Douglas 'Dugmoore' Gentry

Backed up media, transcodes, uploaded to Frame i.o., applied LUTS created by the DOP, exported screen shots from Davinci Resolve for the DOP, communicated with the AC and sound department regarding cards and offloads, kept spreadsheets of media, and tracked drives.

Took photographs at the request of Joe Cummings (CNN / Travel & Leisure, Lonely Planet) of a live event for his article "Rock The 'Kok: The State of Rock Music in Thailand". My photo was used as the hero shot for the article. See the article at https://www.koktailmagazine.com/content-detail/rock-the-kok

Edited casting and sizzle reels for the development,emt department. When appropriate, researched additional social media, music, images, and other B-rolls to enhance the sizzles, orffering suggestions on followup interview questions when necessary. Communcatied with assistant editors about ingestining media and trobule shooting.

Edited videos for social media using Premiere / Jump. Selected music, and sound effects, identified fonts/graphics that were appropriate for the media, incorporated notes from producers, offering creative suggestions when appropriate for RuPaul's DragCon 2022 in LA.

Copied Alexa Mini LF and audio files to multiple drives, applied LUTS, transcoded media and uploaded to Dropbox, created DIT reports, (shipped and tracked hard drives for Director Paul Nihipali). Liaison with the editorial team to ensure transcoding specs.

Copied Alexa Mini LF and audio files to multiple drives, applied LUTS, transcoded media and uploaded to Dropbox, created DIT reports, checked green screen quality for the DOP as well as for the director (Paul Nihipali). Exported screen grabs for the director.

Copy media cards to three drives, create a QC spreadsheet, use Hedge verification, view all footage as time allows between changing cards. Communicate with camera assistants regarding cleared cards.

Set up basic lights, work with color control, flags, reflectors, C stands, camera accessories, and sound gear, and monitor sound during the recording of ENG style interviews.

Copy media from the Red Komodo camera, apply LUT and timecode window information, transcode dailies for Avid Media Composer using Davinci Resolve, act as a liaison to the Assistant Editor for an episode scripted series. Coordinate drive pickup and drop-offs with PAs and Assistant Editors.

Supported the camera department with green screen and DIT.

Edited multi-cam host-driven auction show with a game style format. Occasionally contributed factoids, pulling stock music, hosted by comedian Bill Engvall. Worked with Premiere and Nexis at Christy's Editorial in Burbank.

Collaborated with Artist Coleman Moore to create a polished looking music video on a limited budget. Brainstormed concepts, modified them to fit the budget, secured locations and crew and supervised color correction. DOP:Joe Rubinstein AD: Thy Tran Colorist:George Yamamoto AC: Carrington Steele

Copy and transcode data, use Hedge data verification software

Hired by Jen DeMartino to editing casting videos for couples/ teams on a mission.

Load in and load out of audio, music, and inflatable movie screen for a live screening. Helped set up band gear, run stingers, XLR cables.

Hired by Jen DeMartino to editing casting videos for competition style talent show. Was hired due to being able to work with Avid and Premiere.

Deliver a robotics cameras and teleprompter to Salt Lake City, set up and QC, then deliver at 6 AM for a remote controlled shoot due to Covid safety precautions. Afterwards camera breakdown, load, and data wrangle media for Fedex drop off, return to LA, all in 72 hours.

Secured interviews with bands, songwriters, and producers, and took photographs for a print only magazine that is distributed at Rough Trade Records London, Concerto in Amsterdam, and better vinyl stores in Australia, and coming to the USA. Arranged approved media from music managers and promoters, photographed live events, researched various artists and their musical histories, advised social media presence, developed story ideas and interview questions. Interviews have included Rodney Bingenheimer, Geza X, documentarian Stuart Sweezy, and other unique underground voices of the California music scene.

Writing and directing voice over, selecting soundbites. Also creating cuts that would piece together a story involving motorcycles, Iceland, and gender equality into focused storyline. Supervising and making suggestions to stock footage, graphics, music, color and sound mix, as well as supporting marketing and festival submissions. Completed the story after the project changed hands.

Additional editing to create the story outline, reducing voice over, pulling soundbites and rearranging the sequence of events, negotiating stock footage and music prices, sound editing.

QC and copy media to three hard drives with Hedge software, documenting files in a spreadsheet for post production. The film is screening at festivals in 2021.

Over cutting and researching archival photos and video, ascertaining ownership and negotiating prices, following up on options to replace photos when licensing could not be resolved.

