Crisveth Ortega (She/Her)

Responsibilities: Creating a storyline for acts via stringing out footage using Avid Media Composer and producing through the show’s source footage including daytime reality and interviews. Working closely with editors to develop stories and have a continuous story arc throughout the episode. Creating string outs in a short turnaround.

Responsibilities: Creating a storyline with multiple cast members for a full episode via using Avid Media Composer 8 and producing scene including competition challenges, A-B-C story pods and have a continuous story arc throughout each episode. Working closely with EP as episodes are aired daily. Worked with Google Sheets to track story.

Responsibilities: Creating a story line for full episode via editing using Avid Media Composer 9 and producing scenes including observation days, teach days and Jo Return days. Working closely with editors to develop stories and have a continuous story arc throughout each episode. Working closely with EPs to address notes and Lifetime notes in a short turnaround

Responsibilities: Creating a story line for full episodes via editing using Avid Media Composer 8 and producing scenes including sewing days and judging/announcing winners. Creating personality packages to put through the episodes. Working closely with editors to develop stories and have a continuous story arc throughout the competition series. Addressing notes for Netflix in a quick turnaround.

Responsibilities: Creating a story line for acts via editing using Avid Media Composer 7 and producing through the show’s source footage including mystery box and in studio challenges. Working closely with editors to develop stories and have a continuous story arc throughout the episode. Creating string outs in a short turnaround

Responsibilities: Creating a story line for acts via editing using Avid Media Composer 8 and producing scenes including build days and judging/announcing winners. Working closely with editors to develop stories and have a continuous story arc throughout the season. Connecting with Supervising Producer and Story Producer about Bravo notes and addressing notes in a short turnaround

Responsibilities: Creating a story line for acts via editing using Avid Media Composer 6.5 and producing through the show’s source footage including mystery box challenges and eliminations. Working closely with editors to develop stories and have a continuous story arc throughout the season. Creating string outs for producers and editors upon request in a short turnaround

Responsibilities: Creating a story line for acts via editing using Avid Media Composer 6.5 and producing through the show’s source footage including eliminations and season finale supertease, working closely with editors to develop stories and have a continuous story arc throughout the season and creating string outs for producers and editors upon request in a short turnaround

Responsibilities: ingesting, multigrouping and backing up media with a short turn around, organizing heavy amounts of media to projects and drives, creating stringout for editors and directors to overview the following day, and making subtitles and title cards for placements for the official graphics

-Managing media with AJA Drives to hi res and low res files - Setting up projects as well as digitizing, grouping, creating AAFs, converting and outputting - Organizing audio tracks for editors - Ingesting GFX and SFX - Backing up media - Working with ISIS Management and troubleshooting - Uploading to MediaSilo for viewing - Worked with SONY, OSMO, GOPros and Blackmagic Camera - Grouped up to 13 camera with 45 audio file.

Responsibilities: AE - Syncing, Loading/Transcoding, Grouping/Multi-grouping, exports, organizing and relabeling footage and bins, importing titles and graphics, and managing deadlines. AP - creating kickstarter campaign, managing the social media platforms, assisting with budgeting, crew, appointments with grants and film festivals, coordinating with director with screenings.

- Ingested and transcoded footage (RED camera, Drones, 4K footage), grouped and syncing multi cam scenes - Comfortable with media managing on drives and using Interplay or the ISS - Able to work independently, with minimal oversight - Comfortable with a fast paced workflow and busy environment - Experienced with online prep within an all tapeless environment - Organizing footage, creating stringouts, pulling bites / frankenbiting - Export sequences for screening and pulling selects for Director or Producers

- Helping with EP on set - Making great and important field notes for post production

-Setting up and creating projects for edit -Backing up and importing Avid files -Backing up media on multiple drives -Syncing and grouping -String outs -Music Cues -Blurring -Pulling music and SFX for editors -Exporting and posting cuts for internal screenings and network deliveries -Prepping sequences and AAFs for online and mix

Have 2+ yrs experience on Avid and know Interplay. Responsibilities include ingesting, grouping, string outs, project organization, create new projects on interplay, exporting and archiving/stock footage, creating deliverable, creating subtitles, lower thirds, locators and titles.

