighting set up and break down. - Going on runs (lunch, crafty, talent, production office) - Set lockups - Working in Production Office on "non shooting" days

- Set lockups - Managing and maintaining crafty - Managing walkie talkies - Talent runs - Crafty runs - Setting up and moving video village - Aiding Grip & Electric with lighting set ups - Organizing and packing Camera Department gear - Aiding Art Department with scene set ups - Managing receipts - Handling petty cash for interview shoots - Managing vehicles pickup and returns - Working with skeleton crew to film interviews

- Audience load in and out - Helping stage scene for skits - Going on runs (props, crafty, lunch)

- Loaded/unloaded and organized production gear used in the field - Delivered cameras and lenses for servicing - Production vehicles returns - Lunch runs - Kept office refrigerators and pantry stocked - General office upkeep

Was originally hired on as a "local" PA in Connecticut for 4 days, but was then invited to stay on as a member of the crew for the remainder of the season. Responsibilities: -Organization and loading/unloading of production van - Setting up and scrimming/gelling lights - Assisting AC prepare camera packages (C300, FS700, GoPro) - Working as grip for B- role segments with DP and Camera Op - Setting up and recording B- role while main unit was filming the show - Making sure all cameras, mics, lights, etc. had fresh batteries - Assisting sound department by working in as a boom pole operator - Prepairing and maintaining crafty services - Lunch runs - Handling releases - Returning rented equipmeny - Taking cameras and lenses in to Canon to be serviced - Driving talent when needed

'Djalenga' Commercial -Aided in the transport and loading/unloading of all production equipment on a multi-location shoot -Helped with lighting set up(Kino Flo 4x4 systems, Arri Fresnels, Arri True Blues) -Laid out dolly track -Went on lunch run

-Organized and maintained an accurate record of expense receipts of everyday expenses as well as separate files for various film festivals. -Attended meetings with clients to take notes -Uploading video content onto servers for current and future preproduction mood edits -Runs to various stores for office supplies, computer parts, and groceries -Tea and coffee -General daily office upkeep

- Lighting setup and management - Hollywooding certain lighting setups - Worked as additional grip - Set up dolly track and jib - Aided in the operation of the dolly and jib