Created the story line from interviews, Broll, and archive footage. Edited segments, modifying After Effects lower thirds and end credits, writing voice over, picking out stock music from Extreme Music, supervising audio mixing & color.

Transcode and sync dailies for the editor, search for temp music, sound effects, do a basic color and sound mix pass, exports for viewing.

Edit segments, creating the story from shot footage, modifying After Effects lower thirds and end credits, writing voice over, picking out stock music from Extreme Music, supervising audio mixing & color.

Edited trailer and rough cut that resulted in a $100,000 USD award from the Whicker Foundation, among other grants. Hope Frozen went on to win Best International Documentary at Hot Docs, was picked up by Netflix, and went on to win an International Emmy, the first Emmy from Thailand.

Pull selects with director Saman Kesh along with the agency staff, export and upload to private Vimeo links for client viewing. Became an on-set editor for the same commercial.

Transcoding media to Avid MXF files, moving bins, sound effects editing, assembling rough cuts, preparing EDLs, AAFs for online, minor effects editing such as adding sweat hits, blood hits. Researching stock footage as needed.

Wrote the script and created a BTS video for the feature action film Attrition from interviews, stills and various B-roll footage, as well as created the questions for interviews.

Wrote and edited episodes, including picking out music, advising camera staff on proper codecs, color profiles for cameras, write voice over, created factoids, for a docu follow racing series with a comedy angle.

Created the pitch video with the director that resulted in the award for the Wicker's World Foundation Top Prize (Sheffield, UK). Continued as the Assembly and Assistant editor with Director Palin Wedel. Pulled soundbites, helped with Thai to English subtitles, created string-outs and assembly edits of all scenes. Added SRT files as needed, helped with story ideas, basic color correction, and implemented feedback for the rough edit. Screened at Hot Docs 2019 and took home the prize for Best International Documentary.

Backup cards from the RED to multiple dries using Hedge data verification software, transcoded dailies for Premiere using Resolve. Liaison with ACs, audio team, and post-production regarding paperwork, QC sheets, tech specs, and track drives. DOP: Martin Landsburg Director: Josh Dixon

Creating GIF and other social media content during the live performance of Imagine Dragons.

Recutting scenes to condense the length, exporting viewing copies, helping organize the storyline, audio mix, basic color correction

Editor and co-writer for 4 to 14 minute undercover/ investigative news stories in Southeast Asia (Burma, Cambodia, Indonesia, Laos, Vietnam). Reading English voice over, facilitating accurate translations. Also did additional editing for correspondant Clovis Casali after Cyril Payen returned to Paris.

Backup cards from the RED to multiple dries using Shotput Pro data verification software, transcoded dailies for Avid using Resolve. Liaison with ACs, audio team, and post-production regarding paperwork, QC sheets, tech specs, and track drives. DOP: Martin Landsburg Executive Producer: Claire Davidson Directed by Vittorio Badini Confalonieri

Basic PA duties such as loading and unloading gear, helping out with deliveries, food runs, basic translation with local crew, some camera assistant and data wrangling duties.

Data Wrangling and Transcoding material, data verification, uploading via Media Shuttle (Signiant). Creating shot list via Google Drive.

Create a story from interviews,write voice over in English, facilitate translations to English to ensure accuracy, implement feedback from the producers in Paris, esure exported files met broadcast technical standards, and facilitated this with the QC team in Paris. Maintained confidentiality regarding sensitive information on sources, helped find additional sources.

Assembled rough cuts of scenes shot in China, refined cuts based on feedback, created exports, maintained hard drives & organized media.

Sound clean up, recreate some effects from previous editors exports, sync sound, export viewing copies.

Avid Assistant. Syncing dailies, ingesting media, tracking paperwork, moving bins on ISIS storage.

Co-editor and Assistant editor on "Life of Liew" a Thai PBS movie.

Create string outs of soundbites to create the skeleton of the story for 6 episodes, then edit, supervise the color and sound mix for Producers Michelle Garforth and Lauren Dale.

Edited and helped shoot B-roll for the first electronic music show on the Direct Drive. Oversaw all post-production through the delivery process. Guests ranged from Basement Jaxx, Dub Pistols, Supreme Beings of Leisure, Fatboy Slim, Orbital, Groove Armada, and more. Hosted by Veronica de la Cruz and produced by Doug Kluthe.

General Avid assistant duties, as well as supervised all online conforms, color and audio sessions, occasionally creating assembly edits an sizzle reels.