Dan Schroeder

Community engagement in neighborhoods before we filmed in them. Helping prep and wrap crews in Red Bank New Jersey.

Negotiated and secured contracts for homes and businesses surrounding shooting locations in New Jersey.

Community engagement and contract negotiation in neighborhoods before we filmed in them. Helping prep and wrap crews.

Community engagement and contract negotiation in neighborhoods before we filmed in them. Helping prep and wrap crews.

Community engagement and contract negotiation in neighborhoods before we filmed in them. Helping prep and wrap crews.

Oversaw preps for shoots, helped coordinate parking and load in, and acted as liaison with property owners.

Community engagement and contract negotiation in neighborhoods before we filmed in them. Helping prep and wrap crews.

Searched for and secured holding spaces in the NYC area, created maps and ran routes to locations, helped coordinate parking and load in, indoor and outdoor signage, oversaw prep and wrap days, worked with NYPD, helped set up HMU and wardrobe stations, and acted as liaison with property owners.

Searched for and secured holding spaces in the NYC area, created maps and ran routes to locations, helped coordinate parking and load in, indoor and outdoor signage, oversaw prep and wrap days, worked with NYPD, helped set up HMU and wardrobe stations, removed garbage, and acted as liaison with property owners.

Community engagement and contract negotiation in neighborhoods before we filmed in them. Helping prep and wrap crews.

As Set Dresser, I moved and placed props and set dressing on-site, working with the Set Designer and Props Master

As Production Assistant on John Wick 3, I mainly performed lockups, and assisted the production in logistics such as getting out times from department heads.

Working as a Production Assistant on one of Snapchat's pilot video series, I picked up the crew and their gear and transported them to location. On the shoot I assisted in fire watching the gear and going on lunch and coffee runs.

In my capacity as a Production Assistant for Group Nine Media, I drove a box truck to transport gear from the rental house to set.

In my capacity as a Production Assistant on ESPN's Enhanced, I performed various tasks. I picked up the crew and their gear and transported them to location. On the shoot I helped with craft, picking up meals, and fire watching the gear.

In my capacity as a Production Assistant on Stephen Spielberg's Why We Hate, I've had multiple duties. I've been trusted with crew and gear pickups, driving crew and gear to as far as New Haven, setting up lighting arrangements, assisting camera, going on runs, and doing office work by organizing location and appearance releases and coordinating travel accommodations.

As Production Assistant on Dorian Electra's The Dark History of High Heels, I worked in complex set building, carpentry, food runs, light set ups, and transporting gear.

As Script Supervisor on Dorian Electra's Clitopia, I worked with the camera department to ensure continuity, and ensure that ever we recorded every shot on our shotlist.

During my time as Brian Levant’s Writer's Assistant, I transcribed and edited Max 2: White House Hero, a Warner Bros. film. I also managed Mr. Levant’s office; rolling calls and assisting with necessary pre-production.

During my time as Brian Levant’s Writer's Assistant, I transcribed, edited, and unofficially creatively contributed to UpTV's The Game of Love. I also managed Mr. Levant’s office, rolling calls and assisting with necessary pre-production.

Helped fund and develop Ryan Nanni's short film Ketchup and Blood.

As a transcriber/logger at Harpo Studios, I made written transcripts for Oprah: Where Are They Now. I timecoded and logged raw footage for use by staff editors.

As a logger at Harpo Studios, I made written transcripts for Iyanla Fix My Life. I timecoded and logged raw footage for use by staff editors.