Writing press release to the media, coordinating the stages and designing the space, managing workers, building social media and connecting with media.

Responsibilities: logging notes for field producer, writing hot sheets for producers, coordinating with talent arrivals and helping with OTFs interviews.

Responsibilities: Assisting the production of a video art piece short, managing petty cash, organizing shot list, assisting the artists with scenes, audio and talent, bring in talent on set, managing crafty, help camera with equipment, helping with the art department, organizing props for the next scene

Responsibilities: crowd control (500+ pitchers), helping casting producers with the application process, giving out application to walk in pitchers, communicating with the casting director about task for the day.

Responsibilities: assisting camera operator and director with equipment and lens, updating the crew about schedule and making sure we were on time, managing releases for property, location and talent, and shooting broll and interviews.

Responsibilities: Coordinating between PA's for runs, helping out with clients needs, directing PA's to help out with specific departments, managing petty cash and receipts, communicating closely to AD and Line Producer about expectation towards the day and scene, drive rentals to location, help with art department with any additional last minute organizing/purchases.

Responsibilities: Logging throughout the day of eventful activities that happen, create a hot sheet for producers, communicate with executive producers and director about recap of the day

Responsibilities: managing receipts and petty cash, finding props for interview set, helping AC's and camera operators with equipment, driving production vehicles, managing walkies, assisting production coordinator, helped with prep days and wrap days, communicating with field producers about scenes.

Responsibilities: helping casting producers with upcoming talent, organizing audition rooms, managing crowds (over 3000+), helping with paper work for talent and producers

Responsibilities: driving talent/crew to location, managing release, crafty and helping out the coordinator.

Responsibilities: Transferring to backup drives. Organizing the media for the director and editor. Finalizing release forms for post production.

Responsibilities: Logging and highlighting events throughout the days, assisting story producers with beat sheets and organizing for the day, helping on set with lights, camera and cabling, helping the line producers with petty cash and runs, writing out a summary of the logs, communicating with the director/exec producers on notes and highlights

Responsibilities: managing PA's, assisting AD's and Director with special needs, organizing lunches and breaks, gathering talent together, helping with art department with final touches

Covered the following: Assisting producing, Logging/Transcribing, Media Management, and Story PA. Assisting with setups equipment and pre-production story meetings, reconciled expense reports for production lunch and crafty, doing runs for the field/office, managing releases, transferring media to backup drives, collaborating and documenting with producer about creative stories, helping with OTF questions, helping direct and creating beat sheet.

Edited in Avid Media Composer 8. Working in 4K footage. Responsible for transcoding, renaming, organizing and sub-clipping footage before editing. Through the editing process, looking for the great story and cueing scenes. Creating creatives ways to make the story interesting for audience. Editing with features like multicam, zooms, flip footage, etc.

Sound designed in Pro Tools HD. Responsible for creating sounds in scene by looking through the time of day, creating moods in levels, building transitions between scenes through using the foley room to create sound effects.

Ensured that principal talent were in make-up, wardrobe, etc. Helping to raise money to finance production. Partnering with restaurant for crew lunch donations. Helping art department with setting up and wrap up. Contributed creative ideas to the production. Coordinating PA's on the field. Updating changes to crew on set.

Edited promos for the University of Miami's Bill Cosford theater. Cutting on Avid Media Composer 8. Organizing sample of promos for client. Building a relationship with client and their creative ideas towards the promos. Creating multi rough cutting scenes to the director, transferring scene through online such as YouTube or Vimeo.

Shot in Canon 5D Mark III. Pre-production with location scouting and storyboarding. Arranging lighting for different scenes in the music video and directing the talent in the position. Changing CF cards within shoots and logging media. Pre-editing in multicam on Avid.

Shot in Canon 5D Mark III. Pre-production with location scouting and storyboarding. Arranging lighting for different scenes in the music video and directing the talent in the position. Changing CF cards within shoots and logging media.

Edited on FCP 7. Transcode footage and sub-clipping before editing. Organizing bins, logging in footage, finalizing a solid story emerges, and managing media.

Assisted with DP on importing Red Epic footage on a hard drive. Arranging lunches for crew, prepared pre-production and post-production documents, helped purchase props for set, assisted with set challenges, and logistics.